toiida🌻Adina Salome Harnischfeger, Untitled, from the diary, circa 2020 ★ Germany ★ https://www.collater.al/en/adina-salome-harnischfeger-nsfw-photography/ ⦾ https://adinasalomeharnischfeger.de/2020 #AdinaSalomeHarnischfeger #contemporaryphotography #eroticphotography #intimacy #softgaze #sensitive #selfportrait #femalenude #femalenudephotography #2020s
Полина Вайнер, «Первичное», 2024 ★ Polina Vayner, “The Former”, 2024, sound installation or video documentation ★ Russia ★ https://pro.deziiign.com/project/b3e3d05695d64cb385a9d9a4750e80e3 ⦾ https://vimeo.com/user217218441 #PolinaVayner #contemporaryart #installationart #soundinstallation #conceptualart #former #delimiter #structurelessness #timelessness #kinkyart #wartime #HSE #2020s
Художница полностью покрыла все предметы в комнате прозрачно-белёсым полиэтиленовым (#LDPE) полотном и рассуждает про «трансцендентный разграничитель»...
Polina Vayner, “The Former”, 2024, sound installation or video documentation ★ Russia ★ https://www.youtube.com/@gyurts/videos #PolinaVayner #contemporaryart #installationart #soundinstallation #videodocumentation #conceptualart #emergingart #former #delimiter #structurelessness #timelessness #archiving #LDPE #kinkyart #wartime #HSE #HSEArtGallery #2020s
...обезличение, возвращение к бесструктурности, вневременность и архивирование настоящего. Звук у работы — малоприметные шумы (судя по тизеру).
Мне инсталляция напомнила: а) подготовку к копровечеринке с размахом; б) подготовку к разрезанию и расфасовке человеческого трупа.
Обе ассоциации перекликаются с военным временем, с ожиданием, что большая война, которая уже давно идёт, просто пока не здесь, не в этой комнате, может ворваться сюда и заполнить всё кровью, фекалиями, брызгами мозгов и гниющими ошмётками тел. #PolinaVayner #kinkyart #wartime ☮︎
Nadia Waheed, “Beachbolm”, 2018, acrylic on canvas, 42.5 × 60 inches ★ Saudi Arabia/France/Egypt/Pakistan/USA ★ https://nadiawaheed.com/20182020 ⦾ https://www.artsy.net/collection/artists-to-follow-frida-kahlo #NadiaWaheed #contemporaryart #contemporarypainting #queerart #queervibes #lesbiangaze #clamourofneoliberalmodernity #beachbolm #acryliconcanvas #Pakistaniartists #2010s
Martyna Pinkowska, “Habitual Poses”, 2024, oil on canvas, 155 × 129.5 cm ★ Poland ★ https://artviewer.org/a-small-land-of-watery-light-at-gallery-vacancy/ #MartynaPinkowska #contemporaryart #contemporarypainting #neosurreal #poses #oiloncanvas #GaleriaMonopol #Polishartists #2020s
Simryn Gill, “Forest”, 1996–1998, gelatin silver print, 122 × 94.8 cm ★ Singapore/Malaysia/India/UK/Australia ★ https://jhavericontemporary.com/artists/simryn-gill #SimrynGill #contemporaryart #contemporaryphotography #conceptualart #blackandwhitephotography #neosurreal #forest #biennialartists #artstars #Malaysianartists #1990s
Handiwirman Saputra, “Overcast Clouds Along with Left Wing & Right Wing”, 2015, acrylic, mixed media on canvas, 241 × 241 cm ★ Indonesia ★ https://www.sothebys.com/en/buy/auction/2024/modern-contemporary-art/handiwirman-saputra-han-di-wei-man-su-pu-ta-la ⦾ https://rachelgallery.com/handiwirman-saputra/ #HandiwirmanSaputra #contemporaryart #contemporarypainting #abstractart #spine #clouds #red #acryliconcanvas #postreformistartists #NadiGallery #Indonesianartists #WestSumatra #2010s
Handiwirman Saputra 漢迪威曼 · 蘇普塔拉 | Mega Mendung Beserta sayap kiri dan Kanan (Overcast Clouds Along With Left Wing & Right Wing) 烏雲密布，左右翼 | Modern & Contemporary Art | 2024 | Sotheby's
