What I'm listening to today: "メトロノーム同期 (32個)", Ikeguchi Laboratory, Tokyo University of Science
This is an entirely physical effect. Place two or more metronomes on a table and start them at different times. The metronomes will acoustically couple through the table and gradually interfere with each other until their oscillations move into perfect alignment.
You might have heard of this trick before! But try just listening to it. Like really listen
What I'm listening to today: "Weekly Beats #8 - Dustin'", Tristan Baldi
Elektron are giants in modern "DAWless" music production, a path they started on¹ with the pair of idiosyncratic "machine" synthesizers released starting in 2001. Here on a machinedrum with hacked firmware is a chill song for laying on a machine beach sipping coolant, watching a square sun set. Takes off once the beat comes in
https://www.youtube.com/watch?v=e8AgGXOi-J4
¹ I intentionally ignore the SIDStation here
What I'm listening to today: "Brutal", HarrytheHat
Core-competency Jungle from an EP¹ made on a restricted set of instruments (2 Pocket Operator samplers, 1 Monotron Delay, 1 Volca Bass dialed into 303-mimic acid mode).
https://www.youtube.com/watch?v=vsbwnOX8aQo
Heavy but smooth; Millenials will immediately have flashbacks to late-90s racing games. Of course this isn't the hardware people would have used in the 90s, it just has the same number of bits².
¹ Full EP here https://harrythehat225.bandcamp.com/album/pocket-jungle-v1
² Twelve
What I'm listening to today: "shapely hedgerows of the dying world", Dragon Warrior
Shuffling, comfy instrumental folk / indie pop in the Elephant 6 style. Feelings like Polaroids of early mornings. You might know this musician as Brother Android or Harrison Lemke, depending on what genre you encountered him in.
https://dragonwarrior.bandcamp.com/track/shapely-hedgerows-of-the-dying-world
from the album Sweetheart of the Planetarium
What I'm listening to today: "Dual Monomachine IDM with new aftermarket +Drives from MachineStore", MIDERA
An enormous emotion. Thinky techno production with a human pop core and a touch of chiptune feel on the drums.
I think we're at the point where this particular type of 00s electronic sound is as old now, as the 70s-80s sounds Boards of Canada was evoking in the 90s were then. Meaning the progressive parts of Boards of Canada now *themselves* qualify for nostalgia.
What I'm listening to today: "OB6 Dub Techno", dc11
The musician says this emerged from setting up a new synthesizer, so what I imagine happened: They were trying to make that "chonkchonkchonk" noise from reggae, stumbled into an amazing-sounding semi-repeating pattern, went "I have to stop everything and find a way to make this a song" and built a life support system around it. Result:
Lovely little ambient meditation over a 128bpm heartbeat
https://www.youtube.com/watch?v=DDXeiQ6KdWM
If ur bored stop at ~5:00
What I'm listening to today: "New Instrument, new sound!", Fron Reilly
A short demo of a musical instrument created by this YouTuber/woodworker. It's… kind of a brilliant idea, actually, simultaneously shocking and in-retrospect obvious.
The video is 100 seconds of abstract noises that, if you'd played it for me without the video, I could tell you how to create with FFTs and DSP techniques but would *not* have believed was a recording of a completely acoustic device.
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
What I'm listening to today: "The Terrorist", DJ Vadim & Motion Man
Motion Man is an Oakland rapper so far under the radar he has no Wikipedia page and at least one album of his I've listened to is not on Allmusic. If you know him it's probably from a guest spot he did on someone else's song, probably Kool Keith's, and you *remember* him because he absolutely steals every track he appears on.
Here, for a 1999 DJ Vadim single: Villainous pronouncements over supersaws
What I'm listening to today: "Concerto for Cello and Wind Orchestra" (Overture), Friedrich Gulda
I don't know much about Gulda, but apparently his career was marked by a desire to work in both classical music but also jazz (back in an era when jazz was still cutting edge and/or illegal). This 1980 piece feels like he was asked to compose a concerto but he just really, really wanted to make funk music. This slaps. This cellist is fucking *shredding*
https://www.youtube.com/watch?v=FYTQQtwYYbQ
⚠️Loud static at 0:41
What I'm listening to today: "Cwejman/Verbos Dub", Lucas Marchal
Last week I linked this guy doing synth unboxing experiments, here's what he sounds like doing a completed track. Dark, intent dub using the full spectrum of electronic production. Slipping silently under abandoned awnings and cloudy skies as your robotic pursuers nip constantly at your heels. Glance up and your gaze is met by the first touches of rain, and a dual-rotor helicopter blotting out the sun
What I'm listening to today: "Carrier",
Brandon McGhee
Extremely satisfying, semi-live electronic jam, feels like early Boards of Canada. Authentic-sounding/non-authentic analog synths on the Microfreak, lo-fi hip hop beats on the SP-404, and enormous Zoia reverb. What you see is what you get. Cool disintegration outro.
