RihHow It Feels to Be Remembered Me
My latest studio album will be yours tonight at midnight.
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Now, I promised you that the doors would open today.
Please, step inside, make yourself at home.
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Oh, Sorry! I didn't mean to jump out at you. I’ve always hated the uncertainty of opening the door when someone knocks or rings the doorbell... I hate that feeling of not knowing who or what’s on the other side.
"En garde!" is about that fear, that confrontation. It’s a reminder that sometimes we have to face what’s knocking, even when we’re not ready.
"En garde!" is inspired by my debut album Unknown Pleasures. Back then, I had no idea my career would lead me to this moment. Now, looking back, I can see how every door I’ve opened since has shaped the artist I’ve become.
This song is about the frustration of trying to communicate, but never truly being understood. Sometimes I struggle with communicating what I want to say, but you can say everything in your heart and if the person on the other side doesn’t feel it, you're just wasting your time.
"Heard how I felt" draws from my second album ANTHEMS. That album was full of bold and loud statements, but sometimes people just don’t get it. This song is the follow-up to all the times I tried to make someone just understand.
Running in circles—it’s like being trapped in a cycle, chasing something that’s always just out of reach. This song captures that frustration of always feeling close, but never quite getting there. Comparison is the thief of joy and I often always end up comparing myself to my contemporaries, it's like chasing something I’ll never catch.
"Run circles" was inspired by Wild at Heart. That album was fast, free, but directionless. This track takes that restless energy and focuses it on the feeling of constantly chasing validation without finding resolution. I figured it would be fun to take my least... impactful album and sort of make it a confidence booster! I only need validation from myself.
This love song is about the joys of being stuck, even as everything around you seems to change. You go through life thinking things will get better, but sometimes, no matter how much you grow, the core of who you are remains unchanged.
"Through it all, nothing changed" is inspired by Wasteland. That album was all about navigating the ups and downs of the end of the world, and this track is a joyfully apocalyptic love song about a girl who wonders if her man feels like neither of them have changed, even as the world around them drastically does.
Grief is a constant companion, someone you can't ignore. This song is about meeting grief, not as a fleeting emotion, but as someone who stays with you, shaping you in ways you didn’t expect.
"She told me her name was grief" was inspired by my album Showtime. That album was full of highs and excitement and is one of my most "marketable" pop albums to date. When i sat down with her though I was shocked, I could only really remember how during that period of my life I really encountered grief for the first time. This track dives into those emotions.
This song is about striving for perfection and realizing it’s not always about the final product. I'm a perfection, to an extreme for better and definitely for worse. It’s about the practice, the effort, the messiness of trying to create something great, and accepting that the process itself is where the beauty lies.
"Virtuoso" is the only song on the album that was originally recorded for another album, that being Digital Disturbance. That album was experimental and full of creative risks, just like the process of mastering something. This song reflects that same creative energy. I've scrapped and tried to fit this song on so many albums in the past 7 years--Wisteria, ASCENSION, TRUCE, Devil, and more... It wasn't until now that this song finally found a home it fit in.
Sometimes, you reach a point where there’s no longer a need for a conversation, a back and forth—you just decide and move forward. This song is about how sometimes it's okay to let the conversations stop.
"Ain’t no back and forth" is tied to On the Other Side, where I deeply explored a, now ended, relationship and all the push-and-pull that comes with that. This track represents the moment when the back and forth ends, and feeling peace with that decision.
This song is about looking in the mirror and finally seeing yourself—not just the person everyone else sees, but the one you’ve always been beneath it all. It’s about self-acceptance and pride.
Inspired by becoming a mother and the joyous journeys of the ones I love, "Prettiest face I’ve ever seen" draws from Wisteria. That album was about the beauties of life, and this track is the moment of realizing the beauty that comes from embracing your true self.
A monumental moment in my growth, this song is about breaking away from something that’s been holding you back. The lyrics capture that feeling of conflict—wanting to burn it all down, yet realizing you need to save yourself. It’s about finding the courage to leave, even if it means stepping into the unknown.
"Leap of faith" draws from ASCENSION. A dark and viscerally raw moment of my life, I look back at how it changed and grew me as a person. This track represents that pivotal moment when you realize the only way forward is to let go of what’s been weighing you down.
This song is about enduring a season of pain. October symbolizes a time in my life that felt heavy, oppressive, and inescapable. It’s about not just enduring but breaking free from the cycle of hurt and refusing to let someone else’s actions dictate how you feel.
"October won't make me hate you" is tied to TRUCE. That album was about attempting finding peace after a tumultuous and chaotic period, and this track is the moment when I realized that no matter what happens, I'm the one that gets to choose how I respond.
This one's special, this song is about discovering your true identity, even when that journey is painful. It’s a song that wrestles with self-doubt and transformation, embracing the dualities of life—bliss and abyss, growth and destruction. There’s this raw vulnerability in having to annihilate yourself just to feel yourself again, and realizing that breaking down is in fact part of the process of blooming.
"Marigold" draws from my album ANNIHILATE. This song is a continuation of the thesis of that album—it's about what it takes to truly become yourself, to embrace every side of who you are, and how that journey is both painful and freeing. It’s a reflection on the past while running towards the future.
This song is about endings—when something burns out, but its impact still lingers with you. It’s about the bittersweet moment of watching something you love fade, even if that's your ability to put energy into something you love. You wish you could just reignite the match but that's just not possible. Yet, even when the candle's wick is all burnt out, the fragrance still lingers in the air for at least a little bit.
