George is just pacing himself
George is just pacing himself
Dammit Patrick! Seriously though, I was dumb enough to hear good things about The Kingkiller Chronicles back in like 2013 and thought “ok he’s written 2 out of 3 books. I’ll read the first two now and when I’m done, it should be pretty close to the release of the final book.”
Boy was I wrong.
They’re still good! It’s just frustrating that they’re not finished!
If you want a series that will definitely finish though, read Brandon Sanderson. The man is a machine.
Well, call it a fan theory. It’s not like I have proof.
I was reading them early enough that I remember waiting for Winters Heart to come out, so I had time to lament his decisions in between each book after that 🤣
See, Rothfuss made a Mary Sue. Since the story is being told by the guy the story is about, after the fact, to someone who the narrator has no reason respect for, Rothfuss has an out: He can let Kvothe keep telling his story and the out it all as complete bullshit, or he can let it be just an embellished truth and then let us learn exactly why Kvothe is essentially in hiding after living such a fantastical life - either way Kvothe gets his punishment /redemption for being a liar.
What he cannot do is pretend that all that ACTUALLY happened, and that Kvothe went on to kill a king and retired to an easy life as an in keeper. That story would suck hard ass and make everyone’s eyes roll out of their heads.
I’m convinced he wrote #2 and is basically waffling over how to turn it into #1, or arguing with his publisher over it.
His latest book, The Narrow Road Between Desires, isn’t written from Kvothe’s perspective though, but has him as a side character and confirms that Kvothe is at least somewhat of a bad ass.
It’s told from the perspective of Bast (Kvothe’s fae apprentice/student, for those of you who haven’t read a Patrick Rothfuss book in the last 13 years). The book basically implies that while Bast has strange magic powers, Kvothe is still the true master. So that basically rules out the idea that Kvothe is telling a complete bullshit story.
Neat, I didn’t even know what was a thing! I’m glad he figured out where to take the story, and it sounds like he’s leaning into making what Kvothe says as being more truth than fiction, but the next part is still hard: how do you make the end more interesting than “And then the main character kicked everyones ass, the end”? Especially since we know he lives and is, presumed fine? That’s the part that is likely taking forever, and this novella sounds like it’s a chunk of story he couldn’t fit in the book.
For the record I like Rothfuss and all his writing. I’ve met him! We talked about life stuff and he’s a cool guy! I think people expect more than The Dresden Files from him and that pressure sucks. I maintain that he likely wrote the final book, realized he hated it, and has spent this time trying to salvage it while maintaining that the next book will be the end of the story.
Similar writers who for some reason are fixated on completing their series in one or two books.
My hot take is it’s this constant they put on themselves that caused them to feel overwhelmed and lose interest.
Yeah I saw that. He made a pretty convincing case that the only new content George had written was during lockdown in the pandemic, the rest was all stuff that he cut from Dance of Dragons.
Now, George Martin doesn’t owe anyone anything, it just makes me sad that this series will never be finished.
I am 💯 convinced he’s been done with all the material for years and it will all get released on his death. He had a huge amount of leverage for those last deals and he’s paid for all time based on what he made from HBO.
My guess? He just didn’t like what he saw in those last seasons, and doesn’t feel like he owes anyone anything. Maybe we’ll get the rest when he passes, but he’s probably just not worried about it and living his life.
If you want to call it that, then yes. I fear that to him, this is a big project he is no longer excited to finish. Like learning a language and then losing interest or building something in your backyard.
First progress slows down, than nothing happens anymore and finally, after years, you cancel Babel, clean up that stuff in the backyard and let go of your unfinished book series that has build way too high expectations anyway.
I’ve been telling people this since somewhere around 2014/2015 when I read the third book. The first two books were well thought out, the plot moved, the exposition had purpose and was driving toward something. While I was about 2/3 of the way through the book I realized that it felt like GRRM had changed his mind about what he wanted to do with the story. The book no longer seemed focused on a destination, it seemed focused on moving characters around so that he could make something different work instead. But doing that new thing meant killing off 75% of the characters he’d spent two books developing, so he had to replace them with new ones, who were less developed, kind of cardboard cutouts of the previous ones. But now these new characters stories needed to be fleshed out so he could make their involvement make sense. In doing that he realized he couldn’t slot them in to accomplish the goals he needed to complete the story. So he kept expanding the web, expanding the universe, but never really having a plan or path in place to make it all come back together. And that’s where he’s been for over a decade.
He hasn’t finished the books because he doesn’t know how to at this point. He can’t get everything tied together, he can’t go back to the story he wanted to tell because he killed off pieces necessary to make it happen, and the replacements didn’t fit where he needed them to.
I stopped reading after the third book too, and that’s exactly the sense I got.
There’s no conclusions, just character deaths. It’s just an unraveling web that becomes less and less coherent the further it goes.
There’s no conclusions, just character deaths. It’s just an unraveling web that becomes less and less coherent the further it goes.
So just like real life.
I’ve read all of them, though not very closely. Unless it was one of a handful of important characters by the 4th book I had absolutely no clue who anybody was. Names kept getting dropped like I’m supposed to know who this person is but there are so goddamn many it’s impossible to keep track.
The last two books are like 3/4s just moving people around, and literally everything interesting that happens happens in the last 250-300 pages or so.
This is why I just do not buy any story that’s unfinished.
As sad as it is, no matter how cool Final Fantasy 7 Rebirth looks, I just can’t emotionally bring myself into it knowing it could be another Kingdom Hearts 3 “we don’t know where we’re going” ending. Even my childhood classic Half-Life both couldn’t commit to an ending, and when their writer frustratedly uploaded “fanfiction” of its ending, it basically ended on a Cthulu Mythos style downer.
From now on, I’m only getting into stories if I can see a review that says “It ended very well!” not “I can’t wait to see what happens next.”
Legit.
I’m so sick of the ‘big twist’ ending where something ‘unexpected’ happens or it leaves it ambiguous, just give us closure.
The ending to Hot Fuzz is perfect. It answers questions, doesn’t stick around too long and ties up all the loose ends, while still being open-ended and leaving it to the viewer to conjure what happens next.