One of the most incredible 17th-century pavans for lyra viol.

This music is unbelievably rich in ornamentation 🎻 — sometimes every single note is marked, decorated, alive with detail. It’s not just written… it’s sculpted.

Played on a 17th-century English viol 🇬🇧, the sound world becomes something else entirely: intimate, intricate, almost hypnotic 🌫️✨

A slow pavan… but inside, a universe of motion.

Have a listen 👇🎧
https://open.spotify.com/intl-fr/album/4m17OPcporymyNKzU4oRlO?si=Rt10zY5ISJCY3o9WBUzTow

🎻✨ Discover “Unpublished Prélude” with Abraham Gómez Orozco 🎶
A rare, intimate prelude from a few years ago, now finally available 🎼💫

https://music.apple.com/fr/album/unpublished-pr%C3%A9lude-single/1678698315

#ClassicalMusic #ViolaDaGamba #Timeless

🎻 Recording Highlight 🎶

Sharing a recording of Le Tombeau de Marin Marais, played on a Parisian viol built in 1741 by the maker who lived next door to the composer. A truly historic sound!

Listen here:
https://music.apple.com/fr/album/le-tombeau-de-marin-marais/1581732532

✨ A fascinating discovery about the music of Marin Marais! 🎶

I recently played pieces by Marais using annotations written directly into the music in the middle of the 18th century—sometimes on every single note! ✍️🎼

https://music.apple.com/fr/album/the-best-of-marin-marais-charles-hurel/1441468124