Every film featured in the intro had at least one trailer (sometimes more) posted in the [email protected] community.

• Worldbreaker (2026, dir Brad Anderson)
• Cold Storage (2026, dir Jonny Campbell)
• Dead Man’s Wire (2026, dir Gus Van Sant)
• Muzzle: City of Wolves (2025, dir John Stalberg Jr.)
• Dust Bunny (2025, dir Bryan Fuller)
• Turbulence (2025, dir Claudio Fäh)
• Night Patrol (2026, dir Ryan Prows)
• We Bury the Dead (2026, dir Zak Hilditch)
• Not Without Hope (2025, dir Joe Carnahan)
• Afterburn (2025, dir J.J. Perry)
• Relay (2025, dir David Mackenzie)
• Hallow Road (2025, dir Babak Anvari)
• Stolen Girl (2025, dir James Kent)
• Dead of Winter (2025, dir Brian Kirk)
• The Cut (2025, dir Sean Ellis)
• Charlie the Wonderdog (2026, dir Shea Wageman)

and

• Whistle (2025, dir Corin Hardy)

My guess is the return on investment for advertising spend put into theatrically released mid-budget features is entirely negative, so they just don’t do it. The only reason trailers even get made anymore are for people browsing their streaming platforms (when they stop on a movie with an interesting looking thumbnail/poster and want to know more), the handful of folks who see movies in theaters anymore and weirdos like me who like to see what’s coming out.

The masses to go to movies when their “friends” tell them they need to see something, whether those friends are actual acquaintances or the little people in their phones and podcasts.