What I'm listening to today: "Cryptic Flow", ME9AM0N
I was given the prompt "Lo-fi hip hop to have anxiety to". Trap music for blown out speakers and those Japanese crosswalk machines that play the creepy childrens' song. Basically the kind of music you'd find on a cassette tape in a street gutter and when you listen to it it makes your stereo haunted.
Apparently they call themselves "Memphis cult".
Cult Link https://linktr.ee/memphiscult Buy Merch - https://memphiscult.com/ Artist Link - https://linktr.ee/splyxer Discord Server: https://discord.gg/sVwfB4fph6 Spotify: open.spotify.com/artist/6n9s
What I'm listening to today: "YOULL NEVER TAKE ME ALIVE", hkmori
Sad girl breakcore anthem. This is what it feels like to be queer in 2025. Too loud. Too loud. Everything is too loud
What I'm listening to today: "Building Steam With A Grain Of Salt", DJ Shadow
This album hit electronic music like a meteor. Apparently real heads already knew who DJ Shadow was and Dan the Automator had been working with him for years, but the first I'd heard of DJ Shadow was this song coming on Rice Radio 91.7 FM circa 1997 and I can draw you a diagram of exactly where on San Felipe St I was driving at the time because the moment is seared so clearly into my memory
What I'm listening to today: "Devil Stuff", Evil Nine
The first half of the 2000s saw this explosion of headphones-friendly "instrumental hip hop" whose existence I chalk up to DJ Shadow, if not as a direct inspiration then at least for convincing the record labels this stuff could sell. (Or maybe it was "Praise You".) Here's some fun big beat music made of metal samples. Yeah uh, my mom's boyfriend's kids are into this devil stuff from listening to Black Sabbath—
What I'm listening to today: "Heart's Desire", Awkward McLain
A Bandcamp beatmaker goes in for a bit of lo-fi hip hop and astral projection. Lovely crisp feeling.
The box is SP-404mk2, the most recent of a series of surprisingly incremental updates to J Dilla's favorite sampler, with the main effect AFAICT to add, like, USB and SD card support and the stuff that makes a device actually convenient to use in 2021.
What I'm listening to today: "The Mashed Up Mixes - Diplo of Hollertronix Meets RJD2"
During that 10 minutes of mainstream craze for "mashups", lo-fi hip hop virtuoso RJD2 invited a few artists to make DJ mixtapes out of his his back catalog. There's also a good one by "Haul & Mason", but this mix stuck in my head forever for a segment that strings together Cat Power, Slick Rick and Steve Reich, and later on what's still to me the definitive version of Outkast's "Roses"
What I'm listening to today: "Jellyfish", Kazumi Totaka (Nintendo)
There is a weird pattern in video games:
- The "water level", in any game, is usually everyone's least favorite, but
- The "water level" often has the coolest, most memorable music of the game.
Upthread I linked some "ocean vibes" music from Mario Artist for N64DD. That game has *three* ocean-themed songs, all bangers; here's my other fav. Charmingly cheesy hold-music jazz transitioning into trip-hop
https://www.youtube.com/watch?v=E8DlaLKT3q8&list=PL-pEm4IqI6c_DfCBqt5VBvR-atgwqTlZB&index=95
What I'm listening to today: "What Does Your Soul Look Like?, Pt. 3", DJ Shadow
DJ Shadow followed up his major-label "debut" with an (incomplete) overview of his pre-"debut" indie releases. The information economy of the late 90s was less developed than that of today & getting into DJ Shadow in 1998 was a *little* confusing. Whatever! Here's the most rocking track from "preemptive strike". This *fucking* piano
https://www.youtube.com/watch?v=m9VIDrDXJmc
PS: Shadow fans listen to the Mighty Atom Endtroducing mix
What I'm listening to today: "Durationplex", Sevish
This musician describes this track as an exercise in golden-ratio "maxxing"; the (xenharmonic) tuning scale is based on ϕ, the (polyrhythmic, constantly shifting) rhythms are based on ϕ, the FM timbres are based on ϕ. Experientially all you can tell is that the musician was doing something *very specific*, which you can grasp the shape of but not understand
https://www.youtube.com/watch?v=gXMqkyVbFmI
( This track is also on Bandcamp: https://sevish.bandcamp.com/track/durationplex )
What I'm listening to today: "Small drops 2025-08-02", atnr
"Minimal Ambient". Giant reverb landscapes. Sitting on a dark hill, your hair mussed by gentle breeze, watching on the horizon the spaceships take off.
