Happy Birthday, Faith Ringgold — The Textile Eye

Born on this day in 1930 in New York City, Ringgold created an impactful vision. For over 50 years, her art and activism have been at the vanguard of anti-racism and feminism.

Helena Almeida, o seu corpo é a sua obra, a sua obra é o seu corpo

Helena Almeida, uma das mais importantes artistas plásticas do século XX, morreu esta terça-feira aos 84 anos

(#220) Anna Hunt

Christopher Aque - Regards

I’d go for a run in the mornings before Neal left for work—down our street to Franklin Ave, then along Eastern Parkway to Prospect Park. I’d usually do a full lap, circling through Park Slope, Windsor Terrace, and Prospect-Lefferts, before heading back through Crown Heights and home to Bed-Stuy. Seven miles of changing Brooklyn demographics. …

Fiker Solomon - Biography

Fiker Solomon (b. 1995, Ethiopia) is an Ethiopian artist living and working in Addis Ababa. She graduated from Ale School of Fine Art and Design, Addis Ababa University with a major in Fashion Design in 2014. Since graduating from art school, she has developed a unique style of textile making,...

Tyrrell Tapaha’s Fresh Approach to Pictorial Navajo Textiles

Diné fiber artist and sixth-generation weaver Tyrrell Tapaha expands lived experience and ideas about the future.

"A Brief History of the Swastika Symbol and Its Use in Navajo Weaving"

Dennis J. Aigner will be at the Millicent Rogers Museum on Sunday, March 5th for a Book Talk/Lecture to discuss his book "The Swastika Motif and Its Use in Navajo and Oriental Weaving" and give a lecture about the Whirling Log Motif and its use in Navajo (Diné) Weaving.  To view the recorded presentation, please visit

Manisha Parekh

Works on paper | Heidi Bucher

works — Gypsum Gallery

Lucia Sotnikova at Berthold Pott – Art Viewer

Javier Rey

Javier Rey is an artist, photographer and graphic designer of the National University of Colombia. Born in Bucaramanga (Colombia) in 1991. Currently based in Bogotá, Co. He’s represented by The Art Design Project a gallery based in Miami, USA. and is the main editor and printer at FanLab, a studio dedicated to the production of museum quality expositions and fine art printing. His work has been shown in numerous collective exhibitions, a solo show at Permanente Gallery in 2018 and several international art fairs like AtrtLima (Peru), Scope Art Fair (Miami) and La Feria Del Millón (Colombia). His work has also been published in books like Unlocked, by the greek based collective Atopos, as one of the 145 web’s most relevant visual artists and photographers of 2015. His images in which he explores the body and the possibilities of sculpture through photography have been featured in several publications in Colombia, USA, Mexico, Germany, Spain, Denmark and other countries. I have always been fascinated by the concept of perfection and how it modifies the spaces we inhabit, the cities we transit, and the bodies and minds we have. Through documenting, staging, and collecting and categorizing photographs, I investigate the various human dynamics and emotions that shape our interactions and existence in the world we collectively live in. My work explores the idea that no matter how much effort we put into fabricating a perfect life through perfect images, the inevitable chaos, will always interfere with even the most utopian of realities. In a world where we are bombarded with images of an idealized existence, I point out the beauty and complexity of imperfection. Ultimately, my work is a reflection of the complexities of the human experience and how our interactions and existence affect the world we live in. By investigating the perceptions and concepts of perfection or human canons, I aim to create a dialogue about the nature of reality and the various ways in which we navigate the world around us.

Francisco Rodriguez - Works

Works by Francisco Rodriguez: A Warm Night, 2023 , After School, 2023 , Fighting in the Playground, 2023 , March Riots II, 2023 , March Riots III, 2023 , Sleeping in Class, 2023 , Sleeping in Class ( Portrait), 2023 , The Drawer, 2023 , The Revenge, 2023 , The...

Whitney Biennial 2024: Even Better Than the Real Thing

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Whitney Biennial 2024: Even Better Than the Real Thing at Whitney Museum of American Art – Art Viewer

Adina Salome Harnischfeger, exploration and discovery | Collater.al

The photographic portraits of Adina Salome Harnischfeger are intimate and personal and focus on the fragility of the human body.

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painting — nadia waheed

A Small Land of Watery Light at Gallery Vacancy – Art Viewer

Simryn Gill

Handiwirman Saputra 漢迪威曼 · 蘇普塔拉 | Mega Mendung Beserta sayap kiri dan Kanan (Overcast Clouds Along With Left Wing & Right Wing) 烏雲密布，左右翼 | Modern & Contemporary Art | 2024 | Sotheby's

<p>Property From An Important Southeast Asian Private Collection</p><p><br></p><p>Handiwirman Saputra</p><p>b. 1975</p><p><em>Mega Mendung Beserta sayap kiri dan Kanan (Overcast Clouds Along With Left Wing & Right Wing)</em></p><p><br></p><p>signed and dated <em>2015 </em>(lower left)</p><p>signed <em>Handiwirman Saputra</em>, titled in Indonesian <em>mega mendung beserta sayap kiri dan Kanan</em>, dated <em>2015</em> and inscribed in Indonesian <em>Acrylic di atas kanvas 244 cm x 244 cm </em>(on the verso of top left panel)</p><p>acrylic on canvas mounted on composite panel, in six parts</p><p>overall:</p><p>240.8 by 240.9 cm.</p><p>94¾ by 94⅞ in.</p><p>Executed in 2015.</p><p><br></p><p>----------------------------------------------</p><p><br></p><p>重要東南亞私人收藏</p><p><br></p><p>漢迪威曼 · 蘇普塔拉</p><p>1975年生</p><p>烏雲密布，左右翼</p><p><br></p><p>款識</p><p>藝術家簽名 2015（左下）</p><p>Handiwirman Saputra "mega mendung beserta sayap kiri dan Kanan" 2015 Acrylic di atas kanvas 244 cm x 244 cm（左上板畫背）</p><p>壓克力畫布裱於複合板，共六部分</p><p>整體：</p><p>240.8 x 240.9 cm.</p><p>94¾ x 94⅞ in.</p><p>二〇一五年作</p>

Cut Suits

2023 video installation / single channel video with sound, 6min.12sec. Installation photo by Shintaro Yamanaka (Qsyum!)

Faces of Change — Yu Yu Myint Than

works — Gypsum Gallery

Imago Mundi Collection