Episode Discussion | Star Trek: Strange New Worlds | 3x07 "What Is Starfleet?"
Episode Discussion | Star Trek: Strange New Worlds | 3x07 "What Is Starfleet?"
After being underwhelmed last week, I enjoyed this one a lot.
I appreciated Beto cutting straight to the unspoken conflict at the heart of this franchise - Star Trek is kind of colonialist/imperialist.
When they got to the conclusion, my initial reaction is that “the people are the difference” was sort of trite…but what else is there, really? These are people who are willing to put their morality first, even as they walk an uneasy line.
My partner and I really liked this one.
We both think it’s in the top rank of Star Trek episodes. In my view it may be the best of SNW to date.
It definitely should be the ‘For Your Consideration’ episode of this season.
The direction was excellent. This was one of the best dramatic performances from Mount as Pike since season two of Discovery.
My sense is that some viewers were mistaking the C-plot about the warring groups, for the A-plot about the Enterprise officers response to the ethical choice between orders and the free will of a sentient being or the B-plot about the making of the documentary.
I can’t agree that the episode was too short. The best Trek episodes are tightly rendered and leave lots of room for thought after.
I don’t see the documentary as the A-plot at all.
It was constantly present as a frame, but the episode wasn’t primarily about the documentary - it was primarily about how Starfleet captains and senior crew wrestle with ethical decisions when their orders do not align with their values, and how they seek to find information that can provide a rationale to pursue an alternative course of action.
Basically, it showed how important the crew that is present in the situation is and how that makes Starfleet more than just a military organization serving a military mission.
I agree, the documentary was simply a framing device. I think it was an interesting decision as well. The moral quandaries are not taking a backseat just because the framing device is so front and center.
I think an entire series framed like this could be very interesting with an embedded reporter creating a documentary on the on goings of a Starfleet ship.
Honestly, as an audiance we are a bit spoiled with the all seeing eye, but that’s not necessarily how the average citizen in the Federation sees it.
I enjoyed the episode, but I agree that the documentary framing device seemed to preclude any serious discussion of the ethical problem, like you’d get in the 1701-D’s conference (briefing?) room. Instead, we got a lot of Pike saying “Orders is orders!”
We’re not privy to Pike’s communications with Starfleet, there’s little nuance to any discussion of the issue we do see, and the Lutani get so little screen time, they’re practically 2d.
I liked the novelty of the format, and I generally enjoy the way SNW mixes things up. I do think it often leans too far into style, to the detriment of substance.
Frankly, we saw more in Pike’s face and heard more in his tone of voice — grim and determined - than any debates might have given us.
We were shown rather than told, and that’s a good thing.
This was arguably Anson Mount’s best, most sincere, performance as Pike since Discovery season two. There’s been a glibness in Pike in SNW. Both episodes 5 and 6 this season have turned that around.
It was also another episode where Una showed that she really was Pike’s First Officer and principal advisor.
