stopthatgirl7'Suits' Was Streamed For 3 Billion Minutes on Netflix and the Writers Were Collectively Paid $3,000
The sorry state of streaming residuals shows why SAG and the WGA are striking.
MxM111Warning: unpopular opinion here.
From the article:
That means that despite the show being a resurgent hit, there were no big secondary payouts.
So, I am an engineer/scientist. Products that I have developed/contributed to development are used by billions of people. Most likely you, the reader of this comment are using it right now, because some of the products I worked on are telecom products, that are widely used to transfer information.
The amount of secondary payouts I receive is EXACTLY ZERO.
My honest question is, why those writers should be any different? They should be paid when they make their products, according to the contract they signed. But why many think they entitled to something more?
And no, I do not think that argument "but it is difficult work, it is not constant" works here. There are lots of difficult, non-constant, seasonal, whatever jobs there that pay even less.
alienanimalsCrab in a bucket mentality.
“I don’t receive residuals, so why should these writers? The executives are entitled to all the profit.”
If all us engineers got paid every time our code was used, the Internet as it exists would be absurdly expensive. Really, it couldn’t exist. Thank god engineers don’t have the same “I need to be paid every time something I created is used by anybody” mentality. You’re building on the work of millions of people before you, you owe it to others to contribute (and make a living in the process).
Of course, the industries are different in important ways. But you should be able to explain the differences, not just wave them away with “ur just jelly lol”
IMHO, copyright and IP law is ridiculously protective. People should get a few years to benefit from their creations, then they should be public domain. This lifetime-plus-70-years bullshit is stupid. Companies are exploiting those stupid laws to milk us on every platform for decades with each media artifact, and artists and writers just want to get a cut of the action. IMHO, it’s the wrong fight, and I can’t really support them in it: “give writers a share of the rent you milk from us” is not a cause I wanna get behind.
I guess it depends right? If a show or movie or other piece of art continues to bring income in, where does that money go? Particularly when the team that created it have effected disbanded and therefore aren’t technically on the same payroll that income is arriving on. I would argue it should not solely go to the owners of that production house.
Residuals makes sense in a way that doesn’t really apply to engineering because typically engineers will remain at a company and their continued employment is how they continue to gain income from their work.
You could maybe say an actual equivalent would be engineers getting shares in their company, which would function the same as residuals. I think that is a more apt comparison.
I think the shares in a company thing is a good comparison, because I went to university at a place that churns out a lot of grads who found or work for startups. It’s a minefield because often the reason early employees get paid in partly in shares is because they couldn’t afford to pay them the “true amount” upfront.