So I got a flatbed photo scanner of my own a few weeks ago, and as I'm rescanning many of my negatives, I'm learning something:

So many things about my pics that I had attributed to the film is actually just a product of how they scanned them at the lab.

Like, my rolls of Lomo CN 800 came out *very* grainy and washed out. I wrote it off as being a cheap film.

Upon scanning them, it seems like the lab tech had the contrast and saturation way down, and the gain way up. I think I was seeing more scanner noise than grain.

Kodak UltraMax is supposed to be a punchy film, but my skies almost always turned out blown out, and my highlights kinda bland. I chalked it off to it being a consumer film with less latitude.

Nah, with a little tweaking, I'm able to pull a lot of colour out of those highlights.

Here's an example, with Lomo Color Negative 800. Left is the lab scan, right is my own scan (Epson 4490, scanned in 48-bit colour and processed in Negadoctor).