Made by combining Yamaha's modern DX7 revival, an original Game Boy, and three guitar pedals, one of which only exists to simulate the sound of cassette tape; someone probably *could* have made this exact music in 1989, in principle.
What I'm listening to today: "Fly to the Leaden Sky", Manabu Namiki
This is the stage 1 music from "Battle Garegga", an incredibly maximalist top-down shooter made in 1996 by former Compile staff. This is from the 2016 PS4/XBox rerelease, so the original onboard chip synthesis is replaced with slightly different instrumentation including crisper drum samples that really do improve this one track. A giant glowing idol to the 1980s, an exuberant tower of electric guitars
https://www.youtube.com/watch?v=UF-ENkufyCY&list=PLguGBzflGahMxYlXtQxX5e4yuqPMWKBAn&index=3
What I'm listening to today: "Speciation", Passepartout Duo
An old technique in ambient music is "phasing", where you play two loops of different lengths and let them go in and out of sync, creating different interesting patterns. It's a truism this requires electronics or tape, because two humans trying to play out-of-sync tempos would confuse each other. These two seem to be actually doing a live phase performance, dueling xylophone and gameboy-style squarewave loops
What I'm listening to today: "Souzou Suru", Haru Nemuri
High-energy Japanese rap with seriously weird production. My wife was listening to this and now I'm listening to it.
https://specific.bandcamp.com/track/souzou-suru
Every lyrics site swears up and down she's saying "Touch my Yes", not whatever it is you thought you heard.
( If you're enjoying yourself by the end of this song maybe listen to the next one on the album, which I like for its mid-90s-arcade-shooter-style sampled guitars… https://specific.bandcamp.com/track/bang )
from the album Shunka Ryougen
What I'm listening to today: "Finally", a773
This Danish musician uses the modular synth rack— usually the domain of weird noise ambient— for a purpose I've never seen it turned to: incredibly sincere Fusion Jazz. 80s fusion did use simple, early synths— and modular also tends toward the simple, because simple base tones respond best to layering in complications. So there's a lot of plausible 80s feel but with the strangest mystery sounds slipping through the background
What I'm listening to today: "Mood piece from one machine to another", Sonaura
Three minutes of degraded humming, drone piece on two cassette tape machines one of which seems to be having serious problems. The desert in late evening, a wisp of smoke moving in a way smoke shouldn't. A transmission you pick up briefly on the radio and then can't find again. Do you hear it? No, it's gone. As far as recordings of degraded humming sounds go I'd say this is a pretty good one
What I'm listening to today: "Level 0", Jim Andron
In the 90s there was a thing called "smooth jazz". I think boomers probably understood it, but I was never clear how it was different from "easy listening music".
This opener from 1992's famously odd "CD-I" version of Tetris is easy-listening music transcended to the point you can understand why people like the genre. Hold music pulling at your heartstrings, incredibly cheesy FM piano over shockingly hype bass work
What I'm listening to today: "Orange", Tristan Baldi
Chill tabla groove on the Dirtywave M8, a small handheld tracker. Big warm analog-style pads and lots of fun little sound design scribbles low in the mix. Sun shining through some sort of medium, like the fronds of trees or the smog of southern California
What I'm listening to today: "Mocktapus, Rocktapus, Unlocktapus Rex", Prince Charming featuring Philosophy Major
I'm … I'm really not sure what's happening here! A two-minute hip hop hallucination, two or three stations fighting for control of your FM radio, a bunch of musical instruments thrown in a dryer and they turned it on. Sometimes my brain sort of demagnetizes and thoughts swarm in all directions aimlessly like bees. What if that felt pleasant? That's this song
What I'm listening to today: "White Paws", Tristan Baldi
This piece hijacks the Subharmonicon, Moog's idiosyncratic semi-generative synth, to a purpose it's not typically used for: Acid, coaxing some surprisingly 303-like sounds out of it. Combine this with an unusually clicky configuration for the DFAM and you have an unusual, unpredictable, quiet but punchy little electronic jam.
