As if on cue, this episode of the One Year podcast appears in my feed, describing American musicians’ concerted protest in 1942 against new recording technologies that were hurting the live music economy—why hire bands for your bar, for example, when you can just get a jukebox? Why hire live bands for the radio when you can spin records instead?
How does this relate to my thread? Well again, these musicians weren’t wrong—the new recording technologies were absolutely reshaping their music economy & having real, often devastating impacts on musicians—their protest wasn’t misguided or silly. And in retrospect this debate gets lost because, well, recorded music persisted & eventually the music economy adapted—& our historical lenses are curved as I was arguing above.
But it can be instructive to take this historical moment of uncertainty & rupture seriously—what might this history suggest about how we should think about/manage/teach/&c. AI art, writing, &c.?
https://slate.com/podcasts/one-year/s4/1942/e3/recording-ban-1942-james-c-petrillo-the-american-federation-of-musicians-and-the-creation-of-bebop