Fascinating choice to end this new show's first season on the conflict of a religious person trying to rigidly enforce their beliefs on a secular classroom, so much more solidly real than the Borg taking Picard. (Vedek Winn is such a piece of shit.)
I dunno if there /should/ be Roddenberrian balance to be found when one side literally does terrorism about it, but I suppose I respect where Sisko lands on it.
I enjoy when TNG interrogates what it means to be a person, but even if it wasn't clearly a scheme by Lore, we've /done/ Data's first emotion before, and any appearance of the Borg where they do anything less than killing somebody we care about is always just gonna be diminishing returns.
Liked the DS9 season finale, but this one's just kind of ploddy and dull. #startrek #tng
There's stuff I like here, but this is a deflating followup to an already poorly-inflated balloon.
None of this will change Data in a meaningful way, not really, because Lore hasn't convinced him, he's just controlling him. The rest of the crew get subplots of them running around that are on the level of an overstretched Doctor Who six-parter.
A shame to make this where Hugh goes next, too.
After the #TNG episode where Worf gets paralysed and goes, "well, I can't possibly live with a disability, better kill myself," though I do wish this one was a little more about her thriving than about her fighting the crew over accessibility — the crew frequently make utter asses of themselves — it's still nice to get an utterly unsubtle 90s-ass one about how a disability doesn't mean you're worthless.
(Hey, it's Daphne Ashbrook.)
Had to, of course. Forgot how fond I was of this crew. Maybe I /should/ rewatch Enterprise after Voyager.
Troi and Riker look notably older, with Troi's hairstyle (and accent) even totally different, but it's hard to care when all of this is clearly about how fond everyone is of them.
That, plus the main cast appearing not as themselves but as holographic projections of the official record, is kind of a problem.
In this one, Dr Crusher quits her job to move to Space Scotland and live with her grandmother's ex-boyfriend the Space Scottish Sex Ghost.
I don't dislike it as the show doing something different, but I do think the extent to which it relies on Dr Crusher just losing her mind to this sex ghost kinda sucks. Gates McFadden kinda crushes (ahem) it, though.
See, this is an amnesia episode that works. Still not a great hour of television — it transparently builds up to and then basically competently executes "what if Data was Frankenstein's monster" — but at this point we know Data well enough, and what's inherent to him even without his memory is clear enough, that throwing him at the Planet of the Undereducated is at least /something/.
Troi gets a promotion for being willing to kill Geordi.
Lt. Kwan's behaviour before he ends his own life is so transparently "this man is getting telepathic instructions from some psychic entity" that it's completely absurd that it takes 15 minutes for the episode to stop investigating it as a straightforward suicide.
Good Troi episode, though.
Great premise only DS9 can do, executed wonderfully. Fun to see these three TOS Klingons again as a trio of bickering old bitches, and I like that they're all basically supportive of Dax's transition. :)
The story could've stood to hang the final decision on the conflict a little more on Dax, maybe, instead of keeping her quite so clean, but this is still a great hour of DS9.
Finally, a TNG that feels like the show has realised it's about to end.
It's nice to see Wesley again, though to see him go all "I hate following rules!" after "The First Duty" is a little, hm, Wes, no, hold on, rules are how people don't get killed. (Ultimately he's right, though, obviously!!)
A stronger exit for the character might've rooted his disillusionment with Starfleet more directly in what happens in that story.
On the one hand, there's something rich to the idea of Future Alexander being in a lot of ways what Worf wants him to be and that clearly not being ideal for everyone involved, but on the other, I just don't really buy that the Alexander we know could become the man who would erase himself from time to save his nearly century-old dad.
I ado ppreciate that this one treats Alexander as a character instead of as a pile of stock kid clichés.
* There's a region between Federation and Cardassian space. In it, some planets have been settled by Federation populations, some by Cardassians.
* Until the Cardassian government gets a bug up its ass about border security.
