From The Body Keeps the Score by Bessel van der Kolk pg 51:

All trauma is preverbal. Shakespeare captures this state of speechless terror in Macbeth, after the murdered king’s body is discovered: ‘Oh horror! horror! horror! Tongue nor heart cannot conceive nor name thee! Confusion now hath made his masterpiece!’ Under extreme conditions people may scream obscenities, call for their mothers, howl in terror, or simply shut down. Victims of assaults and accidents sit mute and frozen in emergency rooms; traumatized children ‘lose their tongues’ and refuse to speak. Photographs of combat soldiers show hollow-eyed men staring mutely into a void.

Even years later traumatized people often have enormous difficulty telling other people what has happened to them. Their bodies reexperience terror, rage, and helplessness, as well as the impulse to fight or flee, but these feelings are almost impossible to articulate. Trauma by nature drives us to the edge of comprehension, cutting us off from language based on common experience or an imaginable past.

This doesn’t mean that people can’t talk about a tragedy that has befallen them. Sooner or later most survivors, like the veterans in chapter 1, come up with what many of them call their ‘cover story’ that offers some explanation for their symptoms and behavior for public consumption. These stories, however, rarely capture the inner truth of the experience. It is enormously difficult to organize one’s experience into language.

From pg 53:

When something reminds traumatized people of the past, their right brain reacts as if the traumatic event were happening in the present. But because their left brain is not working very well, they may not be aware that they are reexperiencing and reenacting the past – they are just furious, terrified, enraged, ashamed, or frozen.

After the emotional storm passes, they may look for something or somebody to blame for it. They behaved the way they did because you were ten minutes late, or because you burned the potatoes, or because you ‘never listen to me.’ Of course, most of us have done this from time to time, but when we cool down, we hopefully can admit our mistake. Trauma interferes with this kind of awareness, and, over time, our research demonstrated why.

From pg 55:

For a hundred years or more, every textbook of psychology and psychotherapy has advised that some method of talking about distressing feelings can resolve them. However, as we’ve seen, the experience of trauma itself gets in the way of being able to do that. No matter how much insight and understanding we develop, the rational brain is basically impotent to talk the emotional brain out of its own reality. I am continually impressed by how difficult it is for people who have gone through the unspeakable to convey the essence of their experience. It is so much easier for them to talk about what has been done to them – to tell a story of victimization and revenge – than to notice, feel, and put into words the reality of their internal experience.

Our scans had revealed how their dread persisted and could be triggered by multiple aspects of daily experience. They had not integrated their experience into the ongoing stream of their life. They continued to be ‘there’ and did not know how to be ‘here’ – fully alive in the present.

https://markcarrigan.net/2024/10/12/all-trauma-is-preverbal/

#articulation #discursiveGap #real #symbolisation #trauma

All trauma is preverbal

From The Body Keeps the Score by Bessel van der Kolk pg 51: All trauma is preverbal. Shakespeare captures this state of speechless terror in Macbeth, after the murdered king’s body is discove…

Mark Carrigan

The emphasis placed in Lacanian psychoanalysis on symbolisation isn’t an open-ended matter of putting everything into words. It rests on an account of libidinal economy in which some inarticulate matters are stumbling blocks for the subject, whereas others are not. This is how Bruce Fink describes it in the Lacanian subject:

One of the faces of the real that we deal with in psychoanalysis is trauma. If we think of the real as everything that has yet to be symbolized, language no doubt never completely transforms the real, never drains all of the real into the symbolic order; a residuum is always left. In analysis, we are not interested in just any old residuum, but in that residual experience that has become a stumbling block to the patient. The goal of analysis is not to exhaustively symbolize every last drop of the real, for that would make of analysis a truly infinite process, but rather to focus on those scraps of the real which can be considered to have been traumatic. By getting an analysand to dream, daydream, and talk, however incoherently, about a traumatic “event,” we make him or her connect it up with words, bring it into relation with ever more signifiers.

Contrast this with what Roy Bhaskar once characterised as the ‘free-wheeling’ conception of freedom found in someone like Richard Rorty, for whom self-articulation is a perpetual project without centre or foundation. Or the articulation of Taylor’s subject for whom, as Margaret Archer once (critically) put it, the emotions act as a ‘moral direction finder’.

https://markcarrigan.net/2024/08/20/the-libidinal-economy-of-symbolisation/

#charlesTaylor #Lacan #libidinalEconomy #margaretArcher #reflexivity #richardRorty #royBhaskar #symbolisation

The libidinal economy of symbolisation

The emphasis placed in Lacanian psychoanalysis on symbolisation isn’t an open-ended matter of putting everything into words. It rests on an account of libidinal economy in which some inarticu…

Mark Carrigan