Phew. Finally finished it. Spent a ton of time tweaking it. The build quality was, to put it mildly, “not great” to begin with. Even though it’s from 1955—it’s not like it’s the ’70s or ’80s yet—it should have been decent...
But everything’s uneven—the pressure plate is warped, the film path is a bit crooked, and the case isn’t perfect either.
I had to bend things endlessly, reassemble it, and check it over and over. It turned into a lot, a lot of hassle.
Was it worth going to all that trouble over the “Zorkiy”? It wasn’t. But I have a personal “flaw”—I can’t leave something unrepaired.
As a result, I settled for a compromise—it’s acceptable, even if not perfect.
By the way, if they were producing cameras like this today—given the current level of Chinese automated manufacturing—they could be made to be practically perfect. The thing is, it’s hardly worth going to all that trouble today with a focal-plane shutter.
Besides, there are excellent high-tech cameras that deliver superb results—whether digital or film. The Nikon F3 and later models, or the budget Canon SLRs from the early 2000s (300v, 7s, etc.). Or even take a Praktica—the results and quality are already quite predictable with those.
But—I went ahead and restored a Zorki-2S just for the fun of it. At the same time, I traced the evolution of design thinking in photography during the 1950s.
#cameras #vintagecamera #zorki #camerarepair #cameradoctor