๐˜›๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ข๐˜ณ๐˜ฅ ๐˜ฅ๐˜ข๐˜บ๐˜ด ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ฑ๐˜ข๐˜ด๐˜ด๐˜ฆ๐˜ฅ... ๐˜›๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ฆ๐˜ญ๐˜ฅ๐˜ด ๐˜ญ๐˜ฆ๐˜ต ๐˜ข ๐˜ด๐˜ช๐˜จ๐˜ฉ ๐˜ฐ๐˜ง ๐˜ณ๐˜ฆ๐˜ญ๐˜ช๐˜ฆ๐˜ง.

"[Vladimir Gardin] was provided with funds to produce features such as ๐˜๐˜ข๐˜ฎ๐˜ฎ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜š๐˜ช๐˜ค๐˜ฌ๐˜ญ๐˜ฆ (Serp i molot, aka V trudnye dni, 1921), an agitka about a soldier who grows from an exploited farmhand to a conscious builder of Communism, (...)."
ยป Historical Dictionary of Russian and Soviet Cinema {2008, Peter Rollberg}

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