What I'm listening to today: "While you were gone", a773
This is the fusion-jazz-on-modular-synths guy I linked last Sunday. This track has that "downtempo Sega" feel but leans into the weirdness/jazziness by being in 7/8 time. Most people listening to 5/4 can tell they're listening to "a weird time signature" but 7/8 sounds like "normal music" with a strange pressured feel you can't explain. If you sleep too long the fire goes out you dare to dream and we have no doubt
What I'm listening to today: "Biology 101", Dr. Octagon ft. "Chewbacca"
Removed track from Kool Keith's career-redefining "Dr. Octagonecologyst", present on the original indie release but not the Dreamworks version. The point where they apparently went "too far". Too weird, too creative, too surprising, too hard to follow, too "Kool Keith". A Dan the Automator groove slowed down to the breaking point, with a flood of incredibly dense sci-fi rap wordplay running over it.
What I'm listening to today: "Cosmic Interlude", LTJ Bukem
Chill jazzy electronic from the year 2000 with delicious stand-up bass sounds. Bukem spent the mid 90s staking a flag on what he called "Intelligent Jungle" (as far as I can tell he invented "the Dreamcast menu sound") but then as the 90s ended pushed past that and crafted a distinct brand of self-confident instrumental jazz with skeletal drum&bass patterns as support. Would feel at home on a Ninja Tune mixtape.
What I'm listening to today: "Time 4 Breaks", Breakbeat Era
This album was supposed to be the Roni Size clique's breakout moment into pop domination, but a series of odd decisions left it as a one-off artifact that you've either never heard of or are still obsessed with 25 years later. This track shows the project at its best: A pop song structure with heart-gripping vocals and the production gloss of 1999's best D&B production team. Progressive but goes down smooth.
What I'm listening to today: "Imouha", Etran de LAïr
Incredible surfrock¹ jam by a band that describes themselves as "the stars of the Agadez guitar scene" (Agadez is the fifth largest city in the Republic of Niger). Do not miss the video-toaster-core video. Dudes rock
https://www.youtube.com/watch?v=Xeytuhn0irM
I found this as the YouTube algorithm's next recommendation after watching "Prisencolinensinainciusol".
¹ Sahara rock?
Imouha (Official Music Video)🎸✨ 🎸✨ 🎸✨ from "100% SAHARA GUITAR", the new album by Etran de L’Aïrhttps://tinyurl.com/100saharaguitarhttps://etrandelair.ban...
What I'm listening to today: "Late Morning", Breakbeat Era
A couple days ago I linked the song from this album I thought had the closest chance of getting mainstream euro radio recognition for this odd Roni Size project. This (incidentally the next song on the album) is the track I think appeals best if you just like SOUNDS. Six minutes onrushing bull head down subway to an afternoon headache, breakbeat jungle boiled down to annihilation of all thought, moksha in motion
What I'm listening to today: "icm", a773
One last track from the musician I've been calling "the fusion-jazz-on-modular-synths guy". So thing is, mixing jazz and electronic music is not odd, it's just what you're *expected* to do is cut up the jazz as a backing for sampled breakbeats. This raises a question: What if a773 made a track with breaks? Turns out it turns out extremely well. Something here for both prog and Ninja Tune lovers. Nice understated bassline groove.
What I'm listening to today: "Hold Tight London", Chemical Brothers
This is just literally the song stuck in my head today.
Chemical Brothers are underrated TBH. They got some radio play with "Dig Your Own Hole" and I think the electronic heads (in the US?) mentally classified them as pop and tuned out. They continued making jams. I think this might be the best song they ever made. Does it stop being rock music if the guitars are sampled? *Are* these guitars sampled?
@mcc Purely because you mentioned sampled guitars, I will tell the short story of the guitars in Chemlab's 1993 Burn Out at the Hydrogen Bar album, because I think it's neat.
They hired a guy to come and noodle on guitar in the studio for a few hours, and recorded everything. Then they sampled what they liked and built the track from the samples. Then paid the player to come back and play those arrangements live. So it has the dynamics of live guitar, but with the mechanical feel of an industrial metal song with sampled guitars.
And I think that's super cool and sounds very good.
@ieure that's wild.
Do you know about "Hookers & Gin" by the Sean Atkins Experience?
@ieure there is a sample on the final track of Portishead's self titled album ("Western Eyes") which in the liner notes is credited to The Shaun Atkins Experience. It turns out one of the Portishead members just knows (from high school, I think?) a Shaun Atkins so they paid him to record a song, pressed exactly one record of it, and then turntabled it into the song.
Somewhere in the house Geoff Barrow bought w/the money from Dummy is the rarest record in UK electronica.
mcc
PunnO)))