<p>Property From An Important Southeast Asian Private Collection</p><p><br></p><p>Handiwirman Saputra</p><p>b. 1975</p><p><em>Mega Mendung Beserta sayap kiri dan Kanan (Overcast Clouds Along With Left Wing & Right Wing)</em></p><p><br></p><p>signed and dated <em>2015 </em>(lower left)</p><p>signed <em>Handiwirman Saputra</em>, titled in Indonesian <em>mega mendung beserta sayap kiri dan Kanan</em>, dated <em>2015</em> and inscribed in Indonesian <em>Acrylic di atas kanvas 244 cm x 244 cm </em>(on the verso of top left panel)</p><p>acrylic on canvas mounted on composite panel, in six parts</p><p>overall:</p><p>240.8 by 240.9 cm.</p><p>94¾ by 94⅞ in.</p><p>Executed in 2015.</p><p><br></p><p>----------------------------------------------</p><p><br></p><p>重要東南亞私人收藏</p><p><br></p><p>漢迪威曼 · 蘇普塔拉</p><p>1975年生</p><p>烏雲密布，左右翼</p><p><br></p><p>款識</p><p>藝術家簽名 2015（左下）</p><p>Handiwirman Saputra "mega mendung beserta sayap kiri dan Kanan" 2015 Acrylic di atas kanvas 244 cm x 244 cm（左上板畫背）</p><p>壓克力畫布裱於複合板，共六部分</p><p>整體：</p><p>240.8 x 240.9 cm.</p><p>94¾ x 94⅞ in.</p><p>二〇一五年作</p>
Хандивирмана Сапутру относят к художникам-постреформистам, потому что он подчёркнуто не работает с политическими и социальными темами. Такой вот лощёный ярлык для художников, дистанцирующихся от левых идей и современных вызовов. #HandiwirmanSaputra #postreformistartists
Fuyuhiko Takata, “Cut Suits”, 2023, video installation, a still ★ Japan ★ https://fuyuhikotakata.com/works/Cut_Suits ⦾ https://ru.wikipedia.org/wiki/Отрежь_кусок #FuyuhikoTakata #YokoOno #hommages #contemporaryart #queerart #videoart #videoinstallation #performanceart #cutpiece #suits #contemporarydance #Tchaikovsky #2020s
Шутливый геевский оммаж на классический перформанс Йоко Оно. Отдельные кадры хороши, но тошнотворный Чайковский в качестве саундтрека...
...и сам вид инсталляции — горы изрезанной деловой одежды с полсотни офисных работников, — убивают всю работу. #FuyuhikoTakata #videoinstallation #suits
Yu Yu Myint Than, Freelance Writer, 27, from the series “Faces of Change”, 2021 ★ Myanmar ★ https://www.yuyumyintthan.art/works #YuYuMyintThan #ယုယုမြင့်သန်း #contemporaryphotography #collage #artactivism #rightsactivists #LGBTQactivists #LGBTQIA #politicalprotests #civilprotests #Myanmarphotographers #Burmesephotographers #2020s
Фотографиня Ю Ю Мьин Тан наложила портреты друг на друга для того, чтобы лица невозможно было опознать нейроалгоритмами? Квир-активист:ки тоже присоединились к гражданским протестам против военного переворота в Мьянме. Через несколько месяцев в Мьянме началась гражданская война, которая продолжается и сейчас. Это четвёртый по величине военный конфликт в мире. #YuYuMyintThan #politicalprotests #politicalprotest #rightsactivists #LGBTQactivists #civilwar #warsin2024
Setareh Shahbazi, “Rotten Tricks” (#01), 2018, pigmented ink print, mounted on acrylic glass, 110 × 62 cm ★ Iran/Germany ★ http://gypsumgallery.com/works-70 #SetarehShahbazi #contemporaryart #collage #deconstruction #femalegaze #dots #tricks #yellow #Iranianartists #2010s
Mordi Abdulaziz, “Peace”, 2014, military uniform cloth, white buttons, 10 × 12 cm ★ Saudi Arabia ★ https://imagomundicollection.org/artworks/mordi-abdulaziz-peace/ #MordiAbdulaziz #contemporaryart #fiberart #camouflage #patterns #buttons #abstractart #conceptualart #antiwarartworks #Saudiartists #2010s ☮︎
Suchan Kinoshita, “Singles”, 1996, wood and glass vitrine, socks, glove, pins, 95 × 110 cm ★ Japan/Germany/Netherlands/Belgium ★ https://www.phillips.com/detail/suchan-kinoshita/UK010314/120 #SuchanKinoshita #contemporaryart #assemblage #readymade #socks #kawaii #fruitsculture #colours #singles #lonely #loneliness #atomized #artvitrine #gagart #1990s
Suchan Kinoshita - Under the Influence London Monday, April 7, 2014 | Phillips
View Two works: (i) Singles, 1996; (ii) Egg Timer Sculpture, 2000-02 by Suchan Kinoshita, sold at Under the Influence on London Auction 8 April 2014 2pm. Learn more about the piece and artist, and its final selling price.
Park Chan-kyong, “Mountain God”, 2008, photomontage, 145 × 110 cm, from the Sindoan project ★ S. Korea ★ https://www.chankyong.com/sindoan #ParkChanKyong #contemporaryart #postmodernart #collage #photomontage #fragments #mysticism #folktraditions #shamanism #westernization #comparisons #pairs #antisuperstition #GyeryongMountain #mountains #Sindoan #biennialartists #Koreanartists #2000s
Пак Чхангён: «Мне нравится религия, когда она предупреждает о слепоте технонауки. Мне нравятся суеверия, которые подрывают бессознательное религии. И всё же мне нравится рациональное мышление, когда оно отвергает суеверия». #ParkChanKyong #citations #Sindoan
Nge Lay, “Futuristic Women in Those Days”, 2012, photographic print, 30 × 35 cm ★ Myanmar ★ https://www.thavibu.com/burma/nge_lay/BUR2600x.php #NgeLay #contemporaryart #contemporaryphotography #blackandwhitephotography #feministphotography #collage #characters #superheroines #toys #futurism #transmasc #ThavibuGallery #feministartists #Myanmarartists #Burmeseartists #2010s
Sayan Chanda, “Deity 18”, 2021, unpicked vintage quilt, cotton yarn, 76 × 52 cm ★ India/UK ★ https://www.architecturaldigest.in/story/textile-artist-sayan-chanda-explores-folk-traditions-and-mythology-in-a-new-exhibit/ #SayanChanda #contemporaryart #fiberart #abstractart #vintagefabric #folktraditions #textileartists #Indianartists #2020s
Muhanned Cader, “Abstract 01”, 2021-2022, charcoal and collage on paper, 90 × 131 cm ★ Sri Lanka ★ https://jhavericontemporary.com/artists/muhanned-cader ⦾ https://www.artforum.com/columns/jyoti-dhar-on-the-opening-of-the-museum-of-modern-and-contemporary-art-sri-lanka-246015/ #MuhannedCader #contemporaryart #abstractart #collage #drawings #forms #geometric #fragments #semiobjective #rhythmic #shapedpaper #shapedcanvas #comparisons #EllsworthKelly #SriLankanartists #2020s
Doris Salcedo, “Adding Absences” (“Sumando ausencias”), Plaza Bolivar, Bogota, 6–11 October 2016 ★ Colombia/USA ★ https://awarewomenartists.com/en/magazine/doris-salcedo-de-lidentite-singuliere-a-lhistoriographie-collective/ ⦾ https://iv.ggtyler.dev/watch?v=gpkVz94KZ1U&t=1h6min23s ⦾ https://www.youtube.com/watch?v=gpkVz94KZ1U&t=1h6min23s #DorisSalcedo #contemporaryart #performanceart #publicart #artactivism #artivism #humanrightsartworks #names #victimsofrepression #civilwars #civilresistance #peaceagreement #collectivemourning #mourning #lamentation #Sumandoausencias #Bogota #WalterBenjamin #IrinaKulik #artstars #Colombianartists #2010s
Doris Salcedo: From Singular Identity to Collective Historiography — AWARE Women artists / Femmes artistes
This interview was conducted by Carolina Ariza on 21 January 2017 at Doris Salcedo’s studio in Bogota, Colombia. It was made possible thanks to Felipe Arturo, an artist and assistant to D. Salcedo some years ago. A longer version of the interview is included in...
i/ii • Через четыре дня после референдума о национальном примирении, закончившегося решением «нет» (и на следующий день после того, как стали известны результаты голосования и начались протесты), сотни колумби:ек во главе с Дорис Сальседо собрались на площади Симона Боливара ради акта... ⦾ https://www.instituteforpublicart.org/case-studies/sumando-ausencias/ #DorisSalcedo #performanceart #publicart #artactivism #names #victimsofrepression #peaceagreement #collectivemourning #mourning #lamentation #Sumandoausencias #PlazaBolivar #Bogota
ii/ii • ...материализации траура: активист:ки в течение нескольких дней сшивали 1900 белых полотен с именами пропавших без вести. Каждое имя было написано на ткани длиной 2½ м (о ширине ткани не знаю, вряд ли больше 140 см). ⦾ https://ru.wikipedia.org/wiki/Колумбийский_референдум_по_мирному_соглашению_(2016) #DorisSalcedo #artactivism #victimsofrepression #civilresistance #peaceagreement #materialityofmourning #collectivemourning #mourning #lamentation #PlazaBolivar #Bogota #2010s
Yung Tatu, “2020a”, 2020, carpet, 150 × 80 cm ★ Germany ★ https://artviewer.org/natures-mortes-at-palais-de-tokyo/ ⦾ https://www.instagram.com/yung.tatu/ #YungTatu #YoungTatu #contemporaryart #hilite #streetart #installationart #characters #rabbits #darkculture #carpets #fiberart #comparisons #Winzavod #tattooartists #2020s
Мне понравилось, как была выставлена эта хайлайт-работа. С тремя выложенными в ряд белыми матами. Немного напоминает архитектурную инсталляцию Марины Кошлиной, которую можно было увидеть этим летом на Винзаводе.
Надпись на керамическом торте Мариан Ромы: «Я знаю, что будет ещё хуже!» ★ Marián Roma, unknown title (“Sé que se va a poner peor!”), 2021, ceramics ★ Mexico ★ https://www.piokok.com/pl/post/6866165073492036195124/ #MariánRoma #MarianitaRoma #contemporaryart #contemporaryceramics #ceramics #tortes #cakes #characters #smiles #handcuffs #ballandchain #Kultrab #memes #Mexicanartists #2020s
Wysłane przez @marianroma___: PASTEL DE CERÁMICA este es un delicioso pastel de fresas con crema, lagrimas de murciélago, espinas de huizache, jugo de calzón de esa persona que rompió tu corazón y la fruta podrida que nunca sacaste de tu mochila - Piokok
marián roma na Instagramie: PASTEL DE CERÁMICA este es un delicioso pastel de fresas con crema, lagrimas de murciélago, espinas de huizache, jugo de calzón de esa persona que rompió tu corazón y la fruta podrida que nunca sacaste de tu mochila
Фотография с прошедших олимпийских игр — оммаж итальянским (фашио-) футуристам ★ Agustin Marcarian, “Ally Wollaston, Bryony Botha, Emily Shearman, Nicole Shields of New Zealand in action during their women’s track cycling team pursuit”, 7 August 2024 ★ Argentina ★ https://www.reuters.com/pictures/photos-of-the-day/pictures-day-august-7-2024-2024-08-07/ #AgustinMarcarian #sportphotography #athletes #OlympicGames #Paris2024 #Italianfuturism #futurism #moving #hommages #AllyWollaston #BryonyBotha #EmilyShearman #NicoleShields #Reuters #2020s
Renate Bertlmann, “Boris is Lying”, 1974, pencil, gouache and tracing paper on paper, 36 × 49 cm ★ Austria ★ https://www.christies.com/lot/renate-bertlmann-b-1943-boris-lugt-boris-6232119/ ⦾ https://www.sothebys.com/en/articles/5-things-to-know-about-renate-bertlmann #RenateBertlmann #abstractart #contemporarypainting #modernart #surreal #gouache #geometric #biomorphic #feministartists #comparisons #1970s
Что-то среднее между Александрой Сухаревой, Эшли Ханс Шейрль и Френсисом Бэконом.
Настя Павлова, без названия, 2024 ★ Nastya Pavlova, Untitled, 2024 ★ Russia ★ https://www.instagram.com/nvstiv/ #NastyaPavlova #nvstiv #contemporaryart #fiberart #abstractart #minimalistmysticism #darkculture #fabula #MW #2020s
Снято на групповой выставке в баре клубного типа. Групповая выставка от галереи fabula была странной, потому что половина работ принадлежали Насте Павловой.
