Y'all are chasing working artists away from this place by harping on how "sad" and "pathetic" it is for them to hope for a large follower count here.

It's not about attention. It's about their bottom line. More followers means more commissions, more customers in their online shops, more direct exposure to people with hiring power. It's honestly really cruel to keep acting like they want adulation when really they just want to pay rent.

They have ample reason to mourn what they built.

You have to understand that, at least right now, losing their audience probably feels like going from having a well-established, high-traffic store in a luxury mall to having a stall at the flea market. They can climb back up from there, of course, but it's going to take time and work. It's silly and mean to shame them for not wanting to start over when they already worked so hard to get where they are.
And I'm not blowing hot air when I say you're chasing away working artists. I follow a ton of artists elsewhere, and that's what I see them saying. They feel demeaned and dismissed by this attitude that wanting a lot of followers is vapid, or selfish, or something they need to unlearn. They know what's best for them and their business. Cut it out.
And one last thing--I'm saying all this as someone who actually really likes Mastodon and would love to see more creators from my industry show up here! I've done my fair share of evangelizing, but I can't blame them for staying away when so much of this rhetoric is flying around.
@alannawrites Same, however a lot of them seem to be addicted to the follower counts.

@hamsterrage As someone who knows many, many high profile artists personally, I strongly disagree.

It's not an addiction to not want to lose your customers.

@alannawrites I also know many high profile artists and writers personally and I can tell you that they often tell me that cons are when they find the real fans, twitter is where the trolls mostly live.
@hamsterrage @alannawrites Absolutely not true. I sell most of my pots via Twitter. But I do have a complete persona there. I don’t aim just to sell.
@hasenschneck (I hope you don't take too much of a hit from this whole twitter mess, Saskia, your pottery is gorgeous!)
@hasenschneck @alannawrites Can confirm! I have two beautiful mugs and am sorely tempted by your carved vases!

@alannawrites @hasenschneck
It would be great if there was an artist server where we could browse through to find artists. I wouldn't know who to even search for.

Maybe that is something Mastodon could help with. A boutique type server where those who know who's who could gather.

@mncricket @hasenschneck I'm on mastodon.art for this reason and artistalley.space is new but aspiring to do that sort of thing. And artisan.chat is similar to what you're talking about too but more craft focused!
@mncricket @alannawrites @hasenschneck
Mastodon isn't going to create a server. Some individual or group would have to do that.
@mncricket @alannawrites @hasenschneck That's why hashtags are so important on here. You can follow hashtags here.
@hasenschneck @hamsterrage @alannawrites Seconding this, and something like 80-90% of my site visits are from Twitter. I really don't like the attitude that people are "addicted" to a high follower count. It is useful to get work seen by more people, because it means more potential work. However, people on here seem to be very good at sharing stuff and boosting, so if they can stick it out (and ignore the more snide, ignorant comments) there is potential here.
@hasenschneck @Ciaraioch @alannawrites my buddies who have run Kickstarters got loads of traffic from Facebook but said very little from Twitter. But I stand corrected if y’all have data to the contrary.
@hamsterrage @hasenschneck @alannawrites Down slightly on last month but around the 80%. Every artist has different bases, I know people with tens of thousands of followers on Instagram and hundreds on Twitter, or vice versa. And Facebook isn't exactly the pinnacle of morally sound social media either, anyway.
@alannawrites @hasenschneck @Ciaraioch appreciate the transparency and the sharing of the data!
@Ciaraioch @hasenschneck @alannawrites agreed Facebook/Meta is a nightmare company.
@Ciaraioch @hamsterrage @hasenschneck @alannawrites yeah like my clients, major opportunities, and generally all meaningful traffic came from twitter
@hamsterrage @Ciaraioch @alannawrites I think it depends very much on your following. My account is also the whole me: politics, swearing, silliness, stories about my pets, etc., not just flogging my wares. I think that matters, otherwise why should people care?
@Ciaraioch @hasenschneck @hamsterrage @alannawrites
I think that some people have forgotten that social media isn't just about memes and retweets, but that people earn a living on it. That it drives traffic to their market spaces or portfolios.
Twitter and Artstation are how we find potential artists for upcoming projects.
@hamsterrage @alannawrites cons aren't an option for some of us
@alannawrites @NoraReed I hear you. I haven’t been to one since the 2020 C2E2

@hamsterrage @alannawrites "High profile". Of course they'd find fans at a con...

Small, independent artists who work off commissions ordered by Tweets aren't going to have people lining up to meet them at a con.

@alannawrites

I think it’s troubling to have that perspective VS supporting the 44B investment of a man who’s
-spreading conspiracy theories (Covid/ Paul Pelosi)
-platforming white supremacists
-banning journalists
-encouraging violence

At the end of the day… we have to vote with our dollars and our voices… If the above aren’t red lines then where do they stand?

@hamsterrage where did I support or endorse Twitter in this thread? I hated twitter before Musk, and I do think people should leave. And it's frustrating for me that people in my community don't see the potential of this place because callous comments are keeping them away. That's my whole point.
@alannawrites I'm not referring to you, I'm referring to the folks that are staying and not making the effort to move.
@hamsterrage blockable behavior on this thread, sir.

@erinfulmer

By jingo, you're right. The point was:

"Artists are sad because holy shit it's a lot of work rebuilding an audience here."

The rebuffal has been "Artists are fascists and are staying on that website."

That's just not good faith.

@alannawrites @hamsterrage Brian, you make it sound easy. Yes, Elmo is a trash human, but for an artist, it can be their livelihood. I have solid principles but if it’s eat or follow my principles, it’s an easy choice.

Additionally, marginalized communities have built up audiences and mutual aid networks and awareness - asking #DisabilityTwitter to cut and run could very well cost lives.

