#NowPlaying the recent album "Changelings" by the band #Species from #poland

#ThrashMetal #ProgressiveThrashMetal #HeavyMetal #DeathMetal #AlbumsOf2025

Personal Rating: 3 / 10

Recommended Tracks: -

https://20buckspin.bandcamp.com/album/changelings

The Final Witness – Beneath the Altar Review

By Angry Metal Guy

By: Nameless_n00b_607

In a genre long since matured, a common way to avoid retreads is to combine multiple subgenres.1 Contemporary thrash in particular is difficult to get right without the proper guitar assault required to break necks. Hence, many opt to go for one of its offshoots instead. One newcomer looking to explore the avenue of genre blending is The Final Witness, the solo project of multi-instrumentalist Josh Henderson. Debut Beneath the Altar promises to deliver death and thrash in progressive form to the unwashed masses. I dove into Beneath the Altar with caution, having seen how often this combination of terms gets misused, but hoping The Final Witness would fulfill its promise.

Inspired guitar work and appropriate variety are the main strengths of The Final Witness. The majority of Beneath the Altar involves two core components: progressive thrash (“Coronation,” “The Blood”) and death/thrash (“Sanctum of the Holy”). Plentiful melodic leads further color the album, with “Testimony” even evoking the Gothenburg sound. Lastly, quieter semi-acoustic passages bridge these individual pieces together with varied levels of success. The compositions are vivid and frenetic, alternating between traditional breakneck drumming and rhythmic trickery. Henderson’s distorted vocals lack a bit of thrash attitude, but they do a fine job of punctuating the compositions with barks and snarls. Beneath the Altar’s best moments take inspiration from Coroner and Vader, and I wish those moments were much more frequent, because the sound leans a bit too close towards the groove school of guitar chugging on occasion (“Negative World,” “Principalities”). Nevertheless, the foundation of the album holds, and Henderson’s performances are impressive.

Beneath the Altar’s experimental side comes at the expense of its strengths. On top of the album’s bread and butter, most tracks differentiate themselves with eccentricities. For example, the title track’s electronic break with an almost hip-hop-like beat is memorable and surprisingly well-made, but it doesn’t exactly fit. “Testimony” ends with a dramatic organ layer that could sound excellent if the mix didn’t turn it into an ear-piercing inconvenience. Many of these one-off gimmicks are fun, but they are either misused or discarded before leaving an impact. Worse, they are a distraction. Beneath the Altar really shines when exploring the rhythmic and melodic sides of death/thrash. Diverging from this path trades depth for breadth; a tighter track like “Sanctum of the Holy” proves that The Final Witness would only benefit from holding onto a theme for longer.

The disparate ideas of Beneath the Altar are greater than the sum of their parts. Its foundational pillars work wonders individually, but interact too infrequently, and one-off experimental touches are fun but out of place. The somber semi-acoustic parts—while well done—hinder song flow when utilized too frequently (“Principalities”) and blend together after multiple listens. Good ideas feel haphazardly assembled. The foregoing is exacerbated by its production, overseen by Jason Wisdom of Becoming the Archetype. The sound is both sterile and rough, with Wisdom prioritizing guitars over vocals and drums—both of which are loud and distracting. Its qualities conjure a strange illusion of metalcore adjacency, further contributing to the album’s incoherent identity. All that being said, I don’t mind listening to Beneath the Altar again. There’s a lot to like, and a brief 36-minute runtime makes sure the record doesn’t overstay its welcome. Yet I feel more compelled to revisit individual parts of songs rather than any particular song in full.

Beneath the Altar is an interesting but unfocused prototype. Getting a solo project this far is already respectable, but I reckon Mr. Henderson is still capable of much more. With more coherent composition and a unified vision, the ideas on this record could form a powerful message. There are exciting bits and pieces here to digest, even if they don’t necessarily form a cohesive whole, and the result is that Beneath the Altar feels like a starting point for better things to come. But for the time being, The Final Witness is still trying to find its sound—and I find myself craving some Coroner instead.

Rating: Mixed
DR: 9 | Format Reviewed: 320 kb/s CBR MP3
Label: Rottweiler Records
Websites: Bandcamp | Facebook | Instagram
Release Date: August 15th, 2025

#25 #2025 #AmericanMetal #Aug25 #BecomingTheArchetype #BeneathTheAltar #Coroner #DeathThrash #ProgressiveThrashMetal #Review #RottweilerRecords #TheFinalWitness #ThrashMetal #Vader

I completely missed it, the marvellous progressive/melodic thrash metal band Anarchÿ released a new EP, called Re-Anarchatör, at the beginning of August 😊

bandcamp link:
https://anarchythrash.bandcamp.com/album/re-anarchat-r

album.link:
https://album.link/i/1830313618

(it includes a cover of Death - Scream Bloody Gore)

#Music #Metal #ProgressiveThrashMetal #MelodicThrashMetal #Anarchÿ

„This Godless Endeavour“ Nevermores geniale bisher letzte Großtat. Ein Meisterwerk des progressiven Thrash. Fein ziselierte Riffs, in den Refrains großartige Melodien und theatralischer Gesang.

Man weiß gar nicht, worauf man zuerst achten soll. Meistens packen dich die Hooks, aber dann gelingt es doch wieder, die detailreiche Gitarren- und Schlagzeugarbeit zu verfolgen.

Anspieltipps:

https://tidal.com/browse/track/52025862?u Born

https://tidal.com/browse/track/52025872?u
This Godless Endeavour

#metal #rezensionen #vinyl #music #nevermore #ProgressiveThrashMetal @metal