| Website | https://liebefonts.com/ |
| https://twitter.com/LiebeFonts | |
| https://www.instagram.com/liebefonts/ | |
| https://www.linkedin.com/in/ulrike-rausch-3b3059121/ |
Spent the last few days doing some tidying-upping of the Wakamai Fondue codebase. Feels *good* to finally scratch some of those itches.
Most of it was simply moving code around, de-bloating large functions, and some general mise-en-place for upcoming features.
Also, OpenType feature detection is more robust and doesn't take down the entire "Layout Features" section anymore if it encounters something it doesn't understand! \o/
💥 New Release! 💥
Please give a very warm welcome to the latest addition to my LiebeHeide family.
I built LiebeHeide Brush on the same skeleton as LiebeHeide Colour and LiebeHeide Fineliner, and as always, it is powered by a meticulously designed system of numerous alternates and ligatures, governed by hidden rules beneath the surface.
The result is a dynamic, authentic, and endlessly fresh writing experience. Enjoy! 😊
https://liebefonts.com/fonts/liebeheide-brush
Part of our @BerlinLetters team will be attending Beyond Tellerrand @btconf conference in Berlin in November. 🥳
Who else is going?
Wanna grab a coffee during one of the breaks and talk about type? 🤩
NEW: LiebeHeide is the vector version of @LiebeFonts color bitmap font of the same name, with its clean lines and smooth curves, packed with a wide range of ligatures and numerous alternatives for each letter, which are rotated for a more personal touch.
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New font release! 🚀 The wait is over: Introducing the vector version of the award-winning LiebeHeide color font, now more versatile and lifelike than ever!
In the last years, I received a lot of request for a ‘normal’ version of this font, in order to be used also in applications that do not support color fonts.
LiebeHeide Fineliner is now the first in a series of several writing styles, like Brush, Ink, and Pencil.
I hope you like it! ✨✍️✨
Enhance your professional type design skills with this 3-hour experts workhsop on variable font production. @mekkablue will share all his nerdy knowledge on how variable fonts work:
- reading the OpenType spec
- avar, gvar, STAT and fvar tables
- custom parameters and settings in the latest version of Glyphs
- find and avoid interpolation issues
- useful Glyphs extensions for variable font production
- third-party software and websites for testing
Workshops, Workshops, Workshops!
We compiled a wide range of professional classes for you. Expand your skills, get your hands dirty and learn from the best in small groups of like-minded letter enthusiasts.
If you can’t join us for all three festival days, you can book any workshop also without a festival ticket.
Check out all our workshops: https://berlinletters.com/workshops-overview/
Remember WordArt and Clippy? Stretched letter shapes with textures, shadows, gradients, and 3D effects allowed a limitless way to express creative freedom.
In her talk, Ulrike Rausch from @LiebeFonts will satisfy your ’90s nostalgia and demonstrate how to revive Word Art masterpieces with the latest font technology: Let’s Make Fonts Like It's 1995!
Roel Nieskens
Berlin Letters
Fontstand