* The Federation agrees to give up its planets, all but abandoning its people to Cardassian rule.
* Some of those people have a problem with that and a resistance movement forms.
That seems to me like a legitimate grievance?
Here I fully buy the core tension. Picard is married to Starfleet, and is bad with kids, but shags around slightly too much for it not to be totally plausible that he just has a kid or two out there somewhere.
Obviously it doesn't end up being true in the end, but I /like/ the way it fills in who Picard is, what we know about how he exists in the world.
(Bok's plan does seem a touch convoluted.)
Holodeck mayhem pile-up!
Maybe not the strongest hour of television, but still, love to get a big holodeck episode as the show is on the way out. Yeah, man, throw all the goofy holodeck ideas at me! Knights on the Orient Express! Sentient ship! The ol' New York backlot!
Eos, I'll miss TNG.
Interesting to make this so explicitly a sequel to "Mirror, Mirror," a world altered by its events so specifically that Other Kira recaps its events for audience stand-in Kira. Previous TOS connections were more like, oh, yeah, this guy /would/ still exist in the world.
Another rock solid hour of Star Trek.
Strong choice to dedicate the final hour before the end of the show to a chapter in the Maquis story that will ultimately be two other shows' responsibility to carry on with. TNG will end, but Deep Space Nine and Voyager still have twelve seasons left to come.
Ro Laren's defection here really works for me, and it all makes the Maquis even more sympathetic.
(Not that it really feels like TNG is actually working towards an ending, mind!!)
The "the Siskos and the Quarks go camping" comedy episode turns into a big season finale spectacular halfway through. Top 10 anime betrayals. Strong episode to introduce a bunch of big new stuff in. Armin Shimerman is really good in this one.
(Blowing up a Galaxy-class ship to show the Enterprise would've got fucked here, too, is maybe a little "did we learn nothing from how quickly the Borg became too strong to deal with.")
The vibe shift as the station prepares for war is palpable. Unlike anything TNG ever could have done.
Everyone gets good little moments here. A good little Sisko speech, how upset Odo is and everyone trying to help him, Quark knowing exactly where not to be but Sisko knowing exactly how to play him. Everyone talks each other into everything. Love these nerds.
RE: https://beepboop.one/@Alexis/116216501934688697
"a bit" turned out to be "three days"
Ahh, a fresh new Star Trek show.
This is the 90s Trek I'd seen the most of before this go-around — for a few years it was just on all the time right when I'd come home from school, which means I have a fondness for #Voyager specifically that no wider reputation will ever beat in combat.
It'll be interesting to see how well I remember it — this pilot matches my memories quite well, though only now do I realise it crosses over with #DS9.
This is a good second episode premise — it's not at all about the other ship, which just turns out to be themselves, so it has all the space it needs to be almost entirely about how these people have to learn to work together.
anyway, look what they did to my boy
"Lungs stolen, holographic lungs put in, the crew has to go get the lungs back" is such a funny horrible thing to do to Neelix specifically.
A fun bantery one.
(I also just find the Emergency Medical Hologram's ongoing plight, which really comes into the foreground here, really compelling.)
This is the first time since establishing the whole Gamma Quadrant situation they've really brought up that they're rationing, but by playing it for comedy — Neelix's better-than-coffee sludge, Janeway's coffee quest — it really fails to land as the serious predicament they're in.
I do like how this one establishes Janeway's captaining style — she /wants/ to be close with the crew in ways Kirk, Picard, Sisko never let themselves be.
@B I half-jokingly declared him Voyager's main character, the other day, but a few episodes later, I think he's Voyager's Quark.
Though obviously Quark works because he has this whole little world of his bar and a bunch of other characters going on around him to support him, while Neelix just has Kes, and explicitly abandons his whole context to come be on Voyager.
Alex Daily! 
Daniel M. Reck
Rand al'Thor 🏳🌈 
Tired Sponge