Neue DIN breaks new ground again with Italic & Retalic.

Despite the large size of Neue DIN, italics were missing. Not only because we wanted to design them with care, we also wanted to break new ground when it comes to something natural as italics. So we added not ‘only’ the 81 normal oblique fonts, but also the same number of backslanted variants. These Retalics offer novel possibilities in display contexts, for example.

This update increases the number of static fonts to a whopping 243. For those who prefer a more manageable approach, the variable font has been given a third axis for slanting in both directions. This one is especially fun. Try it out for yourself: https://fontwerk.com/fonts/neue-din

#NeueDIN #Backslanted #Fontwerk #VariableFonts #ad

IS YOUR LOGO STILL FRESH?

A good logo that uses the right typeface creates clarity, purpose and adds immeasurable value to your brand. In his first in-depth article for us, FontShop veteran @hitext shared his top tips and ultimate logo checklist to help you work out if it’s time for a redesign.

Does your logo need an update? https://fontwerk.com/text/logo-update

#Fontwerk #Checklist #LogoDesign #WordMark #ad

Tausend Font Family by Fontwerk

Tausend Font Family: How One Humble ‘a’ Sparked a Typographic Revolution

Some of you might have seen our selection of the 10 best Helvetica alternatives. To be honest, the Tausend typeface would have been a great fit for that list. But hey, the font family gets its dedicated review this way instead. So feel free to consider this an official addition to that selection.

It all began with a single letter. An ‘a’. Not just any ‘a’, but one sketched with a particular character that felt both familiar and entirely new. This is the origin of the Tausend font family, the groundbreaking new release from the Berlin-based foundry, Fontwerk. This typographic system is the brilliant result of a collaboration between two pioneers in type design, Christoph Koeberlin and Gabriel Richter. Tausend is more than just a collection of letters; it is a comprehensive and stunningly versatile system designed to push the boundaries of modern typography.

The story starts three years ago. Christoph Koeberlin, while engrossed in a different project, drew an ‘a’ that captured his imagination. It had roots in the strong tradition of German grotesque typefaces. Yet, it also held a certain charm, a smile, and a wink hidden within its curves. These promising details became the seed. Koeberlin, alongside Gabriel Richter, began to explore and expand this single idea into an entire typographic universe. The result is a testament to how a small spark of inspiration can evolve into something truly monumental.

Tausend Font Family by Fontwerk Purchase the typeface at Fontwerk

A Homage, Not a Revival

Let’s be clear about one thing. While the Tausend font family honors the legacy of static grotesque typefaces, it is not a simple revival. Instead, it is a respectful and innovative homage. You can see the history in its DNA. Notice the small apertures, the subtle top-heaviness of the characters, and the uniquely curved feet. These elements give Tausend a proud, loud, and confident voice.

However, its ‘angular’ curves introduce a contemporary sharpness that sets it apart. It feels robust and honest. Koeberlin and Richter have crafted a typeface that feels both classic and perfectly suited for today’s design challenges. Have you ever looked at a font and felt its personality? Tausend’s is unmistakable. It doesn’t whisper; it speaks with conviction. This isn’t just a tool for setting text. It’s a partner in communication that brings its own distinct character to the table.

Exploring the Expansive Tausend Font Family System

Versatility is at the core of this typeface. The complete Tausend font family is not a single style but a suite of six distinct subfamilies. This provides designers with an incredible palette for a vast range of projects. Each subfamily offers a different flavor, yet they all share the same foundational DNA, ensuring they work together harmoniously.

The collection includes:

  • Tausend: The core of the family. A powerful and clear grotesque perfect for everything from body text to headlines.
  • Tausend Plakat: Bolder and more impactful. Its design is optimized for posters and display use where you need to grab attention immediately.
  • Tausend Soft: This version features rounded terminals, giving it a friendlier, more approachable feel without losing its confident structure.
  • Tausend Plakat Soft: The best of both worlds. It combines the impact of Plakat with the gentle, rounded finish of the Soft variant.
  • Tausend Stencil: A utilitarian and industrial take on the design. It’s perfect for creating a raw, mechanical, or military-inspired aesthetic.
  • Tausend Shaded: This decorative style adds depth and dimension, offering a three-dimensional effect that makes typography pop off the page or screen.

This structural breadth means you can tackle complex branding projects, editorial layouts, and web designs using a single, cohesive family. Furthermore, with its broad language support and an array of stylistic features, the Tausend font family is built for a global and demanding design environment.

The Power of Over 1000 Possibilities

The most revolutionary aspect of Tausend is its use of variable font technology. This isn’t just a buzzword; it’s a practical game-changer. The Tausend font family offers users over 1000 weights and glyphs to play with. What does this actually mean for you, the designer?

Imagine you are designing a website. In the past, you might have loaded separate font files for Regular, Medium, Bold, and Black. This adds to the page’s load time. With a variable font like Tausend, you load one single, efficient file. From there, you can use a slider to select any weight you desire between the lightest and the heaviest extremes. Need a weight that’s just a touch bolder than your body copy for a subheading? You can dial it in precisely. This level of control is simply not possible with traditional static fonts. Consequently, it unlocks a new level of typographic nuance and performance.

