Brutalism Friday

“Maritime Terminal”, Zahka Hadid, Salerno, Italy.

Zaha Hadid’s work is characterized by fluidity, dynamism and unconventional forms. Hadid's buildings were often described as "neo-futuristic" and challenged traditional conceptions of what architecture should look like.

Commissioned in 2000, the Maritime Terminal in Salerno, Italy is inspired by the movement of water and waves, which is fitting for a terminal that serves as a gateway to the sea. The exterior of the terminal is characterized by its sinuous curves and fluid lines, which gives the building a sense of movement and dynamism. The white concrete exterior is punctuated by large windows that offer panoramic views of the sea and the city.

The main hall of the terminal is a large, bright open space and the ceiling is supported by a series of slender columns that give the space a sense of lightness.

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Brutalism Friday

“Miniatures”, Frank Kunert

Model maker and photographer Frank Kunert explores the "absurdity of life" through his meticulous architectural models with a twist.
The German artist's handmade miniatures recreate seemingly normal scenes that, upon further inspection, reveal a surreal scenario.

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Brutalism Friday

“Basilica Sanctuary of Our Lady of Tears” Sculpted by ANPAR

The Basilica Sanctuary of Our Lady of Tears envisioned by ANPAR architects is the largest pilgrimage church in Sicily. Like a frozen drop of water, the structure commemorates the 1953 miraculous tearing of a plaster effigy representing the Virgin Mary. The construction began in 1966 and took 28 years to fruition, and excavations revealed a VI century settlement on the site.

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Brutalism Friday

“Palace of Assembly”, Chandigarh, India | Le Corbusier, 1962.

In 1947, Le Corbusier (1887-1965) was commissioned by Prime Minister Jawaharlal Nehru, to design a new legislative assembly building for Punjab. It was requested that the structure would be “unfettered by the traditions of the past, a symbol of the nation’s faith in the future.”

The structure of the hall resembles a box, with a portico on one side and concrete piers on the other. As a decoration, the façade bears a repetitive pattern. The roof was inspired by the structure of industrial power stations and cooling towers. To emphasise the entrance, Le Corbusier created an off-centre ceremonial pivoting door. Inside, there is a circular assembly chamber for gatherings. The Palace of Assembly was designated as a UNESCO World Heritage Site in 2016.

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Brutalism Friday

“Gas Stations”

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