Carl ProthmanTranquil shores of Lake Wenatchee, Washington
dx_plorerRidge Awakening: “The Light That Finds You”
(dxplorer Alpine Light Series #5)
Caption:
Before the heat, before the wind — there is this.
A quiet rising, where stone glows and the body softens.
Shot on a high ridge in the Grisons Alps, Switzerland — just before daybreak.
Some lights don’t blind. They guide. 🏔🌅
#dxplorer
🌋 Breathe. Rise. Walk. Repeat.
#dxplorer #alpinelight #sunrisehike #firstlightfeels #swissmountains #sunrisepoetry #landscapemagic #documentarylandscape #glowpath #orangevibes #sunriseshots #fineartmountains #earlylight #adventuremood #nikoncreator #sunrisestory #visualexplorer
(dxplorer Alpine Light Series #5)
Caption:
Before the heat, before the wind — there is this.
A quiet rising, where stone glows and the body softens.
Shot on a high ridge in the Grisons Alps, Switzerland — just before daybreak.
Some lights don’t blind. They guide. 🏔🌅
#dxplorer
🌋 Breathe. Rise. Walk. Repeat.
#dxplorer #alpinelight #sunrisehike #firstlightfeels #swissmountains #sunrisepoetry #landscapemagic #documentarylandscape #glowpath #orangevibes #sunriseshots #fineartmountains #earlylight #adventuremood #nikoncreator #sunrisestory #visualexplorer
Hidden GemsImmerse in the tranquil vibes #ClevelandMuseumofArt's Landscape unfurls. Each brushstroke, a tribute to nature's enchanting chaos. Who else feels the serenity shimmering through?
#artlove #landscapemagic #ClevelandArt
https://clevelandart.org/art/2015.470
#artlove #landscapemagic #ClevelandArt
https://clevelandart.org/art/2015.470
Landscape | Cleveland Museum of Art
This composition includes imagery from the Eight Views of the Xiao and Xiang Rivers. Scanning the composition from top to bottom, at least six of the views are discernible: night rain over Xiao and Xiang, evening bell from a mist-shrouded temple, returning sails off a distant shore, geese descending to a sandbar, mountain village in clearing mist, and sunset glow over a fishing village. Inside the painting’s box is a document with a long inscription by prominent calligrapher, collector, and connoisseur Maeda Kōsetsu (1841–1916) discussing the painting’s subject and the matter of the painter’s biography—he appears to have been a Kano school artist, but his precise identity is unclear.