There is no black and white.

@SimplyJennifer @alannawrites I hear you. Iran is facing a similar challenge.

The question I’m asking is what’s the red line? Clearly we’ve made a choice and moved… so what’s the barrier for other folks; and is it real or perceived?

@alannawrites @hamsterrage go read some stories about Texas parents of trans children - read their stories about how they can’t always move, and how that tears them apart. Is there anything worse than knowing you can’t protect your child?

People are complex. Lives are complex. Living under oligarchic capitalism makes everything harder

@hamsterrage @SimplyJennifer @alannawrites "what's the barrier..."? Well, Jennifer named one in creating this thread - a reception here that seems judging instead of welcoming.

@SimplyJennifer @alannawrites @[email protected] thus is the “but you PARTICIPATE in society, ha ha!” comic in real life.

staying on twitter is in no way materially worse than staying in the USA, if you’re a citizen. we accept that people should not have to move countries when bad leaders are elected bc the power differential and the cost makes it ridiculous.

nobody should be told to give up their (harmless!) living or human connection bc of musk.

@hamsterrage @alannawrites Consider that most creative sectors have average salaries for people working full time on their own projects near or below minimum wage.

Many can't afford the level of ideological purity you seem to want to demand.

I also don't buy that it's necessarily the right choice - people can just drop Twitter and hope people follow, or stay and try to coax more to leave. I'm not convinced there's one right answer.

@alannawrites Alanna this is an interesting conversation. I appreciate learning about how artists have used Twitter and what they need now. Thanks for joining us on Mastodon-I hope it will prove to be viable for supporting artists.
@Pattyagray thank you, Patty! I hope so too!
@hamsterrage @alannawrites Vote with our dollars and voices? Cool, what artists are you supporting with your dollars? Please list them so we can boost them and support them here.
@akaBeth10 @alannawrites
Sure, I pledged to kickstarters and bought original artwork from several of the folks on this list: https://docs.google.com/spreadsheets/d/19AjOfXdTiqOeifdVzgB0cs8CH8dLNqowjBIBuiqThQw/edit
Comic Book Folks on Mastodon

Sheet1 Feel free to share this list anywhere to get folks off the birdsite. NAMES,MASTODON LINKS A Jason Tabrys,@jtabrys Adam P. Knave,<a href="https://mastodon.social/@Adampknave">@[email protected]</a> ADRIÁN BONILLA,<a href="https://mastodon.social/@adrianbonillacomics">@adrianbonill...

Google Docs
@hamsterrage @alannawrites That's cool, I haven't seen that list. Is there a favorite or two we can boost?

@hamsterrage @alannawrites

That's a very comfortable position to take when it's not your rent money you'd be giving up.

@alannawrites @LucyWinter agreed, so I’m curious… what’s your red line?

@hamsterrage @alannawrites

IDK, what's yours? Do you drive a car? Eat vegan? Shop zero waste?

I guarantee you, you are making at least a dozen compromises on your own ethics just to live in this fundamentally flawed society that are at least as bad as keeping your Twitter account going, and I guarantee you don't have as good an excuse as, "It's my literal income."

@LucyWinter @alannawrites you’re wrong about that… I’ve often put myself into situations where my principles stand before my income. Including blowing the whistle on bad actors in comics… I’m still owed money from 15 years ago from Fangoria. I’ve also put my name on several letters to C Suite execs that could have turned around fired my ass. Jan 6 was my red line in those cases.

But you’re correct that it feels pointless sometimes.

@hamsterrage @alannawrites

You're literally posting to me on a computer right now, composed with rare earth minerals mined under horrific conditions. Don't you care about the working conditions of the people in the third world mining those minerals? Sure, you probably make a living at least partially on your computer, but your principles must come before your income, right?

And, congratulations, you've made good choices in the past... did they literally put you on the street? Were they the difference between feeding your kid or not? Because that's what you're asking people to give up, not an opportunity or two. So honestly, your comparisons sound a little obtuse to me.

My point is, there are so many immoral things about our world that are out of our control that we are always making some compromise somewhere. Nagging others whose lives you know nothing about doesn't fix that, but it does let them know you and your platform are hostile towards them when they need help most.

@hamsterrage @alannawrites At the end of the day, if a person’s established audience is directly tied to their ability to pay rent, I can’t fault them for deliberately managing a transition off of the bird site.
@hamsterrage @alannawrites You should read the whole thread. She's correct. Your mischaracterization of artists as "addicted" is wildly ignorant of how cultivating a customer base as any kind of creator works.
@hamsterrage @alannawrites what a terrible comment. You might as well say they're addicted to having a roof over their heads or food on their table

@hamsterrage @alannawrites : most are missing the fact that the follower count is fake. It includes bots, it includes not-active person, it includes accounts following but not reading.

It is just fake and sending the wrong signal to artists that work to increase a fake number provided by a company which earn more money by increasing it.

You don’t earn a living as an artist because you have lot of followers. You have lot of followers because you are a famous artist.

Chapitre 8 : l’artiste déconnecté

Chapitre 8 : l’artiste déconnecté écrit par Ploum, Lionel Dricot, ingénieur, écrivain de science-fiction, développeur de logiciels libres.

@ploum @alannawrites @[email protected] this take was so fkn funny and ass backwards that i legit thought i was on twitter for a moment
@foervraengd lol did you see the person who said mastodon folks complaining about working artists are "literally like jesus flipping tables in the temple" because that took me out 🤣
@alannawrites that was so fucking funny like imagine comparing mastodon to a space meant for religion. Your thread attracted some gold content.
@foervraengd the folks who say they don't want to replicate the twitter experience here sure seem to be very good at doing that exact thing 😂
@alannawrites be careful or we might get bean dad 2.0 😂