In 1976, the American comedy series M*A*S*H, set in the fictional 4077th Mobile Army Surgical Hospital, during the Korean War, produced“The Interview”, an in-universe documentary about the characters. Breaking the sitcom format, it was aired in black and white as the last episode of Season 4, consisting mostly of improvised in-character interviews. “The Interview” is a milestone in television history, copied several times by other series - notably in the SF genre by Babylon 5 with “And Now For a Word” and (partly) “The Illusion of Truth”, except scripted rather than improvised. MAS*H itself repeated the format in Season 7’s “Their Finest Hour”. A Star Trek fan-made production, Return to Axanar, also used the documentary forma. Some licensed novels like The Final Reflection, Spock’s World, The Romulan Way and Strangers From the Sky have also used in-universe texts as part of the storytelling, but this is the first time it’s been used on screen. Beto makes reference to “investigating the mysteries within ourselves.” In ENT: “Terra Prime”, Archer says, “[T]he most profound discoveries are not necessarily beyond that next star. They’re within us, woven into the threads that bind us, all of us, to each other.” In DIS: “Brother”, Burnham describes space, the final frontier as “Above us. Around us. Within us.” The length of Enterprise as 442.6 metres long is a recent retcon. For decades, the established figure was 289 m, or 947 ft as stated in The Making of Star Trek, but revised upward for the DIS era in production graphics, clearly seen in SNW: “Memento Mori” to the figures we see here. The crew complement of 203 is based on dialogue first stated TOS: “The Cage”. The dedication plaque states the dimensions as Length: 442 m (1450 ft), Beam: 201 m (659 ft) and Height: 93 m (305 ft), with Weight: 190,000 tonnes (209,439 tons). The captions also establishes the ship’s weaponry as 6 phaser banks and 2 photon torpedo tubes. The Plain of Blood on Vulcan was first seen in ENT: “The Forge”, an arid expanse that legend holds was flowing with the green blood of battle until Surak cooled it with logic. This is the first time a Vantu blade has been mentioned. Other Vulcan weapons include the lirpa and ahn’woon. This is also the first mention of Kolaran blades. The back of Uhura’s delta has her name and presumably her Starfleet serial number (and birthdate?). We saw similar name and serial number markings on the backs of deltas in DIS. This is the first mention of Lutani VII and Kasar, and the stardate of the Kasar attack is 2177.9. The briefing takes place on 2191.4. PADD stands for “Personal Access Display Device” - while first named in TNG, ENT: “Terra Nova” established that the term PADD was used as far back as the 22nd Century. Jikaru is the Lutani name for “starlight” and the species have lived on the oceanic moon Tychus-B. The transformation Uhura refers to allows it to move through space. Space-borne lifeforms have appeared several times in Star Trek, notably TOS: “The Immunity Syndrome”, TNG: “Tin Man”, TNG: “Galaxy’s Child”, VOY: “The Cloud”, DIS: “Magic to Make the Sanest Man Go Mad”, LD: “Grounded”, LD: “Upper Decks”, among others I’ve probably missed. The Jikaru sound is reminiscent of whalesongs (which were a plot point in ST IV). This is the first time where it is stated that practitioners of Surakian meditation gain increased esper sensitivity and makes mind melds more efficient. The term esper to describe psychic powers was first used in TOS: “Where No Man Has Gone Before”, where esper ratings were part of Starfleet officer records. Quadroline was first mentioned in TNG: “First Contact” as a drug used on Malcor III. Hyronalin was first mentioned in TOS: “The Deadly Years” as the accepted treatment for radiation sickness. M’Benga chooses his words carefully when he doesn’t answer if Starfleet has ordered him to kill and says killing people is not a function of his “current job”, given his past as a covert ops wetworks specialist called “The Ghost”. Protocol 12 is a combat drug he developed that gave its user increased strength, endurance and pain resistance, but with side effects. He was present at the Battle of ChaKana which took place on J’Gal during the Klingon War (SNW: “The Broken Circle”) as well as the finale Battle of J’Gal (SNW: “Under the Cloak of War”). M’Benga is also cagey about scrubbing sickbay’s surveillance logs (SNW: “The Elysian Kingdom”). Uhura’s story of the death of her parents and older brother in a shuttle accident was first told in SNW: “Children of the Comet”. Her grandmother, who used to be in Starfleet, steered her toward Starfleet Academy. The USS Cayuga (NCC-1557) was a Constitution-class ship commanded by CAPT Marie Batel which was destroyed by the Gorn over Parnassus Beta in SNW: “Hegemony”. The stardate as stated in that episode and here was 2344.2. Pike’s love of horseriding was fist established in TOS: “The Cage” and we saw him on horseback in SNW: “Strange New Worlds”. Christine’s reference to how Vulcans abandoned “these kinds of psionics” centuries ago may be a reference to psionic resonator weapons like the Stone of Gol (TNG: “Gambit, Part II”). Ortegas yells, “¡Quítame eso de la cara!”, Spanish for “Get that out of my face!” Spock’s mission to mind meld with the Jikaru in space echoes what he will do years later with V’Ger (TMP). Spock will also meld with alien species like the Horta (TOS: “The Devil in the Dark”) and with humpback whales (ST VI). Galileo is the most iconic of Enterprise’s shuttles, prominently featured in TOS: “The Galileo Seven”. I think this the first time we’ve seen one (there were a few) named on screen in SNW. Anti-grav stretchers or gurneys were used several times in TNG, DS9 and LD to ferry wounded personnel to sickbay. Spock was also in a Vulcan healing coma in TOS: “A Private Little War”. The birthday party is for a Bolian officer. Pike’s cooking for his crew was first seen in “Children of the Comet”, and we get a glimpse of Batel among the party as well. Like SNW: “A Space Adventure Hour”, this episode does not have the standard opening titles but serves its credits at the end of the episode.
