Record(s) o’ the Month – November 2025 By Steel Druhm

We made it! It’s the end of yet another year, and we’ve reached the final Record(s) o’ the Month for 2025. Over the last 12 months, we’ve laughed, cried, burned posers and poorly performing n00bs at the stake, and we’ve all grown as people (except the aforementioned victims of fiery doom). What better way to set the stage for the looming Listurnial celebration than to look back at the best things that hit the ears in November. That was rhetorical. There is NO better way. Onward!

It shouldn’t be a big surprise that 1914 nets the top spot for the month, since Viribus Unitis [November 14th, 2025 by Napalm Records – buy it at Bandcamp!] was another stunning testament to the talent of this Ukrainian ensemble. It seems grimly appropriate to learn about the horrors of modern warfare from those forced to live through it in the present day. As with prior releases, Viribus Unitis is steeped in dark, melancholic atmospheres as tales of battlefield brutality and inhumanity spill over the speakers. It’s a masterful merger of black, death, and doom metal in service of emotional devastation that will transport you to a muddy, blood-soaked trench and fill your soul with existential dread. As a sobered Grin Reaper solemly summed up, “Viribus Unitis is a masterclass in no-bullshit metal storytelling that feels authentic, intimate, and anthemic for the entire runtime.” War is still Hell.

Runner(s) Up:

Qrixkuor // The Womb of the World [November 7th, 2025 | Invictus Productions | Bandcamp] — Symphonic death metal can be a sticky biscuit, and balancing the brutality with the bombast takes a steady hand. For The Womb of the World, Qrixkuor brought in an actual orchestra to lay down the symphonies of destruction that undergird the cavernous death metal that’s become the band’s gruesome calling card. Abrasive riffs come in bunches, horrific sounds are forced upon you, and discordance is the watchword. It’s a lot to process and absorb, but it’s very impressive. The Spongefren was all over the AMG Slack channels the last few weeks preaching the merits of this thing, and we couldn’t get him to shut up about it. As he gushed in his extremely gushy review, “Their sound and style won’t find fans in every corner. In fact, I’d go so far as to say The Womb of the World is liable to weed out prudish listeners more harshly than Poison Palinopsia already had. But it is an unqualified success all the same, a mastapeece for those to whom sanity is immaterial.” Symphomania!

Oromet // The Sinking Isle [November 7th, 2025 | Hypaethral Records | Bandcamp] — Oromet came back with a vengeance on The Sinking Isle, delivering 3 long-form doses of funeral doom heavy enough to crack a tectonic plate. Opening with a 20-minute track takes Christmas ornaments of brass, but Oromet shows you how doom is done with crushing lows contrasted against dizzying highs. It’s the rare funeral doom album that won’t have you glancing at the clock, and that’s a symptom of success. Despair and hope, violence and tranquility, you get it all for the price of one album. As a stunned Beglassesed Man of Steel exhorted, “As monumental as Oromet’s debut was, this one is a step forward thematically and musically. It reinvents what funeral doom can be—not just a crushing sense of sorrow, but a genre that can raise your spirits as well.” Go down with this ship.

#1914 #2025 #Oromet #Qrixkuor #RecordSOTheMonth #TheSinkingIsle #TheWombOfTheWorld #ViribusUnitis

Oromet – The Sinking Isle Review

By ClarkKent

‘Tis the season. No, not the holidays. ‘Tis the season for doom and gloom, at least here in southeastern Michigan, where the days have grown shorter, clouds are overcast, the temps have dropped, and the trees have lost just about all of their colorful leaves. To celebrate this season, I have decided to review nothing but doom for the month of November. First up is the sophomore album from Sacramento, California’s Oromet, The Sinking Isle. Their self-titled debut impressed Cherd enough to earn a spot on his best of the year list in 2023. Oromet’s two members have plenty of experience with a myriad of other doom bands, from the blackened versions of Desiccation and Occlith to the stoner doom of Battle Hag to the non-doom atmoblack of Feral Season. As experts on sounds both atmospheric and sorrowful, the duo has pounced on funeral doom for their most recent project. What they offer the genre is a lush beauty that deserves your full attention.

The Sinking Isle brings back the same formula found on Oromet—one 20-minute song followed by two songs just over 10 minutes each—but layered with more complexity. The music is at once serene and meditative, as evidenced by the opening sounds of rainfall and lightly plucked acoustics on “Hollow Dominion.” As the song continues, there’s a sense of dueling moods between despair and hope. Oromet conveys these moods through contrasting guitar tones: the heavy, dark tone of the bass on the one hand, and the up-tuned guitar melodies on the other. As “Hollow Dominion” moves on from the natural sounds of rainfall to the plodding of the guitar and bass, a sense of sorrow pervades. Minutes later, guitarist Dan Aguilar plays a more uplifting tone that echoes the hopeful tunes of Counting Skies rather than the weighty riffs of fellow funeral doomsters Godthrymm. From the desolation of nature—the “sinking” isle, the “hollow” dominion, the “forsaken” tarn—somehow emerges a feeling of hope, maybe healing.

While all aspects of The Sinking Isle work, I find the drumming by Patrick Hills particularly arresting. Funeral doom typically features plodding beats, as if matching the power and pace of a giant’s gait. That’s there on The Sinking Isle, but there’s also more. Hills sometimes plays sudden bursts of staccato blasts, as if trying to encourage a brisk march. These beats impress a sense of constant action, as if something is trying to break free. Eleven minutes into “Hollow Dominion,” Hills surprises with war-like drum blasts that sound reminiscent of machine gun fire from a World War II film. The war-sounding drums return on “Marathon,” but this time with the cadence and feel of cannon fire. These moments contain a surreal violence, and they always precede periods of tranquility, lulls in the onslaught of guitars and growls. While the guitar melodies are mesmerizing, the drums demand you pay even closer attention.

The paradoxes that pervade The Sinking Isle help make it such a compelling listen. The most obvious paradox is that between despair and hope. There are also, as described above, moments of violence and moments of serenity. Another paradox is one between realism and fantasy. The guitars and drumming provide grounding, placing us somewhere in the realm of the real, but then there are periods of synths that sound like something out of a sci-fi/fantasy world. Despite the snail’s pace, Oromet keeps you on your toes, keeps you wondering and guessing at the puzzle the music weaves. Moods shift from peace to sorrow, from violence to hope. Yet because it is funeral doom, these moods take time to develop before shifting to the next. The Sinking Isle meditates deeply on these themes and lulls you with its lush soundscapes. By the closing minutes of “Forsaken Tarn,” the mix of sorrow and hope that has dominated the record reveals a sense of beauty in the loneliness and desolation the music conveys. It’s an astonishing feat.

The Sinking Isle fell into my hands at a hectic time in my life, and it has served as a healing balm. It is a meditation on loss, on things falling apart, on loneliness. But the lightness of the melodies ensures these dark feelings never overwhelm. As monumental as Oromet’s debut was, this one is a step forward thematically and musically. It reinvents what funeral doom can be—not just a crushing sense of sorrow, but a genre that can raise your spirits as well. It leaves me hopeful for what Oromet can achieve in the future.

Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Hypaethral Records
Website: Bandcamp
Releases Worldwide: November 7th, 2025

#2025 #40 #AmericanMetal #BattleHag #CountingSkies #Desiccation #FeralSeason #FuneralDoom #Godthrymm #HypaethralRecords #Nov25 #Occlith #Oromet #Review #Reviews #TheSinkingIsle