Юрий Лейдерман, «Мимо свисающих ветвей достигаю Дании», 1989, оргалит, масло, 112 × 190 см ★ Ukraine/Russia/Germany ★ https://vladey.net/ru/artist/yuriy-leyderman #YuriLeiderman #contemporaryart #contemporarypainting #conceptualart #1980s
Xiao Yu, BB, 2019, bronze, 98 × 98 × 5 cm ★ China ★ https://www.pacegallery.com/artists/xiao-yu/ ⦾ https://www.gdmoa.org/zhanlan/threeyear/Thefourth/23/en/Artists/23307.html #XiaoYu #contemporaryart #contemporarysculpture #bronzesculpture #abstractart #forms #ecologicalsomething #bamboo #Chineseness #PaceGallery #PaceHongKong #Chineseartists #2010s
Tromarama, “Ting*”, 2008, stop motion animation and porcelain tableware installation, duration 2 min 47 s ★ Indonesia ★ https://vimeo.com/151873594 #Tromarama #contemporaryart #installationart #stopmotion #videoinstallation #porcelain #tableware #dishes #ceramics #lofipics #BagusPandega #JakartaCeramicBiennale #artcollectives #Indonesianartists #2000s
Tromarama, “Ting*”, 2008, stop motion animation and porcelain tableware installation, duration 2 min 47 s ★ Indonesia ★ https://www.sothebys.com/en/auctions/ecatalogue/2012/sea-modern-ctmp-paintings-hk0383/lot.265.html ⦾ https://jakartacontemporaryceramic.wordpress.com/history-of-the-jccb/jccb1-2009-2010/artists-2/tromarama/ #Tromarama #contemporaryart #installationart #stopmotion #videoinstallation #porcelain #tableware #dishes #ceramics #lofipics #BagusPandega #JakartaCeramicBiennale #artcollectives #Indonesianartists #2000s
Chen Chieh-jen, “Worn Away”, 2023, black and white video, 69 min 30 s, loop ★ Taiwan ★ https://www.contemporaryartdaily.com/project/chen-chieh-jen-at-secession-vienna-28640 #ChenChiehjen #contemporaryart #videoart #accommodationpoint #refugeecamp #surveillanceeconomics #anticolonial #māyā #Taiwaneseartists #2020s
I Gusti Ayu Kadek Murniasih, “Style 19”, 2000, acrylic on canvas, 59.5 × 84.5 cm ★ Indonesia ★ https://ocula.com/artists/i-gusti-ayu-kadek-murniasih/ ⦾ https://digital.nga.gov.au/archive/contemporaryworlds/artists.cfm%3Fartistirn=49758.html #Murni #IGAKMurniasih #IGustiAyuKadekMurniasih #feministart #contemporarypainting #sexpositive #eroticscene #acryliconcanvas #BiennaleofSydney #selftaughtartists #Indonesianartists #2000s
Kishio Suga, “Adjacent Gaps, Internal Separation (Kinsa-nairi)”, 1999, plywood, vinyl chloride tube, rope and paint, 39.7 × 27.9 × 5.1 cm ★ Japan ★ https://www.10chancerylanegallery.com/artists/227-kishio-suga/works/ #KishioSuga #contemporaryart #contemporarysculpture #neomodern #Monoha #kinkyart #abstractart #ropeinart #PVC #adjacent #internalseparation #1990s
RongRong, “1993 No. 17” (Zhang Huan), 1993, gelatin silver print, 55 × 37.5 cm, the Tate Collection (P82588) ★ China ★ https://www.tate.org.uk/art/artworks/rongrong-1993-no-17-zhang-huan-p82588 #RongRong #contemporaryart #contemporaryphotography #blackandwhitephotography #photoperformance #ZhangHuan #BeijingEastVillage #prostheticlegs #queervibes #phallic #Tate #Chinesephotographers #Chineseartists #1990s
Prunella Clough, Untitled Panel II, circa 1975, plastic and string on a wood panel, 16 × 16 inches ★ UK ★ https://www.christies.com/en/lot/lot-5704679 ⦾ https://www.christies.com/en/search?entry=Prunella%20Clough&page=1&sortby=relevance&tab=sold_lots #PrunellaClough #contemporaryart #abstractart #geometric #grids #opart #1970s
Rebecca Horn, “The Peacock Wheel, Vibration”, 1981, steel, glass and violin bow, 70 × 100 × 18 cm ★ Germany/France ★ https://www.theartstory.org/artist/horn-rebecca/ ⦾ https://www.galeriethomasschulte.com/artists/rebecca-horn/ #RebeccaHorn #contemporaryart #conceptualart #musicalconceptualart #neodada #peacock #violin #violinbow #artstars #1980s
