The box. THE BOX!
The box. THE BOX!
Just everybody's favourite "complex" character selling mutant child soldiers. No biggie. There's been a lot of repetitive shots of Diamond following this attempted send off, and I think the one at these last two would be the only ones you'd really need.
TMNT is one of those IPs that's defined by a lotta noise and also hit hard and deep when it does something in complete silence.
Pretty sure I must've made the "why nerdy men hate this" joke before now, but seriously. Raph, surrounded by women trying to do something productive and being told to sit down and contribute. C'mon.
A) Raph, friend of a vigilante, asks why their cop friend doesn't just tell everyone to knock it off, because yeah, that'd work.
B) Sally Pride's response is to get into how the TMNT and Mutanimals have actually worked up 'til now. Small groups of friends and family pursuing their own agendas. And that blatantly isn't going to work anymore. Which is neat. Hob and Splinter had their ideological war, Hob won, and the results suck.
C) Here for the delight Al takes in torturing Jen.
More like "Mood", amiright? Anyway, these're the Weasels, Zink, Zanna and Mushroom. They're adorable. If Lita is the ultimate question of the TMNT's family theme, the Weasels are a further question of the boys, Hob, Aloplex and the whole Mutant Town era.
They didn't ask to be here and their guardians don't know what they're doing. The adults of this series need to step up for these girls, and none of them other than maybe Al are gonna pull it off.
♫Carefully on tip-toe stealing, breathing gently as we may♫ but for real, Campbell has a great gift for motion and personality. Not only can you see exactly how the Weasels would move if this was animated, you can discern their personalities even when they're in full shadow.
Eh, what the hell, for completions sake. Do have to figure out how to get more concise, though.
Gotta wonder if Diamond's go-to insult of other mutants being "ugly" is projection. She seems the type.
Gonna try to remember to post covers for each issue, help break things up.
Love for this to be just a random nightmare, but pretty sure what Donnie's having here is a flashback to his brutal death (as in meaningless comic book death) at the hands of Bebop and Rocksteady in the lead up to issue# 50.
His soul was rescued because of the whole reincarnation deal and temporarily placed in the IDW version of the Metalhead android, before being returned to his mostly healed original body. Ever since, he's had to wear a synthetic shell.
Point being, I grok with Campbell's portrayal of a vulnerable Donnie not only coping with this soap opera shit that happened to him but the -actual- consequences of it. Barometric pressure means his shell hurts, and he isn't conveniently "over" what happened to him.
TMNT is great because you can have all this '80s dinosaurs and lasers bullshit and then someone will draw the most mundane, lonely in the woods comic panel ever, and this will make total thematic sense.
Canadian and or Scottish followers; this is how I shall visit you.
Hate traveling, but nothing gets to me like fictional characters meeting up after a long absence. That kinda "Caught up in the moment after a shitty vacation" feeling is a running theme in Campbell's work. Storywise, sure, but also damn if the lady can't draw a run down apartment.
♫Donatello, home invader♫
TURTLE POWER
Love this.
For real, Campbell TMNT has such great, cozy vibes. It's nice when this goofy ass franchise feels like it was written by an actual human being.
Ninja Turtles: even if you're not gay? Do crimes.
Ready for things to get more painful than any Raph and Leo spat?
A) Some of the background mutants, like the hippo, dog man and the rabbit-mum and bear(?)-child are background characters in the first issue, dining at the tables while Raph and Al talk.
B) Love how Mushroom's all normal when she's darting inside and immediately turns demonic in the presence of stew.
Seriously, the Weasels have a surprisingly consistent amount of personality for characters that've been on less than twenty pages worth of story so far. Zink being a hellbeast trying to take Jen's head off, Zana just eatin' and eatin' and eatin', Mushroom having the foresight to grab some cans.
Also, that's Alopex, their future mum, hurling bowls at them.
Mushroom is my favourite and I feel sorry for the lift she's been born into and the two idiot sisters she's been saddled with.
This comic just will not stop being relatable.
Huh. Noticed this after finishing dinner and an episode of Benson, went back to check. Yeah, the Weasels do have little ear tags. Wonder if that means they might've been lab animals before being mutated, like the TMNT and Splinter in this continuity.
The following is one of the most heartbreaking sequences in Campbell's run so I'm gonna cushion things a little by pointing out that Mikey wears a custom Superman hoodie, and he's not wearing it back to front, he made sure to sow the S on the back so it'd be on his shell and it's so good, you guys.
Awww Mikey.
Every night I go to bed vowing this thread'll become more concise with less page by page screencaps, and every second of every day Sophie Campbell's stupidly gorgeous art makes a liar out of me.
Would love to hear TMNT 2012 composer Sebastian Evans score Campbell's writing, especially the sort of tune he might use for the Weasel's popping up like this.
They make friends and it's great! Not coincidentally, the four standard Turtles aren't present. Do wonder about that, given how everything shakes out.
Also this issue's been a good showing for Sally. She's worried about her place in the new status quo, but she's constantly acted practically even under stress, like stopping Jen charging in and possibly ruining the kids' budding friendship. Foreshadowing!~
They know what you did.
You're a two faced, self righteous piece of shit Old Hob and I hate you for it.
You ready to see why Sally, despite being sadly side-lined as this run goes on, becomes one of my favourite non-Al IDW characters?
There it is.
There's a comic by Christopher Cantwell and Luca Casalanguida about the JFK assassination called "Regarding the Matter of Oswalt's Body". Buncha outsiders with espionage experience, criminal records and shady pasts are blackmailed by a US government agency for a simple mission: extract Lee Harvey Oswalt after he's shot JFK, dump a lookalike so the feds have a corpse, and smuggle the read Oswalt out of Dallis.
It's great, you should read it.
It's relevance to this thread is that the fourth issue is the cast being subjected to an almost full 22 pages length monologue from Oswalt about what a world changing fucking big shot he is, and that's what I think of when reading Hob talk about Mutant Town.
TLDR: Fuck Old Hob.
Issue #104, the cover of which makes ya think Sophie Campbell probably understood exactly the kinds of audience for her storytelling.
It's cold and there's nothing good on TV, just like Mutant Town, EEEEEEHHHHYYYYY, let's go.
Sally keeps kicking Hob's ass, very here for that.
A) Love how Campbell keeps the Weasels constantly distinct through expressions, posture and body language.
B) I empathise with Koya here, since if -I- had to live through the first hundred issues of this series I'd be done with fighting, too.
Part of why not-asshole fans slowly lost enthusiasm for this period of the comic, I think, is because it does put more of an emphasis on family and emotion. Often fighting really doesn't have much of a point or accomplish anything.