Motion Picture Association Hires FBI Official to Lead Anti-Piracy Efforts
Motion Picture Association Hires FBI Official to Lead Anti-Piracy Efforts
Instead you could stop making shitty movies and reheating successful recipes. And stop inventing three new streaming services every week.
What about a meta streaming service. One subscription for everything and companies get paid by the share of the views their shoes had. Maybe make your own fronts for your services if you insist, but everything is accessible through one subscription.
I’m so tired of getting shit on by corporations to later read I’m the problem. People are sick of this shit. Stop being assholes and people will happily pay for your content! I want to pay for things I enjoy, but I just cancelled Netflix because they suck so fucking hard.
That’s… not really the argument he made? He never said he was pirating things, just expressing a general dissatisfaction with recent movie releases and the sheer number of streaming services.
In fact he literally says, “I want to pay for things I enjoy”
At least now we’ve gotten to the common understanding that it is theft, but you just don’t care. I personally think copyright laws have been good for our society because they’ve allowed people to live off of creating art. You obviously have a different view.
I’m not at all frustrated by the conversation - it’s like discussing car registration or driver’s licenses with a SovCit. In fact, it’s pretty much exactly like that. It’s interesting for me to see how you rationalize your view, but I don’t expect you to change your mind.
The ordinary rules don’t apply to corporations, and we’re suckers if we play by ordinary rules.
That’s why ‘shoplifting’ from Kroger, ‘robbing’ a Bank of America branch, ‘stealing’ cable TV from Xfinity, or ‘pirating’ movies or music from Columbia or Universal is not morally wrong. Quite the opposite, it’s the right thing to do.
They didn’t argue the product (the content on streaming platforms) was bad, they argued the only legal ways you can get the product are not acceptable.
Therefore yes, it becomes ok in my book to violate copyright (which does not equate to stealing, the owner hasn’t lost the original).
As soon as I can have a choice of service that has virtually all of the content (like you do with music, or groceries), and I can pick the storefront based on its usability and cost rather than its catalogue, piracy numbers will go right down. Because it becomes less of a hassle to get it legally rather than pirate.
They didn’t argue the product (the content on streaming platforms) was bad,
Really? How do you interpret the very first sentence?
Instead you could stop making shitty movies and reheating successful recipes. And stop inventing three new streaming services every week.
That seems to be saying it’s bad to me.
they argued the only legal ways you can get the product are not acceptable.
You know what I do when a product I want is unacceptably expensive or whatever? I don’t buy it. It’s not like we’re talking about food or medicine. This is all lame rationalization.
Then what did you mean by the first sentence?
Instead you could stop making shitty movies and reheating successful recipes.
That all studios do the last few years is remakes and sequels and it’s boring as hell.
How can you understand that sentence as a call for piracy?
Distributors for content, and no more exclusive content for platforms. Make it work the way music streaming works.
You sign up for one service and you get access to an unfathomably gigantic library of music. It doesn’t matter what service you sign up for either, you’re going to get a similarly huge library, and it will include most everything you could find on any competing service so you only need one subscription. The only thing you really choose is UI, device compatibility, and special features.
Imagine if there were two dozen competing music streaming services, and they all had completely different non-overlapping libraries. Maybe Sony has one just for their labels. Maybe another is just for a handful of EDM labels. A third just for country and bluegrass, but only specific labels. A fourth just for indie labels. A fifth for Rap and R&B. Lots of old stuff is completely unrepresented, because it wasn’t deemed profitable by any available platform, or there’s just too much paperwork and nobody wants to do it.
This is what we have with video streaming right now. Lots of different IP owners running streaming services only with their own limited catalogs. If you want to watch just one show on each platform, you would need a subscription for every show. If you have diverse tastes in movies and television, you are going to be paying a fortune to access it.
It works better for music because about 80% of tracks are distributed through Universal and Sony. Having deals with just those two gives you a gigantic library. And of course Universal and Sony take gigantic cuts, because they can. (there are pro and cons)
But I agree, the competition on the market should be about the way the content is served and not about what content is served.