What I'm listening to today: "Mixed Emotions", Bebe Barron
In 1956, experimental electronic musicians (and married couple) Bebe and Louis Barron composed the score for Forbidden Planet, inspiring a generation.
In 2000, Bebe visited the music lab at UCSB and recorded a new piece. It is *sick*. It seems to be inventing entirely new emotions. It sounds exactly like the music 60s electronic artists would have made if not held back by the friction of contemporary recording.
What I'm listening to today: "La Jetée", Sines of Exquisite Pleasure
I somehow, happily, managed to wedge YouTube in a state this weekend where it recommended me nothing but albums from the early 80s artists self-published on cassette tape. S.O.E.P. was a particularly exciting find from this; their 1981 album "Modular Systems" is *amazing*, but this one serene track from their 1984 tape stands out to me for its retro-invocations of Godspeed You Black Emperor! and Air.
from the album Music for Hospitals
What I'm listening to today: "pulsar 23 volca fm jam", clyv
This jam gets some *wonderfully* bizarre noises out of Volca's cheap modern DX-7 clone box, combined with some wonderful grungy noises from using the Pulsar-23 (a drum machine) as a synth voice. Once the (chugging, dirty) beat comes in the overall feeling is pleasantly disorienting, like listening from afar to a rock concert, or perhaps an alien invasion, happening on the far other side of an echoey valley.
What I'm listening to today: "Spirals & Orbits", Benge
This was recorded this year but is going *hard* in both audio and visuals for the aesthetics of a 60s-70s educational filmreel, all baffling diagrams and radiophonic-workshop abstract noises, video feedback, quiet glimmering echoes on slow oscillator sweeps. As a piece of ambient music it's entrancing.
What I'm listening to today: "Elysium State", Stardust
The "demoscene" if you're not familiar makes tiny audiovisual programs that push the limits of computer hardware. The community started on 80s hardware, and since wowing on modern GPUs is less challenging they to a large extent stayed on 80s hardware, making them a good chiptune source. Here's a new 2022 demo by Stardust (not to be confused with the 1998 Thomas Bangalter side project).
TLDR Dubstep on a ZX Spectrum
What I'm listening to today: "I Am A Recording", m 10538
The poster of this song claims it's a cassette tape they recorded in 1981, when they were a child, on a toy organ in their parents basement. It definitely sounds like a child hitting random notes, but after a bit something clicks and they hit this powerful, spooky groove. Daniel-Johnston-esque in more ways than the conceptual.
The YouTube summary ends with a strange rant about digital preservation, worth reading.
What I'm listening to today: "Almost in tune live play pulsar 23 buchla easel", Amon Tobin
I spend a lot of time listening to bedroom synth jams by YouTube randos and I've gotten *very* used to incredibly hype stuff posted by accounts with 23 subscribers, so when I got to the end of this driving, buzzing techno jam I was shocked to realize THIS rando was Amon Tobin, a Ninja Tune-signed musician I've seen live three times. Apparently he also has synths in his bedroom.
What I'm listening to today: "Bedroom electro test demo (live electro track feat Elektron Octatrack // Analog Rytm // Slav Squat)", Matt Leagre
Now *this* is a true bedroom synth jam, as in, you can literally see the bed and the dude visibly doesn't have enough space for all the synths he has jammed in the corner there (the unplugged Arp Odyssey reissue! D:). Eight minutes of shifting groove with 90s dance and vaporwave flavors. Really good stuff actually.
What I'm listening to today: "Volca Keys + Beats ambient jam - Volca Dreams", Fortress of Sound
A lovely, gentle electronic groove made on the two most basic Korg Volca units and one guitar pedal. Feels like water level music from a lost Donkey Kong Country game. The basics, they work. This is 13 minutes long and realistically probably could/should have been like seven but you just kind of zone out and you don't notice how long it's been.
What I'm listening to today: "True Love Will Find You In The End (Daniel Johnston cover)", The Mathletes
I went to high school with Joe Mathlete, the lead / occasional only member of this band, so I guess I'm one of their oldest fans. As a home-recording indie musician from Texas Joe's got a deep love for Daniel Johnston and played a version of Johnston in Speeding Motorcycle, a stage musical in Houston and Austin. This cover is super intense to me; best listened loud.
