Aksioma

@aksioma
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#AlanWarburton โ€™s 2020 video essay ๐‘…๐บ๐ต๐น๐ด๐‘„ traces a recent history of what he terms the #hyperimage, drafting a trajectory from computer graphics to synthetic data and examining how images have become increasingly unmoored from photographic #indexicality.

Full video essay awaits you on ๐Ÿฏ๐Ÿญ ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ต at the #BecomingImage: ๐‘บ๐’š๐’Ž๐’‘๐’๐’”๐’Š๐’–๐’Ž in Kino ล iลกka ๐Ÿงฉ ๐Ÿ–ผ๏ธ

> https://aksioma.org/becomingimage/symposium/rgbfaq/

#BecomingImage โ‡๏ธ ๐—ฆ๐˜†๐—บ๐—ฝ๐—ผ๐˜€๐—ถ๐˜‚๐—บ ๐—ฝ๐—ฎ๐—ฟ๐˜ #๐Ÿญ
31 March | 5โ€“7 PM | Kino ล iลกka
โ• Admission is free, only registration required > https://pretix.eu/aksioma/becomingimage/

Programme explores how synthetic images and machine vision shape perception, identity, and belief, examines the infrastructures, aesthetics, and politics behind AI-generated and computational images.

SCREENING | ๐‘…๐บ๐ต๐น๐ด๐‘„ by #AlanWarburton
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LECTURE | ๐‘‚๐‘› ๐ต๐‘’๐‘๐‘œ๐‘š๐‘–๐‘›๐‘” ๐ผ๐‘š๐‘Ž๐‘”๐‘’ by #MarcoDeMutiis
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ARTIST TALK | ๐ต๐‘™๐‘œ๐‘๐‘ ๐‘ก๐‘’๐‘Ÿ๐‘ , ๐‘†๐‘™๐‘œ๐‘ ๐‘Ž๐‘›๐‘‘ ๐ป๐‘ฆ๐‘๐‘’๐‘Ÿ-๐ธ๐‘ฃ๐‘’๐‘›๐‘ก๐‘  by #MartynaMarciniak

๐ŸŸฉ ๐—˜๐—ซ๐—›๐—œ๐—•๐—œ๐—ง๐—œ๐—ข๐—ก: ๐ฟ๐‘Ž๐‘ก๐‘’๐‘›๐‘ก ๐‘†๐‘๐‘Ž๐‘๐‘’
1โ€“30 April | Aksioma Project Space
โ• ๐—ข๐—ฝ๐—ฒ๐—ป๐—ถ๐—ป๐—ด: 1 April at 8 PM

In her installation, artist #FelicityHammond offers a speculative glimpse into a not-too-distant future where this new approach to space-based computation has become the dominant position in the AI industry. However, the system continues to battle with the effects of #modelcollapse...

> https://aksioma.org/becomingimage/exhibitions/latent-space/

โ—๏ธ๏ธ Last week to visit โ—๏ธ๏ธ
In her exhibition ๐ผ๐‘š๐‘Ž๐‘”๐‘’ ๐‘†๐‘ฆ๐‘›๐‘๐‘’๐‘Ÿ๐‘ , #NinaDavies dramatizes the breakdown of boundaries between human and machine, reframing the politics of visual representation. In this world, images are not just seen โ€“ they are identities to conform to and realities to adhere to.

๐Ÿ”ด The exhibition is on view ๐˜‚๐—ป๐˜๐—ถ๐—น ๐Ÿฎ๐Ÿฑ ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ต in #Aksioma.

> https://aksioma.org/image-syncers

Photo: Domen Pal / Aksioma

๐ŸŸข ๐—˜๐—ซ๐—›๐—œ๐—•๐—œ๐—ง๐—œ๐—ข๐—ก: ๐ด๐‘›๐‘Ž๐‘ก๐‘œ๐‘š๐‘ฆ ๐‘œ๐‘“ ๐‘๐‘œ๐‘›-๐น๐‘Ž๐‘๐‘ก. ๐ถโ„Ž๐‘Ž๐‘๐‘ก๐‘’๐‘Ÿ 1: ๐ด๐ผ ๐ป๐‘ฆ๐‘๐‘’๐‘Ÿ๐‘Ÿ๐‘’๐‘Ž๐‘™๐‘–๐‘ ๐‘š
31 Marchโ€“22 May | Kino ล iลกka
โ•๐—ข๐—ฝ๐—ฒ๐—ป๐—ถ๐—ป๐—ด: 31 March at 9 PM

Artist #MartynaMarciniak materializes the puffer jacket by the AI-generated image of #BalenciagaPope. The image was originally created by a 31-year-old man using Midjourney, while he was tripping on shrooms, and quickly became the symbol of the AI boom of 2023. It reignited discussions about truth and misinformation in photography and journalism.

