@grantpotter 🙏🏼
Great selection of #AccordionBandcamp recommendations in this Bandcamp Weekly feature on #Creole and #Cajun 🪗 music
https://daily.bandcamp.com/lists/cajun-creole-accordion-music-guide
I’ll be getting some of these artists to play on @accordionnoir radio including Marcella Simien ❤️‍🔥🪗
https://marcellaandherlovers.bandcamp.com/music
@grantpotter @accordionnoir
🪗 didact: the author of that #bandcamp piece made a couple errors
One row diatonic #accordion can play in more than one key if the keys don’t require the full chromatic scale
The player does become limited beyond a few keys, and has to be more and more skilled to hide the “gaps” in keys the instrument wasn’t built to play easily in
#Louisiana’s French fiddle music lost a lot of tunes that couldn’t be played on one-row accordions
But not all but one key
#Cajun
@grantpotter @accordionnoir
🪗 didact 2:
And I think Boozoo Chavez was mostly known for playing three-row diatonic #accordion, not the one-row that became more popular with younger #Creole #zydeco players
https://antonesrecords.bandcamp.com/album/hey-do-right

14 track album
@grantpotter @accordionnoir
Be interesting to know if it’s just availability, or cost or style?
Some of the nicest one-row so called #Cajun accordions have been custom built in #Louisiana over the years
Not so, larger three-rows, or fully chromatic piano #accordion like Clifton Chénier played that made it possible to mix in blues and R&B to create #zydeco
Early one-row 🪗 couldn’t play #blues easily so it got left out of most Black American music 🤷🏽
#Zydeco is the exception with backstory