A documentary entitled *The Stringer* attributed the photograph to a Vietnamese freelance journalist, Nguyen Thanh Nghe, who is interviewed in the film. In the film, Carl Robinson, then AP’s photo editor in Saigon, admits to having lied and altered the caption of the image on the orders of his editor-in-chief, Horst Faas. “Nick Ut accompanied me out in the field. But he wasn’t the one who took this photo... It was me,” asserts Nguyen Thanh Nghe. I agree with you that what has been lost is the cultural practice of receiving it, due to the deluge of images.