Absolutely not. Mastering is a magnificent dark art, not a means to an end. Engineers like @hilljam put DECADES of work into ear training so they can fine tune a mix into not just something crisp and professional, but also something that is INTERESTING, that preserves the personality of the song & its artist.

Full disclosure, as someone who is and has often been dirt broke throughout my career, I know how tempting it is to take shortcuts. Hell, I used Landr myself when I didn’t know better. All I cared about was loudness, and Landr did that for me.

But it’s not hard to learn how to slap a limiter on your master bus and get that release-ready volume boost!

What IS hard, and where there is so much room for growth, is making a solid community network accessible. There are great mentors out there, and engineers who are willing to barter or even donate their time, but I think we don’t always have the tools to connect artists with engineers in a process that’s as easy as pushing a button for an algorithm on Landr. We have to get better at lifting each other up and helping educate each other in our music communities.
@WonderTruly Plus, if you don’t learn a bit about critical listening and mastering, you’re not gonna know when that LANDR master is a piece of shit.