"Bathtime," Kitagawa Utamaro, c. 1801.

The life of Utamaro (c.1753-1806) is largely a mystery; we don't know where he was born or who his family was. Many believe he was married and had a child, as the same mother and child show up in a lot of his prints of domestic life.

His work first appeared in the 1770s, at the height of Japan's Edo period; at the time, he worked mostly designing prints for books, but later gave that up for making prints of individual women. His portraits of women, many of them geishas, made his fame. He later went on to do many works of insects, flowers, animals, erotica, and scenes of domestic life. He was arrested in 1804 for violating Imperial censorship laws, seemingly by depicting samurai with their crests accurately copied, which was forbidden, but it's unknown what his punishment was.

This is from his later period, perhaps a depiction of his wife and child. It's a sincerely portrayed work of an intimate moment between mother and child. Upon his death in 1806, he had no known heirs, and his tomb was left neglected and untended, until fans restored it in 1917.

From the Metropolitan Museum of Art, New York.

#Art #JapaneseArt #KitagawaUtamaro #ukiyo_e #WomenInArt #MothersInArt #AsianArt

there are some well known series of works by #KitagawaUtamaro and some less known. scholars, students, collectors and curators often remark a scan stands alone in a series. not the case with this print which is from the same series as yesterdays. also published in 1799 by Nishimuraya Yohachi (Eijudō) Flower of the Western Quarter 西国の花 (Saikoku no hana) only presence online: https://collections.mfa.org/objects/206450
original 513290001 Komurasaki of Tamaya seated with pipe BM (British Museum. https://www.britishmuseum.org/collection/object/A_1924-0327-0-15 #KitagawaUtamaro
from Toji zensei bijin-zoroi 當時全盛美人揃 (A Set of Great Beauties of the Present Day) #KitagawaUtamaro print "Komurasaki of Tamaya"
instead of attempting to restore the vegetable blue of the original haori or kimono cloak, sadly, i left it in this faded pink state. perhaps i will correct this later
progress thus far on #KitagawaUtamaro Daikagura
long time no see. working on this "lion dance" or Daikagura by #KitagawaUtamaro
Aikyo zumo, a single print, not even by #KitagawaUtamaro but possibly an apprentice. a compelling print which really gives the impression of this affectionate contest going either way. i found it at the excellent Library of Congress Site https://www.loc.gov/resource/jpd.02280/
another #KitagawaUtamaro print from a triptych featuring three courtesans in various attitudes with wisteria. the best version i could find was at https://www.artic.edu/artworks/24033/courtesans-beneath-wisteria-arbor very different from the version at wikipedia or the Met which misses or omits the darker upper reaches of the trellis https://commons.wikimedia.org/wiki/File:Three_Courtesans,_Utamaro,_MET_JP2810.jpg
here i have cleaned up the image and removed perhaps too much of the green and yellowing that comes with age
Courtesans beneath Wisteria Arbor | The Art Institute of Chicago

Kitagawa Utamaro, c. 1795

The Art Institute of Chicago
#KitagawaUtamaro frequently rendered his Beauties "Bijin" practicing domestic and industrial handicrafts. this diptych called Kitchen Scene is one such. it was published by Uemura Yohei. these are the Utamaro works printed by Uemura: https://digitalcollections.nypl.org/collections/japanese-color-woodcuts-by-kitagawa-utamaro?filters%5Bpublisher%5D=Uemura+Yohei&keywords=#/?tab=navigation
today i found a very high resolution .tif at this NYDPL site. sadly, after all my efforts, i only found this 140 MB image today. nonetheless, here is my joining and restoration of Kitchen Scene, taken mostly from: https://collections.artsmia.org/art/8177/kitchen-scene-kitagawa-utamaro
Japanese Color Woodcuts by Kitagawa Utamaro - NYPL Digital Collections