Ana Beatriz Almeida, “Egbe Orun”, 2021, video performance from the series “Egbe Orun”, 1 min 45 s ★ Brazil/Beninese ★ https://www.vervegaleria.com/en/artistas/ana-beatriz-almeida-2/ #AnaBeatrizAlmeida #contemporaryart #videoart #performanceart #videoperformance #sensitive #boats #river #couples #queervibes #Africanmanifestations #Brazilianartists #2010s
Petrit Halilaj (@xixellojme@twitter.com), “Poisoned by men in need of some love (Anas platyrhynchos)”, 2013, iron, cow excrement, soil, glue, brass plate ★ Kosovo/Italy/Germany/France ★ https://mennour.com/artists/petrit-halilaj #PetritHalilaj #contemporaryart #contemporarysculpture #queerart #queersculpture #animalism #mallard #Anasplatyrhynchos #ducks #cowdung #poisoned #mirrorinart #cornerinart #artstars #Kosovarartists #2010s
Случай квир-патриотизма: приятно, что сам:ая известн:ая косоварск:ая художни:ца в истории (all-time) — открытый гей, которому пока нет и сорока. #PetritHalilaj #queerartists #Kosovarartists @xixellojme@twitter.com
Shirin Abedinirad, “Woman Hair Freedom”, 2022 ★ Iran/USA ★ https://www.shirinabedinirad.com/portfolio/woman-hair-freedom/ #ShirinAbedinirad #contemporaryart #feministart #artactivism #humanrightsartworks #politicalart #hairfreedom #mirror #mirrorinart #contemporarysculpture #MahsaAmini #WomanLifeFreedom #JinJiyanAzadî #femicide #Iranianartists #2020s
Работа посвящена Махсе Амини, ну и во вторую очередь вспыхнувшим в Иране осенью 2022 года феминистским протестам.
Woman Hair Freedom | Shirin Abedinirad
Iranian woman, Mahsa Amini 22 years old, dies after she was arrested by morality police for wearing an incorrect headscarf. Women showed their anger at the news on social media by posting other examples of heavy-handed action by morality police against women without hijabs. As a result, women started to remove their scarves while screaming, “Woman, Life, Freedom”; to let the wind blow into their hair, creating a massive tornado taking over the long years of patriarchy and violence forced by the Islamic regime.
Aditya Pande, “Vore 2: The Circus of Faith”, 2008, giclée and enamel paint on paper, 44 × 66 inches ★ India ★ https://naturemorte.com/artists/adityapande/ ⦾ https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDVUCoN3_CqNIoAebNPUwb9L7N9oHk_hFDNGWA9-v_Gd-drRx3rX8whi8qqz9qJcLrDjgN30TdSt73vpascV60n4m570yfFEZviPyw8by5k0fOXkrQZQjioCPBW8MGrqnoqpjGgcEMeLESiPp79UT31A7dCV7ptO9IlvaHhnR4IWJTWjACpTR1tOPKrrY/s2622/Aditya-Pande-2008-Vore-2-The-Circus-of-Faith-giclee-and-enamel-paint-on-paper.jpg #AdityaPande #contemporaryart #contemporarypainting #circus #swordswallowing #computeraided #colours #comparisons #PavelTchelitchew #Indianartists #2000s
Marc Bijl, “Every Cult, its Castle”, 2008, duct tape, metallic tape, spray paint on canvas, 100 × 150 cm ★ Netherlands/Germany ★ https://www.phillips.com/detail/marc-bijl/NY010614/190 ⦾ https://en.wikipedia.org/wiki/Eye_of_Providence #MarcBijl #contemporaryart #contemporarypainting #mixedmedia #metallictape #graffitiart #streetart #punkinspired #symbols #pyramids #eyeofprovidence #allseeingeye #greatseal #cults #2000s
Atelier dell’Errore (Atelier of Mistakes), “Vela Alpina”, 2024, mixed media ★ Italy ★ https://www.biennalegherdeina.it/atelier-dell%CA%BCerrore/ #AtelierdellErrore #AtelierofMistakes #AdE #contemporaryart #contemporarypainting #contemporarygraphics #hilite #characters #bears #pink #mixedmedia #BiennaleGherdëina #artbrut #neurodivergence #peoplea #neurodivergentartists #2020s
René Francisco, “Con las manos en la masa”, 2006, oil on canvas, 141 × 100 cm ★ Cuba ★ https://www.phillips.com/detail/rene-francisco/NY010514/80 #RenéFrancisco #contemporaryart #conceptualart #contemporarypainting #monochromepainting #fourhanded #auctions #cookingshow #tvshow #recollections #Conlasmanosenlamasa #ElenaSantonja #Spanishtv #TelevisiónEspañola #oiloncanvas #Cubanartists #1980s #2000s
По поводу названия — это известное кулинарное шоу на испанском телевидении, существовавшее в 1984–1991 гг.
