(((o))) Acoustic Mirror

@kamen
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Dromomania
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RT @QuotesOfJGB

RT @NNPress
Join us at 6 pm GMT on the 12th of January for a Morphisms series event ‘Decentralising Art Ecosystems’ with Ruth Catlow from @furtherfield 🌐

This online event will be hosted on Zoom. It is free and open to all.

You can register via Eventbrite: https://tinyurl.com/2p833f82

Ruth Catlow: Decentralising Art Ecosystems

Join us for an online talk with Ruth Catlow as part of the NN's Morphisms digital programme.

Eventbrite
RT @etkbooks
* asemic walks (aw_26/50) http://dlvr.it/SGysqY
asemic walks (aw_26/50) – abendschein.ch/*

I'm going to title my next album "Scream not working because space make deaf".
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RT @MikeAllington1
@chrissteinplays Synopsis of Alien from Hong Kong pirate DVD.
https://twitter.com/MikeAllington1/status/1480957117196640262
Mike Allington on Twitter

“@chrissteinplays Synopsis of Alien from Hong Kong pirate DVD.”

Twitter
Book Forum on Marina Peterson's Atmospheric Noise: The Indefinite Urbanism of Los Angeles

Atmospheric Noise gathers the indeterminacies and excesses of sound and the limits of measurement, law and archive, with noise “falling away as b...

Society for Cultural Anthropology
Buenos días.
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RT @MikeAllington1
@chrissteinplays Synopsis of Alien from Hong Kong pirate DVD.
https://twitter.com/MikeAllington1/status/1480957117196640262
Mike Allington on Twitter

“@chrissteinplays Synopsis of Alien from Hong Kong pirate DVD.”

Twitter
A peculiar aspect of most live recordings of jazz ensembles like the John Coltrane Quartet at the time is that they have barely any low-end. You can't hear any bass at all. Luckily, Jimmy Garrison liked to sing along to his basslines an octave higher.
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RT @SaladJazz1
John Coltrane & Jimmy Garrison performing live at the Jazz Workshop in Boston, Massachusetts, circa 1964. Photo by Bernie Moss.
#Jazz
https://twitter.com/SaladJazz1/status/1481059547846692868
Salad Jazz on Twitter

“John Coltrane & Jimmy Garrison performing live at the Jazz Workshop in Boston, Massachusetts, circa 1964. Photo by Bernie Moss. #Jazz”

Twitter
RT @theotolithgroup
Ten feet of sea level rise would be a world-bending catastrophe. It’s not only goodbye Miami, but goodbye to virtually every low-lying coastal city in the world.
https://www.rollingstone.com/politics/politics-features/doomsday-glacier-thwaites-antarctica-climate-crisis-1273841/
'The Fuse Has Been Blown,' and the Doomsday Glacier Is Coming for Us All

New data suggests a massive collapse of the ice shelf in as little as five years. “We are dealing with an event that no human has ever witnessed,” says one scientist. “We have no analog…

Rolling Stone
GRM Works 1957-1962, by Iannis Xenakis

4 track album

Recollection GRM
RT @coreyspowell
We don't know yet what the first image from @NASAWebb will be, but we do know its biggest first-year project: scanning a patch of sky called the COSMOS field to seek out the earliest stars in the universe. https://www.theverge.com/22789561/nasa-jwst-james-webb-space-telescope-priorities-astronomy-astrophysics-exoplanets
How astronomers decided where to point NASA’s James Webb Space Telescope

Once NASA launches its powerful new observatory, the James Webb Space Telescope, the spacecraft is already slated to do more than 10,000 hours of science in its first year of life. Here’s how scientists prioritized what the telescope should do first.

The Verge