Sticking with Bernstein/NY philharmonic for #Mahler's 2nd.
I don't know, Haitink has always been my guy, but.
The Bernstein feels more deliberate and precise - but also full of emotion that comes from the volume dynamics.
He fucks around with the tempo lots, also. But this goddamn #orchestra is computer-like spot on, in their enunciation, if that's the right word.







