Hey video creators, do you want to get featured in a Community Media Spotlight?

We do a regular series on youtube and peertube (and our blog, though they don't all publish at the same time) where we highlight independent media creators across the world.

The most recent one is here: https://www.youtube.com/watch?v=kD_Xsb1LECU

and here: https://communitymedia.video/w/gMNVH3gRZBcG1bksiLF7y1

and is about Working Class Music, who's videos can also be found on New Ellijay Television at @workingclassmusic

If you do a series of videos, podcasts, a live stream, a video game, fiction, or other "media" and want us to give you a shoutout, reach out!

Community Media Spotlight - Working Class Music

YouTube

I said it at the end of that post, but I was not clear at the top.

This offer also extends to all #gamedevs, toymakers and and any other kind of independent media producers.

I'm looking for a 30 - 90 second video spot about what you do that we can upload (like what we've done so far for Joker Joker TV and Working Class Music) and, if you're interested, a longer interview about your creative process in the style of What's Stopping You: https://vod.newellijay.tv/w/pgudbseVPhheAjpbC8fDYb )

What's Stopping You - S01E01: Introductions

PeerTube

This all ties back in to the thing I was talking about with @MannycartoonStudio this past weekend (see: https://retro.social/@ajroach42/116236626685474151 )

We want to live in a world where independent creative people can make their own things and be successful, without having to borrow mindshare from Disney or the (fascist monsters in the) Ellison family.

And that means that we have to showcase independent creators at every turn, and highlight and celebrate and *pay for* their works.

Andrew (Television Executive) (@[email protected])

Spent the day with a friend from the indie toy world and one of the things we ended up discussing at length was the idea that, as artists, it's very difficult to make a living without engaging some kind of pandering. In the art toy community this takes the form of something called "platform toys" which are largely generic barely characters that serve as a platform for multiple color schemes. Mostly, this means making a boring toy, and then letting a bunch of different artists get together and paint it in the color schemes of well known characters from big corporations like Skeletor or Darth Vader. I had thoughts, I'm going to try and summarize them here.

Retro Social

There's another aspect to that idea, though.

The fan art/fan fiction/mash-up/bootleg phenomenon happens partly because that's how people process the world.

Pop Culture is Folklore. Star Trek fan films are Dante's Inferno.

But a fascist sympathizer owns star trek now, and when we tell Star Trek stories we're allowing a little more of our collective folklore and collective culture, our mindshare, to go to a thing owned by fascists.

(and, certainly, vice versa. Every queer star trek story is an act of defiance, but it's an act of defiance that still requires being versed in a media property owned by shitbags.)

This is not to say "don't make fan fiction", and I fear that's how it reads.

I love fanfiction. I think it's wonderful. I like to see more of it.

I do a lot of what is essentially fan fiction!

But I work with characters from the public domain. Stuff that no one owns, or I guess that everyone owns.

I'm not against the idea of remixing. I love a remix.

I'm against the fact that most modern remixes accidentally serve to keep things owned by Disney and David Ellison in people's brains.

When two independent toy makers make their own versions of Dracula or Frankenstein, or repaint one another's toys in their toy's color scheme, I get hype. No one owns those things they're creating but them, and no one benefits from it but them, and that's sick.

When independent toymakers make another skeletor variation, I also get hype, but I also get a little sad because Universal could step in at any moment and say "I don't like this, you can't do it" and they would have very little recourse.

Fuck a corporate copyright, remix whatever you want, don't feel bad about it, figure out how to make your bread.

That's why, when I make something (like a Sky Pirate dime novel series, or a Space Exploration/Away Mission video game (and podcast series) or a show about hunting bigfoot) I use a cc-by-sa license.

I want people to remix. I want them to do it without fear or real constraint (beyond simply telling the world that it came from something I produced and making it a little easier for folks to find my thing.)

Actively and desperately, I want to see more independent artists and creators embrace more things that don't enrich a distant (often fascist) billionaire, and if they can shine a little more light on one another in the process, all the better.

I wrote a lot about this idea.

I wrote a "manifesto" about it.

https://ajroach42.com/the-small-things-manifesto/

The core idea is that we have to stop giving power to major corporations.

Stop asking for permission, certainly, but also stop working in ways that allow them to gatekeep us, or encourage us to be silent, or push us to the margins.

And, whenever possible, work together by default.

The small things Manifesto

This is a work in progress, a living document.

@ajroach42 i agree. Most of the pins I created for my shop are lil self contained ideas not based on anything owned in the larger sense. I miss judged how much storytelling id need to do to sell my notions to people. I tried a few IP swipes and mash ups thinking that's what was holding me back 🙃

Now I use my own original sculpts overtly to showcase other people's creatives. Lol I might be UNWELL! LOL.

#witch #dinosaur #skateboarding #enamelpins #pizza #coffee

@MannycartoonStudio Time to storytell.

@ajroach42 ive got it in me somewhere. I just need focus. I kinda know how I want to tell the stories...focus is the main issue.

#sloth #astronaut #animation

@MannycartoonStudio

I don't think it's focus, or at least I don't think it's *just* focus.

It's also having the right help, and having the right time. Day job's are exhausting, and doing nothing is a whole lot easier than doing something after you spend all day working for other people.

I'm not very focused (as you can see from the number of things we usually have in the works) but I get a lot done (as you can see from the number of things I've done.)

Getting organized and building the discipline to work, regardless of what you're working on goes a long way.

Giving yourself a billion projects to pick between helps with the lack of focus.

@MannycartoonStudio Executive function is the hard part. Getting started on *anything*, can be hard, especially when the world is ... the way it is right now.

But, at least for me, I can trick myself into getting some work done by working on something I'm not supposed to be working on. I get that novelty dopamine hit every time I change projects.