Aaron J. Waltke

@GoodAaron
1.6K Followers
56 Following
522 Posts
Emmy-Winning Screenwriter and Executive Producer. Wings of Fire (Amazon). Star Trek: Prodigy (CBS Studios). Tales of Arcadia (Trollhunters, Wizards) on Netflix. DC Comics. Other cool stuff!
ScreenwritingStar Trek
TelevisionAnimation
Websitehttps://aaronwaltke.tumblr.com/

Voice actors for animated film and television are some of the most talented performers I’ve ever worked with.

Always worth remembering!

#Oscars 

“The impediment to action advances action. What stands in the way becomes the way.”

- Marcus Aurelius, “Meditations”

Found this in my notes app.

I have no memory of writing it… likely half-asleep.

Was I onto something?

Stories are like gardens that are nurtured — twisting along unanticipated paths, as they reveal themselves to even the authors.

If you relinquish all choices too early, give them up in the name of efficiency, fully formed from the outset, you lose something.

Wander curiously.

This was a fun conversation! 🖖

Always a pleasure to chat with the folks at @trekculture.bsky.social.

https://youtu.be/nwN67_mrArk?si=XINaVco3fRii23ES

Writing In Star Trek's Shared Universe - Prodigy's Aaron Waltke EXCLUSIVE INTERVIEW

YouTube

“To impregnate people with good requires a long time. But evil has wings. To build a house takes time. Its destruction takes none.”

- Mohandas Gandhi, “Hind Swaraj”

Wow, what a list for TROLLHUNTERS to be included on. Thank you, @collider !

https://collider.com/modern-animated-shows-perfect/

10 Modern Animated Shows That Are 10/10, No Notes

Discover the best modern animated shows that deliver exceptional storytelling, unique worlds, and captivating characters, from Invincible to Primal.

Collider

Do I know anyone who knows anyone who works in the upper eschelons of Google or YouTube?

I’m trying to recover some old videos I made decades ago with a friend who passed away. They are trapped on a legacy YouTube account, whose password I’ve forgotten and cannot recover.

“How are you?”

“Struggling to escape the cash nexus doom spiral — but paralyzed by existential dread of the ‘double movement’ polycrisis hyperobject that threatens us all, magnified by the day.”

“Can’t wait till Friday, huh”

This sort of genre cinema and practical effects I grew up with in the 1980s and 90s was something tremendously special.

The handcrafted nature of creature makeup and puppetry lent a surreal authenticity to everything.

I will always love it.