"The pet character of the first run finally gets what's coming to him" would be a good summary of the strengths of Campbell's TMNT. And while I wanna be intellectually honest if not objective, you do have to wonder how much of what trips her writing up has to do with trying to work within what IDW had already done with the brand. (Which included telling us how great Hob was an awful lot.)
Honestly wish IDW TMNT was more like that Bebop and Rocksteady mini where they're starting to change back to humans and Rocksteady cuts his human ear off on the assumption this will make it stop.
Sweepy baby/wakey baby

What's nice about Campbell's Raph is that she doesn't depict his angst or being on his own as an inherently unhealthy thing. There's a well defined line between "Raph's being an asshole because of his temper" and "Raph just can't be around people right now".

Case in point, at the same time Donnie's flat out admitting the fam have no energy to go looking for him, and as much as he's butting heads with Al and Jen, Raph's actually doing a lot of good in Mutant Town. Could do -more-, but.

That's another part of Campbell's thesis with TMNT, I think. Family -can- be great and strong, but it's OKAY if you're not ready/don't want to be part of it.
(And speaking from lived experience, people who really, really like the reincarnation origin are -not- equipped to deal with the implication of Raph's anger being an inherited/inherant trait.)

Sophie Campbell's Raph theory.

#TMNT

Wet Moon is full of all these lovely small town/forest imagery, and Shadow Eyes was a crammed, post-apocalyptic, depressing cyber setting, and this is a great example of Campbell's skills with environments and atmosphere. You can feel the chill, -hear- how desolate these wrecked NY blocks are. Love the crane, too, this image of something meant to repair that's not going to because it's been used to/is made of the same shadow of the quarantine wall. And there's Raph, soldiering on through it all.
And again, Don's allowing for the possibility that Raph's not going to wanna come back into the fold. This is about things being on the other person's terms.
We like to laugh, here. We like to have fun.
#TMNT
...we like to RAPH here.
Looks good as one big page, don't it?
There's this thing I have about Jim Lawson's art where he depicts spaces and people moving through them so well that I would unironically read a whole book that was nothing but that, and Campbell has the same skill.
God, I wanna live in places Campbell draws so hard. Also, Leo has a hobby now: plants! This is great visual of where things are at this point, Leo's clearly been hard at work on these babies for months, but combined with the view of the winter landscape it just makes it seem as if he's stuck in stasis, caught between life and death.
Which also plays into the vibe of the run: rebuilding is possible but doesn't guarantee complete recovery. Christ, look at the last four years.
A) KLUNK!
B) Good on Donnie, thinking of ways to help his bro but also wanting to respect his boundaries.
There's something about the Teenage Mutant Ninja Turtles having a cat. It's not like with Batman's dog, you don't get anyone whining about how that's not realistic. (Although I like me some Beyond Ace, good murder boy.)

Our fist look at April (and I love Campbell's design for her because it's so distinct) and the signs of the toll years of TMNT stuff and her current job for Mayor Stockman is taking on her.

God, I love a good Sophie Campbell room. So full of character and little tells. My one note is Ronda Pattison's colours for the interiors so far have been all kinds of samey. Other than Don's caption there's nothing to indicate this isn't a room in the farmhouse.

April sadly doesn't get as much of a focus as she could in this run, (and I've no idea from what I've read of Waltz's stuff why his version was supposed to some kind of stand out to begin with) but Donnie's admission, "or maybe we were her rock", is a great line. The boys' lost their father, but everything about them has been April's life for years and -she's- struggling, too.
Hello, it's me, the guy who always thought it was weird that April's arc in City At War essentially boils down to "She doesn't really have any kind of life direction without the Turtles".
Then there's what Mirage April's secret origin actually is, which is as good as Peter Laird admitting he never knew what to do with the character.
Oh hey, speaking of City At War, check out our first sighting of Jennika since page 2. The classic TMNT way of getting from NYC to Northampton and back again: clinging to the top of a train car to avoid both human xenophobia and exorbitant Amtrack fees! Mikey'll sprinkle jelly beans all over his pizza, but -that- much for a cup of coffee and a sandwich? No way, Jose!
God, that must absolutely suck. Especially in the snow. Imagine the constant noise alone.
Wasn't sure how to feel about Jennika at the time but I like a lot of what Campbell tries to do with her over the course of this run, and I like Don reiterating that idea in his notes on her: maybe people taking a break from the family ISN'T an inherently bad thing.
Also, purely to vent, this is one of several reasons I don't like the reincarnation origin, and in this instance it takes what would be a good character beat for any other Donnie and complicates it because no one thought how literally you were or weren't supposed to take the idea.
Jennika. I was as indifferent when she was announced, did check out the issues where she's mutated and they didn't do anything for me, but I do like her here, bumps in the road and all. She's a bit more of a Sophie Campbell character, is what I think it is. I went from not caring about her existence at all to rooting for her and her girlfriend. Wish Campbell had been allowed more time with the character, but that's how I feel about everything in this run.
One thing? Kinda wish they'd take all of Jen's stuff and given it to April. Because it'd be nice if she had -something.-

Seriously, imagine an April who does stuff like -this.-

#TMNT

Gonna try entering rooms like this from now on.

#TMNT

Alopex is one of the few (if the not the only) IDW original characters I like, and I -love- that her storyline has taken her from this person trapped in a series of terrible relationships, stuck between two sides with baggage in a war she never asked to be a part of, to running a soup kitchen/homeless shelter for the victims of Mutant Town.

Best part is this comes from -Al's- experience, she knows what it's like to wake up in a strange new world, she's not passing on anything from the fam.

It's neat how different versions of TMNT keep doing that Claremont X-Men thing of adding additional characters, who sometimes don't even have anything to do with the premise, to the group dynamic and everyone just rolling together.

Oh, also more great character stuff for Donnie! I like how much of his instincts in this journal are to help people, and he's naturally going to become the handyman of Mutant Town in a couple of issues.

It's one the things I like about the Mutant Town concept as a whole. The TMNT not just as protectors, but as the guys who'll help you move and sort out your buggy wi-fi and just generally be around and helpful.

Especially because the last 100 issues have been nothing but ninja fights, ninja politics, alien invasions, the dragon reincarnation shit. I like the idea of the characters finally doing something that tangibly matters. Inhabiting the world instead of just saving it.
"Oh stopping the alien invasion doesn't tangibly ma-" Not when they've done it twice, no. "Everything is on fire and we're all about to die" gets old when it's all you offer.
How hard do -you- relate?

Chromedome and Rewind they ain't, but oh, the crazy rollercoaster these two are going to take us on.

#TMNT

First subplot of this story arc and a nice counter to the opening Raph page: Mutant Town's food supplies are running out and the downside to Raph not talking to Al or any of the family is that it's taken him this long to learn about a problem he might not be able to do anything about.
Would kill everyone in this room and then myself, etc

Probably missed something in the previous 100 issues that'd explain why Raph wouldn't want to be in the same room with Jen, but it honestly works well enough on it's own: they've both been through a lot, he's a disgruntled teenager at the best of times, and Raph's just not in the mood to reconnect with anyone right now.

Which is the actual problem: it's not just that he's not ready, it's that, in the case of Jen anyway, he's not even going to try.

"This is indeed a disturbing universe."
If you're wondering why 18 to 40-something nerd men hate this specific portion of the comic, here's two women in Raph's life pointing out he's being an asshole.
Can we take a moment to appreciate how Campbell's so good at fits she even manages to make stitched together post-apocalyptic robes look good?

Here's a trick that's gonna sound simple once explained: Campbell not only draws this crowd of mutants at the next table and depicts their positions consistently, she introduces two new characters on pic#3 and consistently tracks their movements in pic#4.

Treating the room like an actual space you can move through, not just randomly filling it up, which she could be forgiven for doing!

This is going to be Jen's thing. Trying to work her way into the family while getting her own stuff together (including a relationship!)

She will both succeed and fail at both simultaneously, which is part of what made me switch from indifference to genuine interest in this specific take on a fifth turtle.

Which is an idea that keeps popping up because it's just innately cool and Can-You-Imagine-If-We-Actually-Pull-This-Off.
Ooh, know what, Waltz gives his reasoning for making Jenikka at all in a big retrospective in the back of this issue, might screencap that later.

Lita! There she is!

Campbell's run doesn't get as much out of a lot of its concepts as it could, but she absolutely slam dunks with Lita. This poor wee thing is going to take some places, much like Shadow, Mirage Casey's daughter, does in Vol 2 of Tales of the TMNT. That premise of "How would someone taken in and raised by this mutant family actually turn out?"

And the answer, without spoiling too much, is "She would move heaven and earth to save you all from yourselves."
How hard do -you- relate?

Lita's situation is neat because "What would happen to the children?" feels like something that would probably be omitted from this kind of war/quarantine zoned story, especially one with protagonists that're already supposed to be adolescents.

Also, hopefully without assuming anything about Campbell's own experience, but, well, family abandoning members that are presumed not to fit anymore. Which is one of the pillars of her TMNT: family isn't -inherently- great.

Also probably not a coincidence, beyond story expediency, that it's Al and Jen, two people pondering their own space within the TMNT family unit, talking about the kid that's about to be adopted into the family.
Removing the speech balloon in these panels so we can focus on how well Campbell does backgrounds and motion. You can feel Lita's cloak billowing about as she runs. And that overturned car with the quarantine wall looming over everything is a nice touch: Stockman's walled off the block without bothering to clean anything up.
The magic of comics is you get this cute little "Suuuure you are" gag followed -immediately- by a panel establishing, yeah, no, this is absolutely the last place you would let a child run through on their own. Just like that the story's turned from the existential problems of this lost family to the immediate shock of a child being all alone in this war zone and refusing your help.
Also just a nice character bit for Jen. Her background before joining up with the Foot was a rebel turned runaway, who's lost a loved one, and she's trying to help Lita, someone in a similar situation, just because it's the right thing to do. Like, I like to think that's her first instinct, not something Splinter and the boys drilled into her.

We saw Raph taking down Mutanimals earlier and Al mentioned their hard assed police methods earlier in bits I omitted, and here we are seeing it in action: meting not only IDW's version of Mona Lisa but Jenikka's new personal rouges gallery, Bandit and Puggle! They're gay and not very good at antagonizing her.

Also just continuously establishing the Mutant Town problem. Hob's police are thugs and Raph beating on them hasn't really -done- anything so far.

See, because chuds whine about how nothing happens in Campbell's run and here we are on page 14 of issue one with a fair bit established and two new main characters introduced.