#photography nerditry:
In 1943, Ansel Adams (with camera) was granted access to the Manzanar Japanese-American internment camp to document the people held there. While Adams was not quite as a great a portrait or documentary photographer as he was at capturing the American landscape, he gave his subjects rich humanity and life.
He subsequently donated both his original negatives as well as some prints to the Library of Congress, without restriction. You can see them at
https://www.loc.gov/collections/ansel-adams-manzanar/about-this-collection/
About this Collection | Ansel Adams's Photographs of Japanese-American Internment at Manzanar | Digital Collections | Library of Congress
In 1943, Ansel Adams (1902-1984), America's most well-known photographer, documented the Manzanar War Relocation Center in California and the Japanese-Americans interned there during World War II. For the first time, digital scans of both Adams's original negatives and his photographic prints appear side by side allowing viewers to see Adams's darkroom technique, in particular, how he cropped his prints. Adams's Manzanar work is a departure from his signature style landscape photography. Although a majority of the more than 200 photographs are portraits, the images also include views of daily life, agricultural scenes, and sports and leisure activities (see Collection Highlights). When offering the collection to the Library in 1965, Adams said in a letter, "The purpose of my work was to show how these people, suffering under a great injustice, and loss of property, businesses and professions, had overcome the sense of defeat and dispair [sic] by building for themselves a vital community in an arid (but magnificent) environment....All in all, I think this Manzanar Collection is an important historical document, and I trust it can be put to good use." The web site also includes digital images of the first edition of Born Free and Equal, Adams's publication based on his work at Manzanar.