Тамара Качаленко, «Катастрофа на Каховской ГЭС. Разрушительная волна», 2023, акварель, гуашь, шариковая ручка ★ Ukraine ★ https://www.svoboda.org/a/voyna-cherno-beliy-mir-grafika-sozdannaya-pod-obstrelami-v-khersone/32901462.html #TamaraKachalenko #abstractexpressionism #abstractlandscape #landscape #watercolour #KakhovkaDam #hydroelectricpower #waves #war #warcrimes #Russianinvasion #Ukrainianartists #2020s
"Война – черно-белый мир". Графика, созданная под обстрелами в Херсоне
Художник-график Тамара Качаленко с самого начала российского вторжения в Украину остается в Херсоне и рисует под обстрелами, прячась от ракет, бомб и снарядов в подвале. Ее авторский стиль изменился после того, как она побывала в оккупации: вместо цветных рисунков с использованием гуаши и...
Dawit Abebe, “‘Mutual Identity’ K1”, 2019, mixed media, 35 × 40 cm ★ Ethiopia ★ https://kristinhjellegjerde.com/artists/37-dawit-abebe/overview/ #DawitAbebe #contemporaryart #contemporarypainting #contemporarysculpture #popart #mixedmedia #identity #decoloniality #slavery #historyofslavery #slavetrade #didactic #Ethiopianartists #2010s
Dawit Abebe - Overview
Dawit Abebe (b. 1978, Ethiopia) graduated from the Alle School of Fine Art and Design, part of Addis Ababa University with a diploma in painting, sculpture, graphics, photography and industrial design in 2001. His work relies on vibrant, lively colours, which at times contradict the dark subject matter, addressing contemporary...
Tamara Al Samerraei, “Hot Tub”, 2017, acrylic paint on canvas, 37 × 49 cm ★ Kuwait/Lebanon ★ https://visual-worlds.org/2021/01/18/tamara-al-samerraei-ou-le-reel-mis-en-deroute/ ⦾ http://gypsumgallery.com/works-25 #TamaraAlSamerraei #contemporaryart #contemporarypainting #intimacy #sensitive #erasedfaces #darkculture #depressing #inthebath #acryliconcanvas #Kuwaitiartists #Lebaneseartists #2010s
t0ki4 (Tokia Kinomoto), #33, 2024 ★ https://www.flickr.com/photos/193483911@N05/ #t0ki4 #T0kiaKinomoto #TokiaKinomoto #SecondLife #virtualcommunities #virtualspace #characters #flickr #queervibes #queergraphics #queercharacters #twinks #piercing #2020s
Шли годы и «Фликр» постепенно оказался захвачен геймер:ками Second Life. Сейчас найти свежие фотографии с реальными людьми там заметно сложнее, чем кадры и луки игровых аватар:ок.
t0ki4
Explore t0ki4’s 111 photos on Flickr!
Martin Puryear, Untitled, 2008, stained pine, 95.3 × 71.1 × 36.8 cm ★ USA ★ https://www.artsy.net/artwork/martin-puryear-untitled-12 #MartinPuryear #contemporaryart #contemporarysculpture #woodensculpture #abstractart #minimalism #postminimalism #biomorphic #forms #holes #pine #Zenaplomb #DonaldJudd #BLT #2000s
Valerie Asiimwe Amani, “Selkie Skin”, 2022 ★ Tanzania ★ https://www.valerieamani.com/head-of-the-snake ⦾ https://en.wikipedia.org/wiki/Selkie #ValerieAsiimweAmani #contemporaryart #contemporarypainting #assemblage #photobasedart #mixedmedia #merfolk #selkie #mythologicalcreatures #myths #crossingmyths #Scottishfolklore #Tanzanianartists #2020s
Yaara Zach, “The First Year”, 2023 ★ Israel ★ https://www.artwallgallery.cz/en/exhibition/yaara-zach-first-year #YaaraZach #contemporaryart #contemporaryphotography #photoperformance #performanceart #neosurreal #blue #beach #interconnectedness #marineplastic #climatechange #kinkyart #Israeliartists #2020s
Yaara Zach: The First Year
Yaara Zach's photographs are inhabited by figures draped in blue plastic overalls standing alone among the rocks, washed out on the sea beach, seemingly lost and abandoned. Their plastic skin with tubes and strange flapping extensions turns their bodies into something uncanny, simultaneously human and alien. These bodies testify to the vulnerability of both human and more-than-human existence. “The blue figures are taken from my dreams. They are altered in the act of breathing, from body to an object and vice versa. The work evolved around the fragility of breathing, the first and last action in life. I wanted to use air as a material and give it a shape, even if it was limited in