Open Humanities Press has published Tom Cohen's #book Ecocide and Inscription vol. 1: Black Ops. Petrolepathy, Escaped Slaves, Cinemacide – A Tele-mnemonics for the After-Times.
Examining works by #Faulkner, #Morrison and #Hitchcock among others, Tom Cohen traces a ‘hyper-blackness’ that exceeds racial binaries and links to the viscous materiality of #oil. He argues that this #blackness before face or figuration offers a way to rupture the ‘Anthropocene’ spell and its attendant anaesthesias. By tracking inscriptions that melt back into a prefigural domain, Cohen outlines a literary structure of #climatechange itself, one that undoes conventional notions of meaning, reference, and #human exceptionalism.
Available #openaccess and in colour print from: