11:19am Afro-Blue by Poncho Sanchez from Para Todos
#PonchoSanchez #AfroBlue #AJazzyThing #KUVO
10:59am Afro Blue by Curtis Brothers Quartet from Syzygy
#CurtisBrothersQuartet #AfroBlue #AJazzyThing #KUVO
9:30am Afro-Blue by Cal Tjader from Jazz Drums
#CalTjader #AfroBlue #TheMorningSet #KUVO
1:41am Afro-Blue by Lizz Wright from The Essentials - Jazz
#LizzWright #AfroBlue #JazzNetwork #KUVO

Afro Blue is the debut studio album by American jazz singer Dee Dee Bridgewater. The record was released in Japan in 1974, when she was 23, via Trio Records label.[4] The album was recorded in Tokyo with a quintet of musicians including brothers Ron and Cecil Bridgwater. - Wikipedia

https://www.youtube.com/watch?v=Ug7EiTrr7zE&list=OLAK5uy_mqtJToScTmx40Z8iXcndP_hAGCJfc3fPg

#DeeDeeBridgewater #VocalJazz #Music #AfroBlue #RolandHanna #Jazz

Melanie De Biasio "Afro Blue" @Jazz_in_Marciac 2018

YouTube
i have finally begun to actively use the history magazine at fedia.io > the history magazine is a reddit-like community, very much resembling lemmy communities > the history magazine has been dormant for a long time and was basically used as a scraper focussing on history-related microblogging posts (see here), with a sweet spot for classical music and ... punk rock > please don't ask me why - i have been witnessing this from the start without me interfering - i only added two music-related hashtags to the magazine!

file under
#fediverse #mbin #hartal #subaltern #colonial #colonialism #punkrockhistory #afroblue #anticolonialism #ethnology #ethnography #history
History - Fedia

an mbin magazine for all things related to history

when it comes to dubstep, planet mu's role is unique in that the label was a latecomer which would only start to release dubstep acts by 2004 > nevertheless, planet mu helped the genre to come into its own > the list of dubstep acts with releases on planet mu is loooooooong, so let me just mention a few names: mary anne hobbs, dj pinch, mark one, italtek, boxcutter, vex'd > for some of them, planet mu was the starting point of their careers, others would find a long time label home with planet mu

had it not been for mariah carey, the story would surely have been a very different one ...

https://super8.absturztau.be/watch?v=EsVGZFpGNq8&local=true #afroblue
@[email protected]
the misconception is clear: rather than blaming greedy major label officials at virgin, both interviewer and interviewee aim their shots at mariah carey > also missing in this interview: quite like mariah carey, mike paradinas was paid for ending his contract with virgin > paradinas had stated that in earlier interviews which are no more online

so for the record: without mariah carey,
planet mu would probably never have gone independent, and venetian snares would certainly have found another label to release his music #afroblue

from mariah carey to venetian snares is a tough one - so here is some excerpts from an interview with mike paradinas:

NICK DWYER:
Did you have a lot of creative freedom during this whole time, or did you …
MIKE PARADINAS:
Yeah. Basically, they let me release what I wanted, so I was happy with that. In the end, they had to buy Mariah Carey out, and I got dropped.
NICK DWYER:
It was Mariah’s fault.
MIKE PARADINAS:
Yes. Totally. Everyone got dropped, except the Chemical Brothers… and the Verve.
source: https://www.redbullmusicacademy.com/lectures/mike-paradinas-the-sound-of-muziq/ #afroblue

Mike Paradinas

Explore the Red Bull Music Academy archive, tracing the global music institution’s more than 20-year history