What I'm listening to today: "400 piece 1", Alessandro Cortini
Cortini is a colossally talented synth musician famed for doing all Nine Inch Nails' synths for many years. He also has a YouTube channel where along with his music videos he posts jams, and videos of his cat sitting on rare synthesizers. This video, from 2017, is a spooky, swaying ambient piece; he claims it was the first thing recorded on a "newly restored" Buchla 400. Check out the ancient CRT interface.
What I'm listening to today: "Make Noise | Strega with Pocket Operator PO-33 Session 221119", ナカヤマコウジ
This is a short and simple, kind of ambient / abstract trip-hop piece made with a handheld sampler and the Strega, a synthesizer/effects unit (co-designed by… Alessandro Cortini, again). Not super attention-grabbing or anything and it's over near as soon as it starts, but it sounds really cool and it creates some nice distinct moods before it goes.
What I'm listening to today: "Pulsar 23, THYME, and Generation Loss MKII - Destruction Jam", nealwho
This one uses a Pulsar playing a gritty industrial drum loop, but the centerpiece is a guitar pedal that simulates the sound of degraded magnetic tape on a poorly maintained player. This, and an unusual (sequenceable) bitcrushing delay-echo by Bastl, place the loop on a rack and stretch it into 10 minutes of muffled, unsettling error noises. William Basinski in real time
What I'm listening to today: "Stations of the Tide (annotated)", Dave Seidel
An extremely quiet piece consisting entirely of Schoenberg-y tonal hums rising and falling in possibly-patternless waves. In places it just falls into complete silence. There's a feeling of intense isolation here, maybe something like dread.
The piece is mechanically generated in VCV Rack; the video shows the machine that generated it, and overlay text explains what each functional block does.
What I'm listening to today: "Sixtyniner", Boards of Canada
All those "chill synth jam" videos I link here? You can blame basically all of them on BoC, who perfected a blend of educational-film-score analog synths + hip-hop beats that in 1998 was a revelation.
BoC had tons of early stuff recorded when they signed, so they have multiple rerelease albums. My favorite BoC track ever is still "Sixtyniner" from their 1995 self-published cassette. The mood remains unmatched.
from the album Twoism
What I'm listening to today: "shortbus take1", SunFallsMusic
The "Shortbus" is a literally-named Eurorack module that doesn't connect to the power ribbon; the switches just determine which plugs are electrically "shorted" to the others. This guy rigged up a pleasantly strange repeating beat with a wavetable synth and a shortbus at the center. The same guy has a "take2" video which shows the performance possibilities of the switches better, but I like this strange loop.
What I'm listening to today: "The Ark Of Redemption/Full Circle (Pulsar-23, Strega, 0-CTRL, DBA Rooms)"
This is a half-hour long (improvised?) performance of somewhere between one and three songs. So it's kind of a lot, and some of the sounds are harsh, but I really like the progression on this, going from a constant buzzing drone into epic warehouse ambiance and sinister clicking and, eventually, music. If you can let yourself be hypnotized by sound, this will do it.
What I'm listening to today: "Push for Woogies", tvvt
This is an acid techno jam posted on the synthesizer subreddit this morning based around what I think is a Moog Sub37 and a bunch of Electron boxes. It's messy but very fun; I like how the first 20 seconds or so sound like just random noises until the bass drum drops and suddenly everything snaps into place.
https://www.reddit.com/r/synthesizers/comments/10csghi/push_for_woogies/
What I'm listening to today: "Techno jam / polyend tracker,tr-6s,j-6"
This is a desk jam using some boxes from Roland's recent attempt to approximate the Volca line, specifically the "It's like a TR-606 with sliders? Sort of?" box and the "It's like a Jupiter-08 with a chord sequencer? Sort of?" box.
The opening just-drums part goes on maybe a little longer than I would have let it, but once the j-6 comes in it gets "hype". Overall some enjoyably dirty techno.
What I'm listening to today: "Laidback Dub session # DubTechno studio Jam (Tempest SpaceEcho Prophet6 Perfourmer Strymon..)", VØSNE
VØSNE has a bunch of good videos of live sets doing laid-back dub. (In this context, "Dub" means "instrumental reggae for nerds".) This is… a live set of laid-back dub. This one's forty minutes long and starts as a few minutes of just ambient echoes, but the drive keeps building the entire time and once it's built it's got a great goove.
