I have some mixed feelings about Taylor Sheridan's shows, but you can't deny his cinematographers know how to shoot landscapes.

One pattern I think I've noticed is that they seem to always frame sunrises to the left, and sunsets to the right. At least they've all been that way since I've started watching for it. Is that a known thing in filmmaking? Conceptually it makes sense (left/beginning, right/end) and helps the viewer subliminally understand what they're looking at.