Because you were guaranteed that what you were downloading was what it said it was, and was high quality, and would have the correct tagging and album art and all of that.
It’s been shown repeatedly that a large part of piracy isn’t about cost, it’s about convenience. It was easier to pay $0.99 and get what you wanted when you wanted it, than download 8 files off of Napster and hope that one of them was actually a decent bitrate and was the song the title said it was.
Back when eMule was a thing, it was super common to spend an entire day downloading a 700MB video file at 5kb/s, only for it to be Fight Club instead of whatever you thought you were downloading. It’s the same thing with music.
shred …
On top of what’s already been said about technological literacy and security, I’d like to add that I WANT to support the artists who make things I like but the companies selling their works tend to ruin the experience by trying to squeeze every dime out of you.
For the last decade or so, digital storefronts have provided a pretty good experience, but it’s starting to get a lot worse as the old companies go public and become beholden to shareholders, or as new companies enter the arena and split up what was once available all in one place.
If you have the local MP3 file you can do just about anything you want with it. Use it in just about any device. Transfer it anywhere. And never lose it.
I have Mp3s that are over 20-30 years old and have never needed to get them again.