Too much docudrama for my taste, I really enjoyed Uhura and how she sees trough Beto.
The ending was emotive, and that for me was the best part, people are in Starfleet, they have their reasons, but the main one is that the like the Federation and they fight to preserve it, even die if needed.
Bold choice to have an in universe documentary made by an in universe bad/unprofessional documentarian. It makes the episode feel bad.
Also feels like 10 or so minutes were redacted considering the short length.
“Documentarian with an agenda” is a real type of documentarian - maybe the majority.
His biggest sin was probably making a doc that was secretly about himself…
I really did not enjoy this one.
The “documentary” that ends up being made feels like the worst kind of propaganda that tries to feign a sense of “there’s two sides to every argument”, all while clearly pushing in favour of the agenda the documentary initially tried to critique anyway. It felt at moments like a military recruitment advertisement. I would not choose to watch such a documentary in real life, and watching it within a star trek episode just feels like I’ve wasted my time.
The writing makes use of the idea of military censorship and a film that jump cuts around to not so cleverly hide the fact that the writers are missing a plot. We are presented with a people in conflict, who abuse a creature to create a weapon. We have no other information about the conflict, beyond “there’s mass casualties”. No explanation of why starfleet is involved beyond “starfleet is here to help”. No explanation why they chose to make that kind of weapon in particular. On the matter of the alien war we are left to fill the gaps ourselves entirely, and because our in-universe director is acting in the role of an unreliable narrator, we have no idea if any of what ended up in the film they ended up making can even be trusted. That FOIA disclaimer at the start could be just as real as those films that say “based on a true story” when they are anything but.
We did get some good character development, particularly with Ortegas finally being up front and open about what she’s been through recently. But not really enough for it to feel like it matters. Ditto Uhura and Spock. Furthermore, despite self-harm and suicide being a central theme of the episode, other than an incredibly brief argument with the alien scientists about whether thier victim should be allowed to commit suicide, it’s not really debated. The crew just accept that they need to do an assisted suicide, and that’s that. Fair enough, if that’s how human morals work centuries from now, but then it leads again to an episode without a useful plot. For contrast, multiple past star trek series have had their take on this topic and done a much better job.
After watching this I am left unsure what wider contribution this episode is meant to make to the series. For all the silliness of the comedy episodes, at least they were entertaining to watch and usually had at least one major plot development by the end. This one could have been cut from the season roster and nothing would have been lost.
Random assorted notes:
Looking forward to the next one, it can’t possibly be worse than this.
This episode answers a very important question for me: how the heck can some alien being sneak onto a Starfleet ship? The answer: abject incompetence.
NX-01 aside, we see that by the time of the Enterprise, there are cameras everywhere! And, they are set to start recording on all channels during a Red alert. I always wondered with episodes all the way back to TOS The Man Trap, how could someone not have some sort of sensor or visual record of what happened on the ship? Vash can seemingly go anywhere she wants to pilfer relics. The Kazon can waltz around Voyager without security being hip to their game.
I feel like the video is there, just no one is watching.
The plot was interesting, the format was bad, I’ll go with 5/10 for this one, so just an OK episode…
I get that they are doing a lot of “experiments” with this show, I don’t think it was a successful one. Too much focus on nonsense.