Ivo Gabrowitsch, the founder of Fontwerk, puts it perfectly. He says, “Tausend breaks the rules and pushes the limits of variable technology, providing designers with a multi-talented, Jack-of-all-trades font that can stand the test of big and complex project briefs.”

A Voice for Brutally Honest and Confident Brands

A typeface is the voice of a brand. So, what kind of brand does Tausend speak for? According to its creators, “Our new typeface is brutally honest, proud and confident. If that is what brands or products are, they will find the right team player in Tausend.”

This is a powerful statement. It suggests that the Tausend font family is not for the timid. It is for brands that have a strong point of view and are not afraid to express it. Think about the values your project needs to convey. Is it integrity? Strength? A forward-thinking attitude? Tausend can help you articulate those values visually.

Richter and Koeberlin add a crucial reminder: “It is not enough to put your own values and demands into the world at some point… they need to be lived continuously. Especially in design.” This philosophy is embedded in the font itself. Its consistency across a massive range of weights and styles allows a brand to maintain its voice, whether in a tiny footnote or a massive billboard.

Purchase the typeface at Fontwerk

Ultimately, Tausend is more than just a font; it’s a strategic choice. As Ivo Gabrowitsch concludes, “It really packs a punch, one that pays homage to heritage and traditions of good old German grotesques yet takes bold and brave new leaps into this ever-evolving era of technology and design.” Choosing the Tausend font family is an investment in a system that is built to last, adapt, and make a statement. It’s a tool for designers who are ready to build brands with unwavering confidence.

All images © Fontwerk. Don’t hesitate to browse WE AND THE COLOR’s Fonts category to find other professional typefaces.

#font #fontFamily #Fontwerk #sansSerif #Tausend #TausendFont #TausendTypeface #typeface

We are delighted to introduce you to Tausend—our newest addition to the Fontwerk family, designed by Christoph Koeberlin and Gabriel Richter.

https://fontwerk.com/fonts/tausend-collection

#NewFonts #Fontwerk #ad

We love this latest use case of Supermarker by Ulrike Rausch. Our friendliest typeface takes center stage in an award-winning permanent ‘Climate! Action! Knowledge!’ exhibition at the Vienna Museum of Science and Technology.

See the case: https://fontwerk.com/text/klima-wissen-handeln-supermarker

Try the fonts: https://fontwerk.com/fonts/supermarker

#FontsInUse #Supermarker #Fontwerk #Ad © Photos: Jürgen Grünwald and Sebastian Weissinger

We were overjoyed to hear that our campaign by Rocket & Wink for the release of @typelady’s Push typeface just scooped a Bronze ‘Nail’ at the highly coveted German Art Directors Club (ADC) Award.

A huge shoutout and thank you to Mr. Rocket, Mr. Wink and everybody else involved in this project!

See the video here: https://fontwerk.com/fonts/push

#ADCAward #PushTypeface #Fontwerk #ArtDirectorsClub #ad

WE NEED YOUR VOTE!

https://vote.webbyawards.com/PublicVoting#/2025/websites-and-mobile-sites/general-desktop-mobile-sites/shopping-retail

We are delighted that our new Fontwerk.com has been nominated in the Webby Awards’ Websites and Mobile Sites – Shopping & Retail category.

Fontwerk is just one of five other nominees in this category and this year there were over 13,000 projects entered, so we are doing a big happy dance to have been recognized!

We would love to win, so now we need your help and votes!

#Fontwerk #webbys #WeNeedYourVote #VoteForUs #WebbyAwards #Nominee #ad

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Moving forward, you can now purchase each of the widths of the typefaces Push, Neue DIN, Pangea and Nikolai as a single package and benefit from a fab discount!

So whether you’re looking to go super narrow with Push XCondensed or want the versatility of Push “Normal”, you can now buy just those fonts at a correspondingly more favorable price.

For Hamster, you can now also buy individual color variants.

#Fontwerk #PushTypeface #FontLicensing #CondensedFonts #ad

Last week was #Berlinale week, the International Film Festival that arrives once a year in our hometown, Berlin. This year, alongside mega stars such as Tilda Swinton, Robert Pattinson and Timothée Chalamet, our very own Pangea made its debut on the film scene.

Pangea Condensed – which was only released last summer – features on both the poster and the lead visual and we absolutely love how it looks!

https://fontwerk.com/text/berlinale-2025-pangea-condensed

#PangeaTypeface #FontsInUse #Fontwerk #ad

Berlinale 2025

To contrast with the strong colors, the designer of the Film Festival was looking for a high-quality, classic-looking font. She came across Pangea.

Fontwerk

Seeing our #Fontwerk #fontsinuse really does make us smile. In this latest in-use case, Neue DIN helps Baugenossenschaft Zuffenhausen eG forge a new identity.

They recently looked to SCOPE, an interdisciplinary agency for architecture and interior design based in Stuttgart, to help them revamp and modernize their image.

The brand new BGZ logo features the semibold variant of Neue DIN XWide and it is also used as the #CorporateFont.

Check out the full case: https://fontwerk.com/text/baugenossenschaft-zuffenhausen-neue-din #ad

Baugenossenschaft Zuffenhausen

After more than 100 years: New logo, new corporate typeface (Neue DIN) and new colors for Baugenossenschaft Zuffenhausen

Fontwerk