time,” comments the artist. The photographic series stems from a video of the same title where performers interact in what seems like a ritualistic ceremony. They inflate each other’s suits embodying the idea of mutual support and interconnectedness by breath. The images displayed at Artwall however, suggest feelings of isolation. The clinging plastic seems to suffocate those wrapped in it. Bodies on the beach resemble dead marine life strangled by plastic waste. Figures surrounded by sand and rocks scorched by the sun evoke the drought brought about by the climate change. They bring to mind the fragility of life and the environment in which we live. About the artist: Yaara Zach (born in 1984) lives and works in Tel Aviv. Zach is a multidisciplinary artist predominantly working in sculpture whose works revolve around the human body as a site of personal and collective memories. Her works have been showcased in exhibitions worldwide, including prominent venues such as The Israel Museum, Tel Aviv Museum of Art in Jerusalem, Moscow International Biennale for Young Art, Berardo Collection Museum in Lisbon, The artists' house in Brno and others. She has received numerous awards, including the Ann and Ari Rosenblatt Prize for Visual Art in 2022, a Merit Prize from the Bezalel Academy of Arts and Design and the Rabinovich Foundation Prize for the Arts in Tel Aviv. Curators: Zuzana Štefková, Lenka Kukurová The project is supported by the Ministry of Culture of the Czech Republic, the City of Prague and the Municipal District of Prague 7. The First Year project was supported by Asylum Arts at The Neighborhood: An Urban Center for Jewish Life, Artport Tel Aviv, Mifal HaPais Council for the Culture and Arts. Media partners of the project are Artmap, Radio 1, GoOut. photo of the exhibition at Artwall: Martin Micka
Ottilie Landmark, from the set for Lampoon Issue 24, 2021 (model Jade O’Belle) ★ Denmark/UK ★ https://lampoonmagazine.com/article/2021/11/13/ottilie-landmark-photography/ ⦾ https://www.sothebys.com/en/buy/auction/2022/forms-of-intimacy-a-celebration-of-pride-presented-by-equinox/sinead-in-blue-light #OttilieLandmark #JadeOBelle #contemporaryphotography #queerart #kinkyart #queergaze #femalenude #seminude #queerzines #zineculture #Lampoon #LampoonMagazine #queerphotographers #Danishphotographers #2010s
Yee I-Lann, “Meja”, 2018, split bamboo pus weave, black natural dye, clear PVC glue, 126 × 171 cm ★ Malaysia/Pākehā/Sino-Kadazan/Hakka/Chinese ★ https://www.silverlensgalleries.com/artists/yee-i-lann ⦾ https://www.ngv.vic.gov.au/triennial/artists-designers/yee-i-lann/ #YeeILann #contemporaryart #fiberart #feministart #artactivism #humanrightsartworks #politicalart #authoritarianism #patriarchy #semiabstract #architectureinspired #lineartgraphics #Meja #tables #tikar #weavingtraditions #Malaysianartists #KadazanDusunartists #2010s
Художница ткёт традиционные циновки с изображением стола или столов на них. «Стол символизирует административную власть и контроль — колониальный, патриархальный и государственный. Столы противопоставляются тикару (циновке), так как тикар символизирует неиерархическую открытую платформу, созданную фимейл и ориентированную на сообщество. Если поместить изображение стола на тикар, то при сворачивании стол окажется поглощённым тикаром».
Что означают восстающие тени столов, я не понял. #YeeILann
Francisco Hurtz, “Torture I”, 2016-2018, graphite on book page, 33 × 25 cm ★ Brazil ★ https://www.vervegaleria.com/en/artistas/francisco-hurtz-2/ #FranciscoHurtz #contemporaryart #queerart #queergraphics #kinkyart #BDSMart #bondage #eroticizedtortures #stocks #humiliation #Brazilianartists #Verve #Braziliangalleries #2010s
Charlotte Posenenske, exhibition at Artists Space, New York, 2010 (configuration by Rirkrit Tiravanija) ★ Germany ★ https://www.takeninagawa.com/en/artists/3260/ #CharlottePosenenske #contemporaryart #contemporarysculpture #abstractart #ArtistsSpace #RirkritTiravanija #relationalaesthetics #artstars #biennialartists #undatedartworks
