> Think of the many wonderful writers who haven’t earned a living by writing..
> Sooner or later, all writers have to come to terms with the practical side of their efforts, with commercial success—achieving it or not achieving it, longing for it or scorning it, or simply trying to make an honest living in the literary marketplace. One contemporary writer, Lewis Hyde, in The Gift, has contemplated this topic in spacious terms.
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#TracyKidder #GoodProse #TheGift #LewisHyde
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> ... art and creativity generally belong, or should be understood as belonging, to what anthropologists call the “gift economy,” an ethos that lies in plainer view in places like the South Pacific islands than in midtown Manhattan. Creativity, he says, proceeds from two gifts: the gift of talent and the gift of tradition, which informs and guides individual talent. And the act of creativity is itself a gift, which can’t be aimed at making money but must be freely given.
#UBI for writer and devs
> #NormanMailer defined a pro as someone who can work on a bad day... The motto.. would be the timeless wisdom of Dr. Johnson: “No man but a blockhead ever wrote except for money.” A pro makes deadlines, and a pro makes compromises, too. A pro lives in real time in the real world and secretly relishes the constraints of the job. A pro’s greatest boast might be #AJLiebling’s: “I can write better than anybody who can write faster, and I can write faster than anybody who can write better.”
> .. The deepest pleasure of a piece of writing may lie in a graceful narrative turn, an intuition about human behavior that finds exact expression, the spirit of generosity that lies behind the work. A good word for these things, when they occur, is “art.” Whatever art any book achieves may or may not be rewarded in the marketplace, but art isn’t generally achieved with the market in mind...
#Writing #ArtOfWriting
> Every book has to be in part its own reward. In happy moments one realizes that the best work is done when one’s eye is simply on the work, not on its consequences, or on oneself. It is something done for its own sake. It is, in #LewisHyde’s term, a gift.
#Flow
> .. #DavidFosterWallace was admired by many of his fellow writers, and though his own highest ambitions may have been reserved for his fiction, some admired him as much for the witty, compulsively intelligent prose of his essays and reportage. At the New York memorial service for him, the novelist #ZadieSmith quoted him..
“… the big distinction between good art and so-so art lies somewhere in the art’s heart’s purpose: the agenda of the consciousness behind the text. It’s got something to do with love. With having the discipline to talk out of the part of yourself that can love, instead of the part that just wants to be loved.”
#DavidFosterWallace #OnArt #GoodArt #WritingStance #LovingStance #WritingPosture #書く姿勢 #松田竜一 on #上野英信