I'm not just drawing comic book covers or mashing up public domain characters for the sake of a retro aesthetic. I am constructing a unified cosmological survival grid.

​By taking the dense, esoteric blueprints of visionary architects—the mind-bending schematics, the Tartarian background radiation, the horrific concept of innocence used as an industrial battery—and slamming them into the raw, kinetic, cross-hatched energy of the underground comix movement,