William Clark“We carry a desire to inhabit images we’ve seen, reified symbols of love, glamour, happiness, success. The “White Lotus” scene in Noto is a perfect representation of this recursive fakery and its nightmarish endpoint.”
“We carry a desire to inhabit images we’ve seen, reified symbols of love, glamour, happiness, success. The “White Lotus” scene in Noto is a perfect representation of this recursive fakery and its nightmarish endpoint.”
