Since we're literally only one issue away from the big #150 finale/line reboot I sent off an email to TMNT's letter column. No idea if it'll see print, but it's been a ride, Sophie Campbell's run is some of the most moving stuff I've ever read in this glorious, stupid franchise and the most rancid people alive hate it, so what the hell, this is now a Sophie Campbell TMNT thread.

#TMNT

Plans? Bah! Those're for lesser mortals! But I should probably set the scene a little, so some history. Also a warning because it's absolutely going to come up: I think the first 100 issues of this series are the most bland, boring TMNT stories ever made. "What If...the 2K3 Cartoon Took Itself Even More Seriously?"

One my biggest problems with the series pre-Campbell is how it equates escalation with stakes and monologuing with depth. The result is a near endless barrage of pages like this, talky fight scene after talky fight scene, broken up occasionally by characters standing about in rooms discussing the last few weeks. Continuity without content.

Also you're asked to take at face value that the entire series so far has been leading up to Splinter sacrificing himself to kill a dragon.

Things that also happen in this issue:
Casey's dad, Purple Dragons gang leader and mutant racist Hun, who showed up in the first issue beating his child, dies and this is supposed to be tragic. Oroku Saki is resurrected from his death in #50, and it turns out it was the dragon inside him that made him evil or something, and this is supposed to be deep. Splinter dies and the comic has to go out of it's way to specify this is for real-real, because reincarnation is part of its premise.

Hun's the biggest eyebrow raiser, but also shout out to the death of Agent John Bishop in the same issue, which isn't supposed to be tragic despite Waltz giving him the same mandatory Deep Tragic Backstory™ as everyone else in the comic.

Bishop, despite the fact we're supposed to find him complex, gets stomped to death by Slash in righteous revenge (for killing a child abuser who's as "racist" as he is a few panels ago).

Bishop debuted in the 2K3 cartoon, an Agent Smith type running the Earth Protection Force, an anti-alien/cryptid/mutant black ops government unit, spinning out of his own traumatic abduction by aliens during the civil war. (Their experiments granted him longevity, you see)

Bishop, to be blunt, has the personality of a cardboard box, but he does get an interesting enough little arc in the "Fast Forward" 6th season/soft rebrand.

And sure, this is only a rung on the ladder above that Static Shock episode where they solve racism forever by convincing Riche's racist dad that black people are human beings, but...that's decent enough, right? Time and a pivotal experience turned this MIB asshole into someone the Turtles could begrudgingly respect.

Naïve? Sure. Convincing? Not about to argue with anybody who thinks otherwise. Good baby's first inclusivity episode? It's serviceable.

But I will say, the best part about this idea is that you can take or leave it. What would make this story actually bad is if they tried to talk it up in any way, because then you open it up to critical examination TMNT as a whole really doesn't benefit from. And that people who use the term "dark and gritty" aren't doing, anyway.

Guh, this is turning into a tangent, so to sum up:

For me, that's IDW TMNT's pre-Campbell definition. Dissonance. Where, in the issue where
A) Hun, a racist child abuser, dying is supposed to be tragic.
B) The conceit of this whole thing is that Shredder has actually been possessed by a dragon (Or SOMETHING?) this whole time and actually isn't that bad, but needs to seek redemption because that's sexy
C) Kitsune, the literal demon fox woman who turned Leo evil isn't all that bad--

--Bishop, who's supposed to be as complex and compelling as all of these other assholes (and like EVERY character Tom Waltz ever wrote, if you believe some circles), who is THE EXACT SAME KIND OF MUTANT RACIST HUN IS...is supposed to be so bad he -deserves- being ended by Slash stepping on him.

THAT'S supposed to be complex? "This racist got his, but this one over here is tragic."

And by contrast, Sophie Campbell made Wet Moon and Shadow Eyes. Both about growing up different, both about your body, both about the question of identity, both about the uncertain future the 21st century is dragging us into, whatever our role in it is.