"When the candle burnt out" ties to Give the Devil Her Due. That album was raw, grandiose, and a true testament to my craft at its most maximum. This song is a reflection of the feelings that lead me to that album. I wanted to make a song that felt as exceptional as that album does to me.
So we finally did it, we reached the study. I told you we'd sit and read a book here. This song is about the constant search for understanding—wanting someone to truly see you, even when you don’t have all the answers yet. I've always struggled with feeling like the words I attempt to give don't come across in the way they so rightfully deserve, but now, I believe I am in fact, understood.
"I hope to be understood" connects to the sister record of this album, lately I’ve been indigo. That album was all about myself in the present when I recorded that album, the ups and downs of feeling both incredibly happy and yet, at the same time not. This track concludes that journey, finding understanding in the midst of uncertainty.
Thank you for stopping by, but now here's the sad part where I tell you it's time for you to go. This song is the culmination of everything I’ve shared on this album. After revisiting all the memories, emotions, and stories, there comes a point where I’m ready to move forward. It’s not just about ending something, it’s about the power of letting go and allowing the door to close on what’s passed. So when you leave, please close the door behind you. Thank you.
How It Feels to Be Remembered Me
A step inside the house that has made me all of who I am. Thank you for visiting and going through all of these memories with me.
With all of my love,
Rih
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Physical merch and variants:
Rih (@[email protected])
Attached: 1 image How It Feels to Be Remembered Me Physical merch and variants 🏡 ✨ #HowItFeelstoBeRememberedMe #R14
The most devoted members of the navy received a book that was near and dear to my heart this week.
I'm very excited to share an extended look at it with you now
Track 01 - En garde!
Produced by: Sean Bowie
Length: 03:54
Starting off with confrontation, this track is chaotic, upbeat, and in your face. “Unknown Pleasures” marked my first step into the music industry and I wanted to evoke opening doors for the first time. I was recording lines for my character in Dead Cells when this one line spoke to me, “En garde!” I got the bizarrest vision: answering the door and instantly being met with a fencing match.
Lyrically, it captures the emotional turmoil of standing at a threshold, heart racing, unsure of what lies beyond. Distorted guitar riffs and a drum loop that carries throughout the entire song keeps the pace at a constant high, making the song feel like a chase throughout a labyrinthine house. Pulsating rhythm and swirling guitar effects draw listeners into a space filled with tension.
The production builds layers of sound, I even got Sean and Robyn to do backing vocals that we distorted the hell out of, making it feel like onlookers shouting from the crowd or someone talking from the other side of a door. A panic attack in song form.
Track 02 - Heard how I felt
Produced by Sean Bowie & Kevin Parker
Length: 03:22
Here I dive further into themes of confrontation. The second song had to be Anthemic, so this for the people in your life that are present but not actively engaged. The production features groovy basslines intertwined with booming drums that shout throughout the song.
A rather uplifting song about shedding off the people that aren’t invested in you as much as you are them, this is one where you want to be the loudest one belting along in the crowd too.
Track 03 - Run circles
Produced by: Robyn Fenty
Length: 03:07
It’s no secret that my third album was my most tumultuous. I wanted to spin that and make a subtly braggadocios song. Its infectious beat, jangly guitar riffs, and gorgeous strings capture the whirlwind of being caught in a cycle.
The lyrics explore the push and pull of complicated relationships, capturing the exhilaration and frustration of loving people who keep you on your toes. I've always let comparison be a thief to my joy, and I'm done letting that happen. Here I invite people to try to run circles around me, the only place i'm going is forward.
Track 04 - Through it all, nothing changed
Produced by: Sean Bowie
Length: 05:14
This track, like "Wasteland", had to serve as a pivotal moment. Featuring the most soaring and electronic funk guitar riff, Sampha's soulful voice provides the perfect contrast to mine.
#HowItFeelstoBeRememberedMe #R14 #Throughitallnothingchanged
I haven't done a love song in some time and lyrically, this song contemplates on the idea that sometimes love remains steadfast amid even the most existential of chaos. This song's a perfect soundtrack to two lovers driving off into the sunset at the end of the world.
Track 05 - She told me her name was grief
Produced by: Robyn Fenty & Jacob Bugden
Length: 4:51
I've found myself on a journey of healing and that's where this song puts us right in the center of. When I sat down and went through the "Showtime" era, I surprised myself. I could only think of aspects of that album in relation to a loss I experienced during that rollout. It puzzled me for a while.
Grant Gustin@Rihanna A song I know, and a song I love
@Rihanna Kevin Parker!!!
Sabrina Carpenter@Rihanna this is gorgeous wait
troye (experiments era)@TroyeSivan i'd be nothing with you
Niall Horan (DILF Era)@Rihanna The back cover hello?!!
BEYONCÉ
Florence@Rihanna stunning tracklist 
@FlorenceWelch thank youuuu 
Demi Lovato@Rihanna this back cover is EVERYTHING omfg... 
@DemiLovato thank you omgggg
P!nk@Rihanna this is so pretty. gorgeous and glowing.
@Rihanna This is so pretty
Madonna@Rihanna that was beautiful
@Rihanna LOVE the yellow vinyl
@Rihanna oh how lovely
@Rihanna This is so polite?
@Rihanna You are