What I'm listening to today: "Soma Pulsar 23 - Dark Minimal performance", Deaftone Audio
A small, hissy percussion piece ("microhouse"? Is this what "microhouse" is? Maybe nanohouse?) with some really good sounds, including an acid bassline rigged out of a Pulsar drum channel. In my opinion a good way to spend four minutes.
What I'm listening to today: "Particle Hands", HELL F.O
HELL F.O has a bunch of fun stuff posted— they've appeared in this thread before— and it's practically all abstract, ambient noise music. So this track is an interesting surprise just by being a completely listenable, borderline-pop dance techno piece. Still some interesting sound design, mind you! But drop this into a club set with some bass EQ and I think the crowd would eat it up.
What I'm listening to today: "digitakt + modular live improv set", ANVBS
This is a live set basically comprising a concert's worth of different songs, all that kind of dirty industrial techno I like so much. The flow's good and it works well as focus music. The set isn't of completely consistent quality— if this were say, a Bandcamp album I probably would have picked a favorite track and linked only that— but the songs in here that are good are real good & hard-driving.
What I'm listening to today: "GRP A4 sequence 3:1", Klang Zaun
The A4, it turns out?, is a $5000 synthesizer the size of a desk, designed to be a "more affordable" version of the A8 (a $10,000 synthesizer the size of a wall).
No drums in this, just synth tones that don't feel so much retro as prehistoric, like that proto-electronic stuff from the 70s before Giorgio Moroder realized synths were for dance music. It's hypnotic and ends with you kind of wanting more.
What I'm listening to today: "Steal My Soul", Rahzel
Rahzel is a legendary beatboxer, known for his work in the Roots and various collaborations (Björk's Medulla). He released 1 solo album, "Make The Music 2000" (it's a Biz Markie reference), an odd album with less beatboxing than you'd expect. It does have an infamous live Missy Elliot cover, and this absolutely lovely, spooky, nearly-all-voice jazz track. You won't realize how much of it is voice until the 2nd listen.
What I'm listening to today: "Mea Culpa", David Bryne and Brian Eno
In 1981, between "Once in a Lifetime" and "Burning Down the House", Talking Heads frontman Bryne made an instrumental album with ambient music creator-deity Eno, built around samples from AM radio & West African music. "Mea Culpa" is a dreamy wash that feels decades ahead of its time.
The proto-music-video "short film" below is by Bruce Conner, and IMO is inseparable from the song. * Warning, flashing.
What I'm listening to today: "2 Miles", 12 Rounds
You know that Atticus Ross guy co-credited on all Trent Reznor's film scores? In the 90s he and his wife were a band called "12 Rounds" I'd describe as Portishead crossed with Vampire: The Masquerade. Almost nobody liked this album except me and Trent Reznor (who liked it enough to hire the guy to produce, like, all his albums). Every song on it has something special happening, but this understated track is my favorite.
What I'm listening to today: "Phantom Limb", Hovercraft
Hovercraft was an experimental noise-rock band from the 90s with an almost total disinterest in "notes". This album's release was dogged by confusing, inaccurate rumors Eddie Vedder secretly performed on it (he was married to the bassist at the time and may or may not have played drums in some of their live shows).
This song has a lovely dark mood; the bassline has been my go-to synthesizer test melody for years.
What I'm listening to today: "Mr. Mistake (Boards of Canada remix)", Nevermen
Okay so try to follow, this is:
- Tunde Adebimpe (previously vocalist of TV on the Radio)
- Mike Patton (aka Mr. Bungle, previously vocalist of Faith No More)
- Adam Drucker (previously vocalist in cLOUDDEAD)
- Boards of Canada (production)
…all together on one single track. And it's *incredible*. BoC at their best dispensing Feelings and the words have been circling in my head for years.
What I'm listening to today: "Divine and Bright", Earth ft. Kelly Canary and Kurt Cobain
Earth is a "doom metal"/drone band I am much enamored with, consisting of Dylan Carlson and whoever else is in the room at the moment. They have almost no songs with vocals, but one exception is this 1990 collaboration with a screaming woman and also Kurt Cobain of Nirvana, who was close friends with Carlson. This might just confuse you, or maybe you'll find the mood delightful.
What I'm listening to today: "Orange Twin Field Works (Vol.I)", Jeff Mangum
Neutral Milk Hotel (Jeff) in 1998 became the biggest name in indie rock, then just… stopped. Before he went he released this one strange and amazing thirty-minute recording (there is no Vol. 2) of field recordings of Bulgarian folk music from the Koprivshtitsa festival, mixed together in a way that perfectly captures the larger-than-life feeling of live music on foot. This is game design, to me.
What I'm listening to today: "Cinematic Music | Moog Grandmother + MiniKORG700FS | A Love Letter To Synths from A Student for Life", HEYMUN
This is a dreamy piece where the musician sets a few synthesizers running on patterns and plays piano along with it. It's highly structured, but sneakily so. On surface it just feels chaotic; it feels as if two unrelated pieces of music happen to be playing at once but somehow keep converging in interesting ways.
Just float in it.
What I'm listening to today: "Perkons HD-01 Bassline and OXI ONE sequencer Jam", Mark Cee
This guy spent a couple months posting jams with this large, unusual blue drum machine and I kept watching his videos like a hawk thinking… eventually he's gonna make something awesome. Eventually he did, with this complex, clicky 6-minute dance techno bop for an entire crowd of people enjoying standing at the back of a room holding drinks and bobbing their heads but not dancing.
What I'm listening to today: "Choralberg", Alex Siebenhaar
In this video, a man wearing a bluescreen for a hat sits on a carpet and steers some racks of synths (and one analog drum machine) through a cryptic, funky melody. Just as you think you understand where it's going, it ends; you find yourself wanting more.
What I'm listening to today: "crisping.1 #lofi #ambient #chaseblissgenerationlossmk2 #glitch", [moos]
It's not very hard to reproduce Boards of Canada's style, especially not since cassette equipment became a common modular synth add-on. But this piece, based around that guitar pedal that fakes tape degradation, is special, mixing tattered synth pads with a death-march beat that refuses to find a rhythm. It's scary actually, like something's gone horribly wrong.
What I'm listening to today: "Pulsar 23 - Sounds you don't usually hear coming from it"
Occasionally in this thread I've praised songs for adapting Pulsar-23 drum channels for non-percussive purposes. This track is *only that*, the dude does not turn on the drum sequencer, clips on a device designed to turn circuit EMF leakage into sound?, and makes something approximating a jazz piano solo alternated with gunky glitch dub sounds. Very weird noises even by my standards.
What I'm listening to today: "Filthy Miksher - Demo Jam", Deaftone Audio
This pairs a Pulsar and an acid bass groovebox with some kind of noisemaker box based on a spring attached to a contact microphone. It starts as ambient noise and then grows into a bumping rhythm without ever containing… anything except noise, actually, so you've just got this gradually escalating percussive techno piece made up of different noise textures. I like it
What I'm listening to today: "pulsar 23 rhythmic explorations", clyv
This is 14 minutes of a musician fiddling with a Pulsar-23 drum machine. There are periodic cuts, so I assume this is edited down from a longer recording, leaving only the moments they found a good Beat. Not quite a song, this is like the skeletons of 20 different songs, awaiting someone to loop them and add something more than drums. Good beats tho, and good background if you let your focus wander.
What I'm listening to today: "LENTIL2C33MOD 400Hz 23", Rzeczy
This song was produced from an NES sound chip, but doesn't sound anything like an NES because:
- It's got the wavetable channel from the Famicom Disk System;
- The sound chip has been overclocked to make possible synthesis techniques (like audio-rate PWM) a normal NES could have never done
The musician uses these powers to make some sick industrial-feeling… "electro breakcore"? EDM genre names are gibberish
What I'm listening to today: "Zone J" (Rescue Rangers), Harumi Fujita (Capcom)
Do you ever think about how there's a basically finite number of possible "songs", but our attribution/copyright systems assume each piece of music is written only once? So like what if the most beautiful piano song ever got stuck in a toothpaste commercial. Or if one of the greatest electro-pop hooks ever wound up in the final level of an NES game and is now just "retro game music" forever
mcc
twodimes