Monica C MillerI really appreciate @robinjames
's work to correct the story of 80s-90s alternative music. Plenty was happening before Nirvana and in places other than Seattle. I'd like to see this more broadly contextualized to encompass the Cincinnati and Dayton club scenes at the time (y'all know I'm partial to the Warehouse, but y'all also know the myriad clubs I'm thinking about).
#music #waxtrax #97x #industrialmusic #xtrabeats #dancemusic #alternativemusic
https://open.substack.com/pub/itsherfactory/p/90s-alt-rock-masculinity-as-private?r=1ekgn&utm_campaign=post&utm_medium=web
's work to correct the story of 80s-90s alternative music. Plenty was happening before Nirvana and in places other than Seattle. I'd like to see this more broadly contextualized to encompass the Cincinnati and Dayton club scenes at the time (y'all know I'm partial to the Warehouse, but y'all also know the myriad clubs I'm thinking about).
#music #waxtrax #97x #industrialmusic #xtrabeats #dancemusic #alternativemusic
https://open.substack.com/pub/itsherfactory/p/90s-alt-rock-masculinity-as-private?r=1ekgn&utm_campaign=post&utm_medium=web
90s alt rock masculinity as private individual grievance, and WAX TRAX!/97XTRABEATS as a (queer?) alternative to that 'alternative'
This is the talk I gave at the 2023 IASPM meeting in Minneapolis. It reworks some material I’ve already published here, but in a new theoretical framework that connects it to the work I’ve been doing about Woodstock 99 and its connection to contemporary alt right media