| Website | https://wout.design |
| Bluesky | https://bsky.app/profile/wout.design |
| https://www.instagram.com/woutfierce/ | |
| Github | https://github.com/wout |
| Website | https://wout.design |
| Bluesky | https://bsky.app/profile/wout.design |
| https://www.instagram.com/woutfierce/ | |
| Github | https://github.com/wout |
Further experimentation with quadtrees. It's interesting to see the emergence of flow fields when the rectangles get very small.
Colours used here are just CMY, but one or two colour components are randomly diluted fifty per cent to get more variation.
This beautiful panoramic card by @jimmykl just came in, all the way from New Zealand. Loving it!
Implementing different algorithms to generate cubic and quadratic bezier splines from open and closed polygonal shapes. Never realised there are so many approaches.
A few more iterations.
Exploring moiré in combination with process colours (CMYK). These are just four continuous lines–each in one colour–and slightly offset distortion values, resulting in interesting colour blends.Curating a small selection was quite difficult because every iteration was interesting. These will be realised as A4 pen plots. Ink is already in and tomorrow the new pens come in, and I can't wait to get started!
Exploring moiré in combination with process colours (CMYK). These are just four continuous lines–each in one colour–and slightly offset distortion values, resulting in interesting colour blends.
Curating a small selection was quite difficult because every iteration was interesting. These will be realised as A4 pen plots. Ink is already in and tomorrow the new pens come in, and I can't wait to get started!
I really like this sketch from #genuary day 20 so I'm preparing it for A4 penplots. I've just ordered new fountain pens and lightfast ink and I'm looking forward to starting experimenting with them.
Still in doubt about the edition size though. I'm thinking about taking an uncurated list of 25 or 50 sequential iterations of the sketch.