Wondering what to do rather than buy a missile or bomb today?

You could feed all the region's hungry children for the cost of this war

Or cure a disease

Or buy this €30,000 🪗 instead of a drone

Cavagnolo Digit AiR Série LB12+ Carbon Fibre Digital/Analog Optical Switch Bluetooth OLED Screen, weighs 1.5 kilos (3.3 lbs!)
https://cavagnolo.com/en/accordeon/digital-accordion-air-serie/
#Accordion

@AccordionBruce

it's carbon fiber. that makes it bulletproof/tactical *AND* a musical instrument, right? :)

@paul_ipv6 @AccordionBruce Carbon fiber is very NOT bullet proof.

edit: What you want is a Polycarbonate Accordious machine. Perhaps some kind of Lexane-based titanium frame.

@CatsofArrakis @paul_ipv6
I think you might not want to drop this accordion

But (if it didn’t cost €30,000) it’d be interesting to see some comparison tests

@CatsofArrakis @paul_ipv6
The aluminum standup bass I saw once dating to the Second World War on the other hand…

Used for touring USO bands, and as of 1999 or so fighting the powers in the buildup to the anti-WTO protests in Seattle 🪧 🐢

@AccordionBruce @paul_ipv6 An aluminum bass! The resonance would have had many harmonics not found in wood. Steel sounds better than Al. I've made aluminum wind chimes. I prefer wood. But, I have thought about adding an exciter to a metal instrument and playing with feedback.

@CatsofArrakis @AccordionBruce

additional vibrating surfaces can do some interesting stuff.

lloyd loar was a mandolin player who helped the gibson company develop one of its most popular mandolin models, the f5. prior to that, he was involved in the virzi tone producer, a small spruce disk glued to the underside of violin and mandolin tops.

while it was supposed to produce more vibrations and a more complex tone, it also acted as an impedance load on the top. the result was a more directional sound, where more sound went out the front of the instrument, making the sound carry better in a concert hall.

https://www.gibson-prewar.com/virzi-tone-producer-lloyd-loar/

Gibson Pre-War Guitars, Kevin Mark Designs - Virzi Tone Producer, Lloyd Loar

This is the personal home page of from , .

@paul_ipv6 @AccordionBruce I was designing a resonator with this rubber flap that sounded great except the low B was only fart noises. oh well, didn't sell.

@CatsofArrakis @AccordionBruce

so, *un*sympathetic vibration? :)

@paul_ipv6 @CatsofArrakis
Wasn’t the frying pan 🍳 electric guitar cast aluminum?

Could have been a different world. Are steel guitars still made that way?
https://en.wikipedia.org/wiki/Frying_Pan_(guitar)

Frying Pan (guitar) - Wikipedia

@AccordionBruce @CatsofArrakis

solid body electrics sustain based on mass. more mass, longer sustain.

builders have experimented with steel bodies, concrete, etc. the problem is that it gets more sustain but that much weight sucks on the players' shoulder.

cones for resonaphonic instruments have used spun aluminum successfully.

@paul_ipv6 @AccordionBruce @CatsofArrakis How about an aluminum double bass? Made in the 30’s, and originally painted with fake wood grain, but nowadays people polish them up.

@paul_ipv6 @CatsofArrakis
One of the more Nazi of the captains of the #Hindenburg, Ernst Lehmann, played an aluminum piano on board to save weight

He also played #Accordion, but I don’t know if it was made of aluminum

He went down with the ship

@AccordionBruce @paul_ipv6 Nein replies in and ve end up at nazis. Isn't that a drinking game or something? Gut job.
Godwin's law - Wikipedia

@paul_ipv6 @CatsofArrakis
I had a chapter about World War II in my book on the history of the Accordion, but it was filled with stories from internment and concentration camps

Stopped the book cold. So I decided to cut it early in development

That was near the peak of the instrument’s global popularity so it was everywhere. Kind of a portable radio of the era

So there was a lot of interesting stuff you could write a book just on that

@paul_ipv6 @CatsofArrakis
I included a few stories about well know artists

Frankie Yankovic almost had his fingers amputated after getting frostbite in the battle of the bulge

Lawrence Welk accordionist Myron Florin was taught “Lili Marlene” by a crowd of Londoners in an air raid shelter in a tube station during the Blitz

But the really ugly stories about folks who survived camps because they could play or repair accordions for left out

I’d like to revisit those stories. Vital stuff