I have so many musical irons in so many fires right now, but I got bitten by the plectrum/jazz bug tonight; I acquired this wonderful Paramount Style A last year and earlier this year I put LaBella 17 nylon strings on it, which was a game changer. I've been playing on nylon strings for so long that any calluses I had from my clawhammer days are long gone.

Just a week or so before the pandemic really started to hit my neck of the woods, I found out about a jug band open session near me and I was super-excited to finally have a chance to work on my plectrum chops, but then of course everything went sideways.

The @magicians project will give me more of an excuse to tinker with early jazz/blues plectrum banjo, but I need to get some other stuff cleared off my metaphorical desk before I can really dig into it.

Meanwhile, here's the verse of 'Louisiana Fairytale', marginally played.

#jazzbanjo #plectrumbanjo #banjo #jazz https://peertube.social/videos/watch/c329d457-8b69-4a80-ae42-f5982a39eec1

Louisiana Fairytale (verse)

PeerTube

Whenever I start fooling around with plectrum or tenor banjo I very quickly get into wheel-spinning mode because I have basically zero experience playing jazz, don't know the repertoire, don't really have an external stimulus to learn (and retain) repertoire.

But I'm thinking maybe it's time to attempt an active study of McNeil's Chord System.

@mayor With the caveat that I know fairly little about banjo, but a bit about early jazz - you definitely do want to get chords down. *But* blues songs have a very regular form as you probably know, and could be a good place to start.

Not endorsing specifically, but e.g. https://www.youtube.com/watch?v=ENTN4wgiolA

A lot of jazz standards are based on modifications to the blues, e.g. https://en.wikipedia.org/wiki/Bird_changes

Good luck, and I for one am a fan of #jazzbanjo (and #jazz more generally πŸ™‚)

Tenor Banjo 12 Bar Blues Song Lesson: Shake That Thing

YouTube
@Jazzaria I don't remember much of it but University of Rochester has a very good coursera program on the subject of Jazz Blues! I should revisit it now that I have a decent instrument to play on https://www.coursera.org/learn/the-blues
The Blues: Understanding and Performing an American Art Form

Offered by University of Rochester. The blues is an American art form and the most important musical form in jazz. Although there are other formal paradigms of the blues, such as 8-bar or 16-bar, this course focuses on different incarnations of the 12-bar blues. There are considerable differences between Early Jazz blues, Swing blues, Bebop blues, Modal blues, and Post Bop blues. Each type has its unique harmonic syntax, melodic vocabulary and, associated with them, improvisational techniques. While other aspects of jazz performance practice have been constantly changing from one stylistic convention to another, the blues has never lost its identity and expressive power, and continues to exert a powerful influence on the harmonic and melodic syntax of jazz. This seven-week course explores important aspects of the blues, blues improvisation, basic keyboard textures, jazz harmonic and melodic syntax. Topics include: (1) Blues Progressions; (2) Blues and Other Scales; (3) Improvisational Tools, and others. This course will also cover valuable theoretical concepts enabling the student to master the art of jazz improvisation. Each topic will be introduced from a practical perspective with the clearly stated goal: to improve one’s improvisational skills. Jazz improvisation is rooted in spontaneity, creativity, self-expression and, at the same time, self-control and order. A unique pedagogical approach based on a one-to-one musical interaction conducted with different instrumentalists will help to reinforce many of the concepts introduced in this course and realize its stated objectives.

@mayor I've taken that course! It really is excellent. I took it years ago so can't speak to possible changes - it actually moves pretty fast, the first few weeks are the basics and then it does get into the fanciness of the Bird changes.

As with all things music, it gives good grist that you can grind and practice the rest of your life.

@Jazzaria Yeah, I remember a lot of it being beyond me by the end; I could follow most of the theory as presented but no way could I apply any of it on the fly πŸ˜…

@mayor Belated response, but - if you wrap your head around tritone substitution (which is admittedly a bit of a boggler), then that's more important than really woodshedding some specific progression.

https://en.wikipedia.org/wiki/Tritone_substitution

IMO it mostly hinges on the fact that if you take a dominant chord, e.g. C7, its most harmonically colorful pitches (the 3rd, E, and the 7th, Bb) are *also* the 7th and 3rd respectively of F#7, the dominant chord a tritone away. https://en.wikipedia.org/wiki/Tritone_substitution#/media/File:Tritone_substitution.png

Tritone substitution - Wikipedia