You do not get "But the child abusing one is okay" from either of these, and I highly recommend reading them wherever you can. Iron Circus had the reprint rights, last I heard.

Also, just saying right now, Campbell handles Alopex, the only character in IDW to put their money where their mouth is, the best, including having her leave the group for a spell when they decide to partner up with Shredder, the guy who kidnapped her, killed her family, and mutated her.

Because TMNT editorial really, really wanted redeemed Shredder to be a thing.

(Do not expect anything flattering about the Armageddon Game, outside of Campbell's last tie in issue for it, to show up in this thread.)
Also it seems to have vanished from the web, but if you can, absolutely check out Campbell's "Secrets of the Ooze" fancomic, it kicks the shit out of Waltz run so hard and it's not even finished.
Skipping ahead to the (hundredth and) fourth issue to present the first half of the thesis statement. "We've never had a night out in our entire lives."
First page of #101.

And page 2. I like how tempered and quiet the mourning is, not overwrought (which so much of the previous 100 issues were, -especially- when it came to death, y'know, that thing the reincarnation concept neuters immediately), while still being like, yeah, Mikey WOULD be the one taking it this hard.

And we end on a beat that's going to pop up over and over throughout the run: for better or worse? Raph's the one who knows when it's time to leave.

Great, subtle character moments that are good And Wanna Do Other Stuff Good Too!: Leo being the only one keeping his mask on, plus he and Jen, the older siblings, being the ones to watch Raph leave.
Oh nothin', just Ninja Turtles depicting the US government building a wall for the express purpose of isolating and denying the diffrent, in 2019.
"bUt iT uSeD tO bE sUbTlE" The future of Archie TMNT, which began life as the tie in comic to the toon so heavily censored my nation called it HERO Turtles, depicts the future as a flooded, apocalyptic wasteland due to global warming and had a (poorly thought out) issue about Splinter as a Hiroshima bombing survivor.
"Subtle" doesn't work when Eastman and Laird did an issue about a right wing militia so dumb they don't realise their organization's anagram spells "C.R.A.P."

And because there's never a bad time to post this panel:

#TMNT

And so here's the new status quo. Old Hob, bastard mutant cat-man, mutant revolutionary, and Snake Pliskin cosplayer, tricked Raph into helping him construct and detonate a mutagen bomb, turning an entire section of Manhattan into mutants. Baxter Stockman, now mayor, has quarantined this "Mutant Town". Mutants are now public, social tensions are rising, and the Turtles have separated from the grief over Splinter's death.
This is a neat page because it does what it does well while kinda breaking one of comic's rules about efficient story telling (which comics break all the time). Our new status quo is established by someone talking an awful lot...and at the same time it's on one page, the third of the book, and in context it makes complete sense. Baxter's a politician now, laying out terms like this is literally his job.
'Nother unofficial rule of comics this one pulls off: establish a story within the first three pages. We've had loss, separation, and now Campbell's cemented the setting. The Turtles have been traumatically changed forever and so has the world around them.
NOTHIN' RELATABLE ABOUT THAT, HUH?
@LeoJetSkiFuelnardo I always love your TMNT threads! Especially since they're my best access to the comics. But was it just the 87 toon that was called Heroe Turtles, or 03 as well?
@Fragglemuppet Thanks! 2K3 was "NINJA Turtles" over here, yeah. The restrictions on the word and Mikey's nun chucks were long gone by 2003. British film and TV censorship is a mildly fascinating mess, which got both easier a more complicated once we joined the EU and had to alter them. The 90's movie got to keep the Ninja part of the name too, for example, because it's age ratings (family friendly but for older kids, younger ones could attend with a parent) meant it was considered acceptable.

@LeoJetSkiFuelnardo It's gone from her deviantart, but you can still read it on tumblr here: https://secretsoftheooze.tumblr.com/post/145766109567

(and I agree, it's good shit, the title page was my phone lockscreen for a long time)

Secrets of the Ooze

Tumblr
@Euan Thanks, was combing everywhere for this. So many great takes per page!