| Website | http://kahlina.digital |
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dragica kahlina (dr_kah)
@drka
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D(ADA)Jane of all tech (she/her), teaching #GameDev (and math) at Hochschule Luzern Switzerland https://swiss.social/@digitalideation, #SoundArtist, #GameAudio, #LudoMusicology, #SoundLomography #GenerativeMusic, #PixelArt #GlitchArt sometimes #AIart, astrophysics degree and E. Noether fangirl, mostly just weaving incantations in glowing glyphs, some #Textile craft may be mentioned from time to time (searchable)
Berlin -> Hamburg-> Berlin, #Superbooth, International Computer Music Conference, #amaze & touristing what crazy 1.5 weeks
daveThe Lisp Game Jam has begun! happy hacking!
The Spring Lisp Game Jam is coming up quick! It starts on Friday! Grab a pile of parentheses and warm up your REPL!
Soundscape I did in Vosis Pro on my iPad based on one of my glitch videos https://youtu.be/xQEktJmEpHc
Passage
Instead of buying myself another useless modern cassette recorder I bought a 1991 Denon DRW-850 dual tape deck, now I can fullfill my lifelong dream of making my own tapes in style, its connected to my #eurorack modules so I can go fully non-computer now, don’t get me wrong I love computers, but sometimes I need to step away from seeing the world on a flat screen only
GGJ 2026 is happening in Emmenbrücke (CH) this time, at the Lucerne University of Applied Sciences and Arts Jan 30 - Feb 1, everybody over the age of 18 is invited, newbies to professionals, board or card games, microcontroller, VR, AR, games made in Max/MSP or Excel or Powerpoint, just bring your curiosity official website https://globalgamejam.org/jam-sites/2026/hslu-digital-ideation #swissgames #ggj #ggj26
Alex McLeanSorry to keep going on about it but the strange thing about this dorky manifesto ( https://slab.org/2015/07/28/the-generative-manifesto-august-2000/ ) is that it now reads like a live coding manifesto, but afaik live coding didn't exist as an independent idea or community then, we certainly weren't aware of it. We were just listening to a lot of Autechre and Farmers Manual etc. Unknown to us @julian was writing the 'just in time' library for supercollider, and we had advertised writing perl code live to make music (http://www.ntk.net/2000/06/16/?l=120#l) but hadn't actually got around to doing it. This also dorky essay I wrote in 2001 doesn't mention liveness at all https://www.dmu.ac.uk/documents/technology-documents/research/mtirc/nowalls/mww-mclean.pdf
So we somehow felt it was super important as musicians to (1) explore generative processes (2) work live (3) improvise (4) share what we're doing and (5) write our own code.. But no sense at all that it was important to do all this at once and code live in front of an audience. Looking back now it's hard to imagine the state of mind we were in. Pretty strange really...
