Watched The Sting. Incredibly satisfying.

> “You’re right, it’s not enough. But it’s close.”

#BongHive — 2025 [https://boxd.it/C4W5Y] https://letterboxd.com/mknepprath/film/the-sting/?i=flletterboxd-review-872354775

Watched American Movie. An incredible hang. Love Mark and Mike. Glad Wollywood finally got the recognition it deserved last year with Hundreds of Beavers.

> “Pretty damn cathartic, Mark.”

#BongHive — 2025 [https://letterboxd.com/mknepprath/list/bonghive-2025/] https://letterboxd.com/mknepprath/film/american-movie/?i=flletterboxd-review-831872917

From what I am reading, it is not just desaturated/grayscale version of ‘Parasite’. Though I am really curious which techniques they used. #Buffalo

---
RT @[email protected]
True story: when we first inquired about Bong Joon-ho's black-and-white cut of PARASITE, we were told there weren't enough cinephiles in Buffalo to make it viable.

Prove Hollywood wrong, Buffalo #Bonghive!

Screening tonight & tomorrow …
https://twitter.com/NorthParkTheatr/status/1228742577094103040

Parasite director Bong Joon-ho: 'Korea seems glamorous, but the young are in despair'

After an indifferent sojourn in Hollywood, the film-maker went back to South Korea do his next film – and produced an undisputed masterpiece. Why is his stunning critique of the class system striking chords all over the world?
The past year has been a whirlwind for Bong Joon-ho, and he is still in the midst of it. His movie Parasite has whisked him to places few directors – and certainly no South Korean director – have been before. It started with winning the top prize at the Cannes film festival last May, and the momentum has not let up: critical adulation, box office success, US talkshow appearances and a ridiculous 170 awards and counting.

https://www.theguardian.com/film/2019/nov/13/parasite-film-korea-boon-jong-ho https://loma.ml/objects/373ebf56aa8463b7eb4d6734f2be4c9c507e5ef7