> https://aksioma.org/anatomy-of-non-fact

โœณ๏ธ For the ๐—ก๐—ข๐——๐—˜#๐Ÿฎ of #BecomingImage weโ€™re excited to welcome artists and researchers working at the intersection of #images, #technology and #visualculture.

โœฆ #AlanWarburton โ€” CGI, AI & visual culture.โ€จโœฆ #MarcoDeMutiis โ€” algorithmic image research.โ€จโœฆ #MartynaMarciniak โ€” power & image infrastructures.โ€จโœฆ #SheungYiu โ€” photography, data & facial recognition.โ€จโœฆ #FelicityHammond โ€” extraction & digital infrastructures.

> https://aksioma.org/becomingimage/

On 31 March, the second node of ๐˜๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐˜€&๐—ฝ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐—ฒ#๐Ÿญ๐Ÿณ: ๐—•๐—ฒ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด begins!

A symposium, two exhibitions and a workshop...

w/
Marco De Mutiis, Felicity Hammond, Martyna Marciniak, Alan Warburton, Sheung Yiu

https://aksioma.org/becomingimage

As part of ๐™ฉ&๐™ฅ#17, we invite you to โœณ๏ธ ๐‘บ๐™ฎ๐’Ž๐™ฅ๐’๐™จ๐’Š๐™ช๐’Ž: ๐˜ฝ๐’†๐™˜๐’๐™ข๐’Š๐™ฃ๐’ˆ ๐‘ฐ๐™ข๐’‚๐™œ๐’† โ‡๏ธ

๐‘บ๐™ฎ๐’Ž๐™ฅ๐’๐™จ๐’Š๐™ช๐’Ž, a one-day event with a series of talks, video essays, and inputs by invited artists and researchers, explores the relations between computational images and their effects on the world outside of the screen.

* > https://aksioma.org/becomingimage/symposium/ < *

๐Ÿ’š ๐Ÿฏ๐Ÿญ ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ | ๐Ÿฑโ€“๐Ÿต ๐—ฃ๐—  | ๐—ž๐—ถ๐—ป๐—ผ ๐—ฆฬŒ๐—ถ๐˜€ฬŒ๐—ธ๐—ฎ, #Ljubljana

โ• Featuring contributions by #AlanWarburton, #MarcoDeMutiis, #SheungYiu, #MartynaMarciniak, and #FelicityHammond

โœฆ ๐‘‡โ„Ž๐‘–๐‘  ๐‘–๐‘  ๐‘๐‘œ๐‘ก ๐‘Ž๐‘› ๐ผ๐‘š๐‘Ž๐‘”๐‘’ โœฆ essay by #NoraOMurchu for the ๐—”re ๐—ฌou ๐—” ๐—ฆoftware ๐—จpdate? ๐Ÿ“–

"...the image no longer represents power; it performs it. It operates as infrastructure: a system that governs what can be perceived, felt and known. Aesthetics, computation and administration converge in the same operation, regulating visibility and mood as forms of control."

๐Ÿ’– Preview and order here > https://aksioma.org/are-you-a-software-update

First node of #BecomingImage kicked off successfully! ๐Ÿ”ด

Thanks to everyone who filled up the artist talk in #ModernaGalerija, attended the workshop and visited the exhibition opening.
& of course the biggest thanks to the artist #NinaDavies and curator #MarcoDeMutiis โ—๏ธโค๏ธ

๐ผ๐‘š๐‘Ž๐‘”๐‘’ ๐‘†๐‘ฆ๐‘›๐‘๐‘’๐‘Ÿ๐‘  is on view in #Aksioma Project space until 25 March.
ึŽ https://aksioma.org/image-syncers ึŽ

Photo: Domen Pal / Aksioma